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Gender in music production /
"The field of music production has for many years been regarded as male-dominated. Despite growing acknowledgement of this fact, and some evidence of diversification, it is clear that gender representation on the whole remains quite unbalanced. Gender in Music Production brings together industr...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York, NY :
Routledge,
2020.
|
| Colección: | Perspectives on music production.
|
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
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| 010 | |a 2019056097 | ||
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| 035 | |a (OCoLC)1130380016 |z (OCoLC)1150902140 | ||
| 037 | |a 9780429464515 |b Taylor & Francis | ||
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| 050 | 0 | 4 | |a ML82 |b .G44 2020 |
| 072 | 7 | |a SOC |x 052000 |2 bisacsh | |
| 072 | 7 | |a TEC |x 001000 |2 bisacsh | |
| 072 | 7 | |a UYU |2 bicssc | |
| 082 | 0 | 0 | |a 780.82 |2 23 |
| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Gender in music production / |c edited by Russ Hepworth-Sawyer, Jay Hodgson, Liesl King, and Mark Marrington. |
| 264 | 1 | |a New York, NY : |b Routledge, |c 2020. | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (xii, 290 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Perspectives on music production | |
| 500 | |a "A Focal Press Book" -- taken from front cover. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "The field of music production has for many years been regarded as male-dominated. Despite growing acknowledgement of this fact, and some evidence of diversification, it is clear that gender representation on the whole remains quite unbalanced. Gender in Music Production brings together industry leaders, practitioners and academics to present and analyse the situation of gender within the wider context of music production as well as to propose potential directions for the future of the field. This much-anticipated volume explores a wide range of topics, covering historical and contextual perspectives on women in the industry, interviews, case studies, individual position pieces, as well as informed analysis of current challenges and opportunities for change. Ground-breaking in its synthesis of perspectives, Gender in Music Production offers a broadly considered and thought-provoking resource for professionals, students and researchers working in the field of music production today"-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on June 23, 2020). | ||
| 505 | 0 | |a Galician female bagpipers in the production of local tradition and gender identity Chapter 7: Kirsty Fairclough, Rare Birds: Prince, Gender and Music Production Part II: Women in the Studio Chapter 8: Henrik Marstal, Slamming the door to the recording studio - or leaving it ajar? Chapter 9: Sergio Pisfil, Interview with Betty Cantor Jackson Chapter 10: Liesl King, Twists in the Tracks: An interview with singer, composer, and sound producer Aynee Osborn Joujon Roche Part III: Personal Perspectives Chapter 11: Svjetlana Bukvich, Women in audio: trends in New York through the perspective of a civil war survivor Chapter 12: Julianne Regan, Three Pronged Attack: The pincer movement of gender allies, tempered radicals and pioneers. Chapter 13: Louise M. | |
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 650 | 0 | |a Women in the music trade. | |
| 650 | 0 | |a Women musicians. | |
| 650 | 0 | |a Women sound recording executives and producers. | |
| 650 | 0 | |a Sex discrimination against women. | |
| 650 | 6 | |a Femmes dans l'industrie musicale. | |
| 650 | 6 | |a Musiciennes. | |
| 650 | 6 | |a Productrices d'enregistrements sonores. | |
| 650 | 6 | |a Discrimination à l'égard des femmes. | |
| 650 | 7 | |a musicians. |2 aat | |
| 650 | 7 | |a SOCIAL SCIENCE / Media Studies |2 bisacsh | |
| 650 | 7 | |a TECHNOLOGY / Acoustics & Sound |2 bisacsh | |
| 650 | 7 | |a Sex discrimination against women. |2 fast |0 (OCoLC)fst01114376 | |
| 650 | 7 | |a Women in the music trade. |2 fast |0 (OCoLC)fst01941157 | |
| 650 | 7 | |a Women musicians. |2 fast |0 (OCoLC)fst01178182 | |
| 650 | 7 | |a Women sound recording executives and producers. |2 fast |0 (OCoLC)fst02002373 | |
| 700 | 1 | |a Hepworth-Sawyer, Russ, |e other. | |
| 700 | 1 | |a Hodgson, Jay, |e editor. | |
| 700 | 1 | |a King, Liesl, |e editor. | |
| 700 | 1 | |a Marrington, Mark, |e editor. | |
| 776 | 0 | 8 | |i Print version: |t Gender in music production |b [1.] |d New York : Routledge, 2020. |z 9781138613379 |w (DLC) 2019056096 |
| 830 | 0 | |a Perspectives on music production. | |
| 856 | 4 | 0 | |u https://learning.oreilly.com/library/view/~/9780429875861/?ar |z Texto completo (Requiere registro previo con correo institucional) |
| 938 | |a YBP Library Services |b YANK |n 16578690 | ||
| 938 | |a YBP Library Services |b YANK |n 16752637 | ||
| 994 | |a 92 |b IZTAP | ||