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The cool stuff in Premiere Pro : learn advanced editing techniques to dramatically speed up your workflow /
Gain in-depth knowledge of Premiere Pro, and learn how the software "thinks." You'll acquire new skills that will help you choose the best workflow for your project, and simplify and accelerate your video editing process. Learn how you can edit a lot faster with smarter workflows that...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Apress,
[2017]
|
| Edición: | Second edition. |
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
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| 037 | |a com.springer.onix.9781484228906 |b Springer Nature | ||
| 050 | 4 | |a TK6680.5 | |
| 072 | 7 | |a ART |x 057000 |2 bisacsh | |
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| 082 | 0 | 4 | |a 777.550285536 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Leirpoll, Jarle. | |
| 245 | 1 | 4 | |a The cool stuff in Premiere Pro : |b learn advanced editing techniques to dramatically speed up your workflow / |c Jarle Leirpoll, Dylan Osborn, Paul Murphy, Andy Edwards. |
| 250 | |a Second edition. | ||
| 260 | |a New York : |b Apress, |c [2017] | ||
| 300 | |a 1 online resource : |b color illustrations, maps | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file | ||
| 347 | |b PDF | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Contents at a Glance -- Contents -- About the Author -- About the Contributors -- About the Technical Reviewer -- Foreword -- Introduction -- Chapter 1: Accelerated Workflow -- Get Rid of Bad Habits -- Lucky Meâ#x80;#x94;No Client over Shoulder -- Use Prelude If You Want -- Before You Start Editing -- Copy Folder Template -- Copy the Media Files -- Why Not Strip Out the Bad Material? -- Transcoding? I Donâ#x80;#x99;t Usually Do It -- Create a New Premiere Project -- Project Setting for Labels and Clip Names -- Import Template Project | |
| 505 | 8 | |a Import All the Media via the Media BrowserCreate Bin from Media Browser -- Sorting the Clips into Bins -- A Logical Bin Structure in Your Project Panel -- Set Poster Frames When Needed -- Time for Backup -- What About Helper Files? -- Make Your Material Searchable -- Renaming Clips -- Make Subclips When Needed -- Add Metadata -- Shot List, RIP -- Decide What Metadata to See in the Project -- Locating Assets in the Project -- Find Clips from the Timeline -- Advanced Search and Search Bins -- Metadata Origins -- Sidecar File or Embedded Metadata? | |
| 505 | 8 | |a Understanding Clip Metadata and File MetadataLink Clip Metadata to File Metadata -- Deciding on Your Keywords -- Use Older Versions for Speech Recognition -- Order Transcripts Online -- Add Markers -- The Markers Panel -- Change Marker Colors with Shortcuts -- Search for Markers -- Use Labels to Quickly Find Stuff in Timelines and Bins -- Decide What to Do with Your Audio -- Merge Clips? I Donâ#x80;#x99;t Think So! -- Backup Again -- Do It! -- The Rough Cut -- To Hover Scrub, or Not to Hover Scrub -- Storyboarding -- Some Tips for Storyboarding | |
| 505 | 8 | |a Top & Tail EditingTop & Tail in Action -- Top & Tail Editing Works Best in Simple Timelines -- Quick Navigation in the Timeline -- Keep Notes Inside of Premiere -- Work with PDF Files Inside of Premiere -- Post Notes Panel -- Trimming and Fine-Tuning -- Trim Mode -- Keyboard Shortcuts for Trimming -- Play Around and Tweak -- Dynamic Trimming -- Trim Mode Makes You a Better Editor -- Avoid Complex Timelinesâ#x80;#x94;use Nesting -- Short Sequencesâ#x80;#x94;More Done, Quicker -- Each Nested Sequence Is a Mini-Story -- How Many Sequences? | |
| 505 | 8 | |a Another Real-world Nesting CaseNesting and Restructuring -- Nesting Gotchas -- No Indication of Extra Material in Nested Sequence -- Danger Stripes in the Main Timeline -- No Audio Waveforms Until You Render -- Third-party Software May Need a Flattened Sequence -- Use Grouping When Nesting Is Not an Option -- Make It Shine -- Color Grading -- Effects and Compositing with Template Projects -- Motion Graphics with Template Projects -- Sound Mix -- Get a Second Opinion -- Output -- Organized Timeline Helps Export -- Creating a Master File | |
| 588 | 0 | |a Print version record. | |
| 520 | |a Gain in-depth knowledge of Premiere Pro, and learn how the software "thinks." You'll acquire new skills that will help you choose the best workflow for your project, and simplify and accelerate your video editing process. Learn how you can edit a lot faster with smarter workflows that automate several steps in the editing process. You'll also see how custom settings, presets, keyboard shortcuts and templates saves hours of work. By tailoring the software to your needs you save clicks on just about every task. With many traditional jobs now being done by one person, its important to understand audio smoothing, color grading, motion graphics, and advanced editing techniques. You?ll learn these skills and disciplines and see how they'll enhance your project's workflow. All the authors are professional editors and want to know exactly how to cut your film as fast as possible with top quality output. There is invaluable information in | ||
| 542 | |f © Copyright 2017 Jarle Leirpoll. |g 2017 | ||
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 630 | 0 | 0 | |a Adobe Premiere. |
| 630 | 0 | 7 | |a Adobe Premiere |2 fast |
| 650 | 0 | |a Digital video |x Editing. | |
| 650 | 0 | |a Motion pictures |x Editing. | |
| 650 | 0 | |a Computer graphics. | |
| 650 | 2 | |a Computer Graphics | |
| 650 | 6 | |a Vidéo numérique |x Montage. | |
| 650 | 6 | |a Montage (Cinéma) | |
| 650 | 6 | |a Infographie. | |
| 650 | 7 | |a computer graphics. |2 aat | |
| 650 | 7 | |a Graphical & digital media applications. |2 bicssc | |
| 650 | 7 | |a Graphics programming. |2 bicssc | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Techniques |x Cinematography & Videography. |2 bisacsh | |
| 650 | 7 | |a Computer graphics |2 fast | |
| 650 | 7 | |a Digital video |x Editing |2 fast | |
| 650 | 7 | |a Motion pictures |x Editing |2 fast | |
| 700 | 1 | |a Osborn, Dylan. | |
| 700 | 1 | |a Murphy, Paul. | |
| 700 | 1 | |a Edwards, Andy. | |
| 776 | 0 | 8 | |i Print version: |a Leirpoll, Jarle. |t Cool stuff in Premiere Pro. |b Second edition. |d New York : Apress, [2017] |z 9781484228890 |z 1484228898 |w (OCoLC)985082708 |
| 856 | 4 | 0 | |u https://learning.oreilly.com/library/view/~/9781484228906/?ar |z Texto completo (Requiere registro previo con correo institucional) |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH33858625 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL5102147 | ||
| 938 | |a EBSCOhost |b EBSC |n 1614029 | ||
| 938 | |a YBP Library Services |b YANK |n 14883830 | ||
| 994 | |a 92 |b IZTAP | ||