Cargando…
Subtext : critiquing individual photographs within a collective consciousness /
Subtext invites and encourages personal and blatantly subjective responses to photographs and analyzes the drivers behind them. During decades of participating in critiques as both student and teacher, André Ruesch has become convinced that it is the personal response to work that connects us in th...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York, NY :
Routledge,
2018.
|
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
Tabla de Contenidos:
- The velvet hammer : the potency of elements
- The personal galaxy : the symbol
- Just fashion : a question of identity
- Nike and the butterfly : the reversed stereotype
- Staying in line : conductivity
- Politics : the metaphoric landscape
- Henry's tale : the photographic fable
- Moment by moment : elapsed time--Eadweard Muybridge revisited
- the drowned gun : time as poetry
- Split again : the reversed connection
- The other half : water and air
- The original : please touch the art
- The tyranny of borders : the fractured elements
- The holy rosary : belonging
- A conversation with God : the white elephant in the room
- Superstructure : conflation
- Lady like : body language
- Recycling : the image ecology approach
- Appropriation : reinterpretation
- Dad : titled versus untitled
- Speed and stoicism : the nature of the elements
- Reflection : the literally and the figuratively
- Sky view : upside down
- Blood is blood : assumption
- Hypnagogia : viewpoint
- Harmonia : rendering the invisible
- Snap : breaking point
- Recognition : the need for invisibility
- Big and small : how we give thanks
- Ammo and a happy meal : be theatrical
- The spider and the net : catch and caught
- Dirty jobs : a deceptive comedy of errors
- What is to come : dreaming
- The angel and the wasp : the order of the elements
- In the end : censorship.