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|2 23
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|a UAMI
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100 |
1 |
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|a DiZazzo, Raymond,
|e author.
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245 |
1 |
4 |
|a The corporate media toolkit :
|b advanced techniques for producers, writers and directors /
|c Ray DiZazzo.
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264 |
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1 |
|a New York and London :
|b Routledge, Taylor & Francis Group,
|c 2017.
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300 |
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|a 1 online resource
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
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500 |
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|a Includes index.
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588 |
0 |
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|a Print version record and CIP data provided by publisher.
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504 |
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|a Includes bibliographical references and index.
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505 |
0 |
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|a Chapter 1: A Cut Above; B-Roll: A Subtle Difference; A Director's Command; The Power of Subtlety and Nuance -- Chapter 2: Sensibilities; Empathy: The Key Ingredient; Other Influences -- Chapter 3: Program Inception: The Needs Analysis; POTS? Say What?; Design: The Program Needs Analysis; What the PNA Provides; Content Caution; The Initial Client Meeting -- Chapter 4: The Script; The Scriptwriter; Beware the Influence of Ego and Status; The Script.
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505 |
8 |
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|a Approval by Committee Saved by a Single Point of Contact; And Finally ... -- Chapter 5: Preproduction; The Virtual Walkthrough; Critical Choices; Client Handling in Preproduction; Working with the Producer -- Chapter 6: Talent; Role-Play Actors: Yes or No?; Number One and ... One; Talent Times Three; The Voice-Over Option -- Chapter 7: Directing Actors on Location or in the Studio; Tradition Versus Corporate; The Director as Protector; Employee "Actors"; Executives; Executives on Teleprompter; So ... -- Chapter 8: Production; The Director's Role; Prep: The Key.
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505 |
8 |
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|a Real World Versus Absolute Perfection; Quick Tips; Collaborating with the Crew -- Chapter 9: Postproduction; The Editor's Role; From Pieces to a Whole; Fix It in Post?; Recognizing Performance Credibility; Clients and Producers: Pick Your Battles with Great Care; Cuts Only or "the Works"? -- Chapter 10: Approvals and Client Meetings; Return of the PNA; Dealing with Client Changes; Leave Your Ego at the Door -- Chapter 11: Signing Off ... for Now; A Bit of Parting Advice -- Appendix 1 Shoot Breakdown in 4 Steps; Appendix 2 Elements Breakdown; Index.
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520 |
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|a This book offers corporate writers, producers and directors an accessibly-written, hands-on guide to practical techniques important in producing high-quality, nuanced work in a corporate environment. Exploring each phase of media development--project inception, client interactions, scriptwriting, preproduction, casting, auditions, production and postproduction--author Ray DiZazzo teaches readers how to "know what works" in corporate media, as well as an ability to focus on the nuance and subtleties that elevate typical media to a higher quality standard, whether it's crafting an intelligent script, framing and lighting a shot correctly, or knowing what transition to use in the editing suite. The book also features case studies illustrating real-life scenarios from the author and other corporate professionals, demonstrating these crucial techniques in practice. The Corporate Media Toolkit is a must-read for professionals and newcomers alike to bring their corporate media skills to the next level.
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590 |
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|a O'Reilly
|b O'Reilly Online Learning: Academic/Public Library Edition
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650 |
|
0 |
|a Video recordings
|x Production and direction.
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650 |
|
0 |
|a Industrial television.
|
650 |
|
0 |
|a Industrial television
|x Authorship.
|
650 |
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6 |
|a Vidéo
|x Production et réalisation.
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650 |
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6 |
|a Télévision industrielle.
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650 |
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7 |
|a PERFORMING ARTS
|x Television
|x Direction & Production.
|2 bisacsh
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650 |
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7 |
|a Industrial television
|2 fast
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650 |
|
7 |
|a Industrial television
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|2 fast
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650 |
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|a Video recordings
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776 |
0 |
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|i Print version:
|a DiZazzo, Raymond.
|t Corporate media toolkit.
|d New York and London : Routledge, 2017
|z 9780415787789
|w (DLC) 2017001575
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|u https://learning.oreilly.com/library/view/~/9781351847742/?ar
|z Texto completo (Requiere registro previo con correo institucional)
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938 |
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|a ProQuest Ebook Central
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