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Semiotics and title sequences : compositing text and image in motion graphics /
"Title sequences are the most obvious place where photography and typography combine on-screen, yet they are also a commonly neglected part of film studies. Semiotics and Title Sequences presents the first theoretical model and historical consideration of how text and image combine to create me...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Routledge,
2017.
|
| Colección: | Routledge studies in media theory & practice ;
1. |
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
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| 003 | OCoLC | ||
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| 100 | 1 | |a Betancourt, Michael, |d 1970- |e author. | |
| 245 | 1 | 0 | |a Semiotics and title sequences : |b compositing text and image in motion graphics / |c Michael Betancourt. |
| 264 | 1 | |a New York : |b Routledge, |c 2017. | |
| 300 | |a 1 online resource | ||
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| 490 | 1 | |a Routledge studies in media theory & practice ; |v 1 | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record and CIP data provided by publisher. | |
| 520 | 2 | |a "Title sequences are the most obvious place where photography and typography combine on-screen, yet they are also a commonly neglected part of film studies. Semiotics and Title Sequences presents the first theoretical model and historical consideration of how text and image combine to create meaning in title sequences for film and television, before extending its analysis to include subtitles, intertitles, and the narrative role for typography. Detailed close readings of classic films starting with The Cabinet of Dr. Caligari, and including To Kill A Mockingbird, Dr. Strangelove, and The Good, the Bad and the Ugly, along with designs from television programs such as Magnum P.I., Castle, and Vikings present a critical assessment of title sequences as both an independent art form and an introduction to the film that follows."--Provided by publisher. | |
| 545 | 0 | |a Michael Betancourt | |
| 505 | 0 | |a Chapter 1 1 -- chapter 2 2 -- chapter 3 3 -- chapter 4 4 -- chapter 5 5 -- chapter 6 The Importance of Theory. | |
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 650 | 0 | |a Motion pictures |x Titling. | |
| 650 | 0 | |a Credit titles (Motion pictures, television, etc.) | |
| 650 | 0 | |a Semiotics. | |
| 650 | 6 | |a Titrage (Cinéma) | |
| 650 | 6 | |a Générique (Cinéma, télévision, etc.) | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Techniques |x Cinematography & Videography. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / General |2 bisacsh | |
| 650 | 7 | |a Credit titles (Motion pictures, television, etc.) |2 fast |0 (OCoLC)fst00882598 | |
| 650 | 7 | |a Motion pictures |x Titling. |2 fast |0 (OCoLC)fst01027401 | |
| 650 | 7 | |a Semiotics. |2 fast |0 (OCoLC)fst01112351 | |
| 776 | 0 | 8 | |i Print version: |a Betancourt, Michael, 1970- |t Semiotics and title sequences. |d New York : Routledge, 2017 |z 9781138634206 |w (DLC) 2016048456 |
| 830 | 0 | |a Routledge studies in media theory & practice ; |v 1. | |
| 856 | 4 | 0 | |u https://learning.oreilly.com/library/view/~/9781351798280/?ar |z Texto completo (Requiere registro previo con correo institucional) |
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