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OCoLC |
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20231017213018.0 |
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161024s2017 nyu ob 001 0 eng |
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|a 2016049122
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|a pcc
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|a N7433.8
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|a ART
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|a 709.05/01
|2 23
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|a UAMI
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100 |
1 |
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|a Betancourt, Michael,
|d 1970-
|e author.
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245 |
1 |
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|a Glitch art in theory and practice :
|b critical failures and post-digital aesthetics /
|c Michael Betancourt.
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|a New York :
|b Routledge,
|c 2017.
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300 |
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|a 1 online resource
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Includes bibliographical references and index.
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|a Introduction -- Origins of 'glitch' in the stoppage -- The heritage of materialist media -- Digital misfunction and materialist approaches -- Critical engagements with failure -- Prospects.
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588 |
0 |
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|a Print version record and CIP data provided by publisher.
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|a Glitch Art in Theory and Practice:Critical Failures and Post-Digital Aesthetics explores the concept of "glitch" alongside contemporary digital political economy to develop a general theory of critical media using glitch as a case study and model, focusing specifically on examples of digital art and aesthetics. While prior literature on glitch practice in visual arts has been divided between historical discussions and social-political analyses, this work provides a rigorous, contemporary theoretical foundation and framework
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|a Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage: Windowing, or, the Cinematic Displacement of Time, Motion, and Space, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as CTheory, Semiotica, and Leonardo.
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590 |
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|a O'Reilly
|b O'Reilly Online Learning: Academic/Public Library Edition
|
650 |
|
0 |
|a Glitch art.
|
650 |
|
0 |
|a Digital media
|x Philosophy.
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650 |
|
6 |
|a Glitch art.
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650 |
|
6 |
|a Médias numériques
|x Philosophie.
|
650 |
|
7 |
|a ART
|x Digital.
|2 bisacsh
|
650 |
|
7 |
|a ART
|x Digital & Video.
|2 bisacsh
|
650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|2 bisacsh
|
650 |
|
7 |
|a Digital media
|x Philosophy.
|2 fast
|0 (OCoLC)fst01983694
|
650 |
|
7 |
|a Glitch art.
|2 fast
|0 (OCoLC)fst01941395
|
776 |
0 |
8 |
|i Print version:
|a Betancourt, Michael, 1970-
|t Glitch art in theory and practice.
|d New York : Routledge, 2017
|z 9781138219540
|w (DLC) 2016025221
|
856 |
4 |
0 |
|u https://learning.oreilly.com/library/view/~/9781315414799/?ar
|z Texto completo (Requiere registro previo con correo institucional)
|
938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH30676377
|
938 |
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|a EBSCOhost
|b EBSC
|n 1360512
|
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|
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis34561766
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