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Glitch art in theory and practice : critical failures and post-digital aesthetics /

Glitch Art in Theory and Practice:Critical Failures and Post-Digital Aesthetics explores the concept of "glitch" alongside contemporary digital political economy to develop a general theory of critical media using glitch as a case study and model, focusing specifically on examples of digit...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Betancourt, Michael, 1970- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Routledge, 2017.
Temas:
Acceso en línea:Texto completo (Requiere registro previo con correo institucional)

MARC

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100 1 |a Betancourt, Michael,  |d 1970-  |e author. 
245 1 0 |a Glitch art in theory and practice :  |b critical failures and post-digital aesthetics /  |c Michael Betancourt. 
264 1 |a New York :  |b Routledge,  |c 2017. 
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504 |a Includes bibliographical references and index. 
505 0 |a Introduction -- Origins of 'glitch' in the stoppage -- The heritage of materialist media -- Digital misfunction and materialist approaches -- Critical engagements with failure -- Prospects. 
588 0 |a Print version record and CIP data provided by publisher. 
520 |a Glitch Art in Theory and Practice:Critical Failures and Post-Digital Aesthetics explores the concept of "glitch" alongside contemporary digital political economy to develop a general theory of critical media using glitch as a case study and model, focusing specifically on examples of digital art and aesthetics. While prior literature on glitch practice in visual arts has been divided between historical discussions and social-political analyses, this work provides a rigorous, contemporary theoretical foundation and framework 
545 0 |a Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage: Windowing, or, the Cinematic Displacement of Time, Motion, and Space, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as CTheory, Semiotica, and Leonardo. 
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650 0 |a Glitch art. 
650 0 |a Digital media  |x Philosophy. 
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650 7 |a ART  |x Digital.  |2 bisacsh 
650 7 |a ART  |x Digital & Video.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a Digital media  |x Philosophy.  |2 fast  |0 (OCoLC)fst01983694 
650 7 |a Glitch art.  |2 fast  |0 (OCoLC)fst01941395 
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