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|a 9781317536574
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|a 1317536576
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|a 1138847895
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|a 9781138847897
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|a (OCoLC)956315808
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|a CL0500000768
|b Safari Books Online
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|a UAMI
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|a Tricart, Celine,
|e author.
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|a 3D filmmaking :
|b techniques and best practices for stereoscopic filmmakers /
|c Celine Tricart ; foreword by Jean-Pierre Jeunet.
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|a Three dimensional filmmaking
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264 |
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|a New York, NY :
|b Routledge,
|c 2017.
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300 |
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|a 1 online resource (1 volume) :
|b illustrations
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Online resource; title from title page (Safari, viewed July 27, 2016).
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|a Includes bibliographical references and index.
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|a pt. 1. 3D : theoretical and technical foundations -- pt. 2. 3D : a filmmaking language.
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|a A visual book for the visual artist, 3D Filmmaking: Techniques and Best Practices for Stereoscopic Filmmakers provides a comprehensive overview of the theory, language, and methods behind stereoscopic 3D filmmaking, all in one package. Celebrated 3D filmmaker Celine Tricart explores every facet of the art, from the technical to the practical, including: 3D vision History of 3D cinema Stereoscopic basics and techniques How to shoot in 3D 3D VFXs, animation in 3D, and 2D to 3D conversion Live broadcast in 3D 3D viewing and projection 3D as a storytelling tool Screenwriting for 3D Working with a stereographer 3D storyboarding and previz 3D postproduction Sound design in-depth A must-read for any 3D filmmaker, producer, writer, or technician interested in the third dimension, 3D Filmmaking covers the history of the form, defines key 3D terms and places them into context, and offers lessons on using the medium as a visual storytelling tool, creating a perfect blend of concepts, practice, and history. Full color throughout, the book also includes a pair of 3D glasses for you to view the 3D images within, and each chapter features detailed color diagrams and examples in anaglyph 3D, as well as interviews with 3D visionaries like Jean Pierre Jeunet (Director, Amélie , Alien 4 ), Chris Sanders (Director, How to Train Your Dragon , The Croods ), Demetri Portelli (Stereographer, Hugo ), Phil McNally (Stereoscopic Supervisor, How to Train Your Dragon , Madagascar 4 ), Tim Webber (VFX supervisor, Gravity ), Scott Farrar (VFX supervisor, the Transformers franchise), and Victoria Alonso (Stereoscopic Supervisor, Marvel Studios). A companion website (www.routledge.com/cw/tricart) features links to useful resources and footage from 3D films.
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590 |
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|a O'Reilly
|b O'Reilly Online Learning: Academic/Public Library Edition
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650 |
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|a 3-D films.
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650 |
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|a Cinematography.
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650 |
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|a Motion Pictures
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650 |
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6 |
|a Films en 3D.
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650 |
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|a Cinéma.
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650 |
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|a three-dimensional.
|2 aat
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650 |
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|a 3-D films
|2 fast
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650 |
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7 |
|a Cinematography
|2 fast
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776 |
0 |
8 |
|i Print version:
|a Tricart, Celine.
|t Techniques and best practices for stereoscopic filmmaker.
|d New York, New York ; London, England : Routledge, ©2017
|h approximately 322 pages
|z 9781138847897
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856 |
4 |
0 |
|u https://learning.oreilly.com/library/view/~/9781317536574/?ar
|z Texto completo (Requiere registro previo con correo institucional)
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938 |
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|a Askews and Holts Library Services
|b ASKH
|n AH30752196
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938 |
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|a Taylor & Francis
|b TAFR
|n 9781315726328
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|a YBP Library Services
|b YANK
|n 14657555
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