Cargando…
Video production handbook /
This new edition of the Video Production Handbook walks students through the full video production process, from inception of idea to final distribution. Concentrating on the techniques and concepts behind the latest equipment, this book demonstrates the fundamental principles needed to create good...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York ; London :
Routledge, Taylor & Francis Group,
2017.
|
| Edición: | Sixth Edition. |
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
Tabla de Contenidos:
- Cover; Half Title; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction ; Chapter 1 Overview of Video Production; 1.1 What Is Video Production?; 1.2 Defining the New Media; 1.3 Understanding the Field of Video Production; 1.4 Remember the Purpose; 1.5 Is There a Right Way?; 1.6 The Production Approach; 1.7 Equipment; 1.8 It's Designed for You; 1.9 Learning Basics; 1.10 What Equipment Is Needed?; 1.11 Equipment Performance; Interview: Ben Brown, Media Executive; Chapter 2 Production Crew; 2.1 Production Crew Size; Video Production Crew Job Descriptions; 2.2 Producer.
- 2.3 Assistant Producer or Associate Producer2.4 Director; 2.5 Assistant Director or Associate Director; 2.6 Production Assistant; 2.7 Floor Manager or Stage Manager; 2.8 Technical Director or Vision Mixer; 2.9 Makeup Artist; 2.10 Graphic Designer/Operator; 2.11 Lighting Director/Vision Supervisor; 2.12 Videographer/Camera Operator/Photographer; 2.13 Camera Assistant; 2.14 Audio Mixer/Sound Mixer/Sound Supervisor; 2.15 Boom Operator or Audio Assistant; 2.16 Engineer; 2.17 Writer; 2.18 Editor; 2.19 Set Designer; Professional Crew; 2.20 Freelance Crew; 2.21 Below-the-Line/Above-the-Line.
- 2.22 The Structure of a Video Production Crew2.23 What Do You Wear?; 2.24 What Do You Bring with You?; Interview: Tommy Mitchell, Crewer; Chapter 3 Organizing the Production; 3.1 Art Conceals Craft; 3.2 Shot Selection; 3.3 The Problem of Familiarity; 3.4 The Issue of Quality; 3.5 "Bigger and Better"; The Production Process; 3.6 It All Starts with an Idea (Concept); 3.7 Goals and Objectives; 3.8 Determining Your Audience; 3.9 Research; 3.10 Covering the Subject; 3.11 Production Methods; 3.12 The Empirical Approach; 3.13 The Planned Approach; 3.14 Storyboards; 3.15 Why Plan?
- 3.16 The Three Stages of Production3.17 Coverage; 3.18 Building a Production Outline; 3.19 Broad Treatment; 3.20 Production Research; 3.21 Remote Surveys (Recce); 3.22 Freedom to Plan; 3.23 Single-Camera Shooting; 3.24 Multicamera Shooting; 3.25 Budgeting; 3.26 Copyrights; 3.27 Contracts; Interview: DT Slouffman, Producer; Chapter 4 Production Techniques; 4.1 Single- and Multicamera Production; 4.2 Multicamera ISO; 4.3 Multicamera Production Without a Switcher; 4.4 The Illusion of Reality; 4.5 The Camera's Role; 4.6 The Camera as an Observer; 4.7 The Persuasive Camera.
- 4.8 How Do You Visualize Something That Does Not Exist?Interview: Scott Rogers, Sports Producer; Chapter 5 Writing for Video; 5.1 The Script's Purpose; 5.2 The Outline Script; 5.3 Basic Script Formats; 5.4 The Full Script; 5.5 The Drama Script; Suggestions on Scriptwriting; 5.6 Visual Storytelling; 5.7 Style; 5.8 Script Processes; 5.9 Scriptwriting Basics; 5.10 Script Questions; Interview: Robyn Sjogren, Writer; Chapter 6 Directing; 6.1 The Director; 6.2 Selective Techniques; 6.3 Communication; 6.4 Guiding the Viewer Through the Scene; 6.5 Organizing the Angles; 6.6 Visual Variety.