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Alchemy : synthesis and sound design with Alchemy in Logic Pro X /
Introduced in Logic Pro 10.2, Alchemy joins the upper echelon of sound design tools offered by Logic Pro. Filling the gap between sampling and synthesis, Alchemy is uniquely positioned, providing Logic users with novel ways to create heretofore-unheard sounds and instruments. By combining such advan...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
[Place of publication not identified] :
Peachpit Press,
[2016]
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| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
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| 008 | 160603s2016 xx a o 000 0 eng d | ||
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| 100 | 1 | |a Dvorin, David, |e author. | |
| 245 | 1 | 0 | |a Alchemy : |b synthesis and sound design with Alchemy in Logic Pro X / |c David Dvorin. |
| 246 | 3 | 0 | |a Synthesis and sound design with Alchemy in Logic Pro X |
| 264 | 1 | |a [Place of publication not identified] : |b Peachpit Press, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 1 online resource (1 volume) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 588 | 0 | |a Online resource; title from title page (Safari, viewed June 2, 2016). | |
| 520 | |a Introduced in Logic Pro 10.2, Alchemy joins the upper echelon of sound design tools offered by Logic Pro. Filling the gap between sampling and synthesis, Alchemy is uniquely positioned, providing Logic users with novel ways to create heretofore-unheard sounds and instruments. By combining such advanced sound generation technologies as granular, spectral, and additive synthesis, Alchemy allows you to manipulate audio to unprecedented levels. In Synthesis and Sound Design with Alchemy in Logic Pro X , you will gain familiarity with Alchemy by exploring the interface, sound engines, and control paradigms, which will give you an extraordinary vehicle for getting “inside” sound and making your own unique instruments. Includes: Authoritative explanations of the user interface and source elements Instructions show you how to mix multiple sources and use the Arpeggiator Lesson review questions to summarize what you learn. | ||
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 630 | 0 | 0 | |a Logic (Computer file) |
| 630 | 0 | 7 | |a Logic (Computer file) |2 fast |
| 650 | 0 | |a Digital audio editors. | |
| 650 | 0 | |a Sound |x Recording and reproducing |x Digital techniques. | |
| 650 | 6 | |a Éditeurs audionumériques. | |
| 650 | 7 | |a COMPUTERS |x Digital Media |x Audio. |2 bisacsh | |
| 650 | 7 | |a Digital audio editors |2 fast | |
| 650 | 7 | |a Sound |x Recording and reproducing |x Digital techniques |2 fast | |
| 856 | 4 | 0 | |u https://learning.oreilly.com/library/view/~/9780134541976/?ar |z Texto completo (Requiere registro previo con correo institucional) |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37810680 | ||
| 938 | |a EBSCOhost |b EBSC |n 1601627 | ||
| 938 | |a YBP Library Services |b YANK |n 14858312 | ||
| 994 | |a 92 |b IZTAP | ||