|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
OR_ocn949422617 |
003 |
OCoLC |
005 |
20231017213018.0 |
006 |
m o d |
007 |
cr unu|||||||| |
008 |
160511s2016 nyu ob 001 0 eng d |
040 |
|
|
|a UMI
|b eng
|e rda
|e pn
|c UMI
|d OCLCA
|d OCLCF
|d DEBBG
|d DEBSZ
|d COO
|d CEF
|d UAB
|d K6U
|d OCLCO
|d CZL
|d OCLCO
|d OCLCQ
|
020 |
|
|
|a 9781317417910
|
020 |
|
|
|a 1317417917
|
020 |
|
|
|a 1138904589
|
020 |
|
|
|a 9781138904583
|
020 |
|
|
|z 9781138904583
|
029 |
1 |
|
|a DEBBG
|b BV043969357
|
029 |
1 |
|
|a DEBSZ
|b 485798735
|
029 |
1 |
|
|a GBVCP
|b 882755315
|
035 |
|
|
|a (OCoLC)949422617
|
037 |
|
|
|a CL0500000738
|b Safari Books Online
|
050 |
|
4 |
|a PN1996
|
082 |
0 |
4 |
|a 808.2/3
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Johnson, Claudia
|q (Claudia Hunter),
|e author.
|
245 |
1 |
0 |
|a Script partners :
|b how to succeed at co-writing for film & TV /
|c Claudia Johnson & Matt Stevens.
|
246 |
3 |
0 |
|a How to succeed at co-writing for film & TV
|
250 |
|
|
|a Second edition.
|
264 |
|
1 |
|a New York, NY :
|b Routledge,
|c 2016.
|
300 |
|
|
|a 1 online resource (1 volume)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references and index.
|
588 |
0 |
|
|a Online resource; title from title page (viewed May 5, 2016).
|
505 |
0 |
|
|a Cover; Title; Copyright; Dedication; Contents; FOREWORD; INTRODUCTION AND ACKNOWLEDGMENTS; Chapter 1 Why Collaborate? The Top Ten Reasons to Write With a Partner; Chapter 2 A Film School Survival Kit or How Collaboration Helps You Get In, Get Along, and Get Ahead; Chapter 3 Finding the Right Writing Partner; Chapter 4 Making the Creative Relationship Work; Chapter 5 Solving the Space-Time Conundrum; Chapter 6 Choosing the Right Project; Chapter 7 Co-Creating Character; Chapter 8 Co-Creating Story and Structure; Chapter 9 Co-Drafting the Script; Chapter 10 Co-Writing the Rewrite
|
505 |
8 |
|
|a Chapter 11 Making the Business Relationship WorkCONCLUSION; AFTERWORD; BIBLIOGRAPHY; INDEX
|
520 |
|
|
|a Some of the greatest movies and television series have been written by script partners. Script Partners, Second Edition brings together the experience, knowledge, and winning techniques of Hollywood's most productive partnerships--including Lucy Alibar & Benh Zeitlin (Beasts of the Southern Wild), Craig Borten & Melisa Wallack (Dallas Buyers Club), and Andrew Reich & Ted Cohen (Friends). Established and aspiring screenwriters will learn how to pick the right partner and the right project, co-create character and story structure, co-draft and revise a script, collaborate in film school and in the film industry, and manage both the creative and business sides of partnerships.
|
590 |
|
|
|a O'Reilly
|b O'Reilly Online Learning: Academic/Public Library Edition
|
650 |
|
0 |
|a Motion picture authorship.
|
650 |
|
0 |
|a Television authorship.
|
650 |
|
0 |
|a Authorship
|x Collaboration.
|
650 |
|
6 |
|a Cinéma
|x Art d'écrire.
|
650 |
|
6 |
|a Télévision
|x Art d'écrire.
|
650 |
|
6 |
|a Coauteurs.
|
650 |
|
7 |
|a Authorship
|x Collaboration.
|2 fast
|0 (OCoLC)fst00822444
|
650 |
|
7 |
|a Motion picture authorship.
|2 fast
|0 (OCoLC)fst01027122
|
650 |
|
7 |
|a Television authorship.
|2 fast
|0 (OCoLC)fst01146709
|
700 |
1 |
|
|a Stevens, Matt
|c (Screenwriter),
|e author.
|
856 |
4 |
0 |
|u https://learning.oreilly.com/library/view/~/9781317417910/?ar
|z Texto completo (Requiere registro previo con correo institucional)
|
994 |
|
|
|a 92
|b IZTAP
|