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The film photography handbook : rediscovering photography in 35 mm, medium, and large format /
An easy-to-understand, complete resource to shooting film, this book is intended for anyone who is curious about film, whether you need a refresher course or are discovering this wonderful format for the first time. --
| Clasificación: | Libro Electrónico |
|---|---|
| Autores principales: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Santa Barbara, CA :
Rocky Nook,
2016.
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| Edición: | 1st edition. |
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
Tabla de Contenidos:
- Cover; Contents; 1 Why Film Photography?; 1.1 Enjoying the Process; 1.2 Too Many Options Make You Unhappy; 2 Analog or Digital?; 2.1 Film Grain; 2.2 Arrangement; 2.3 Sharpness; 2.4 Area; 2.5 Contrast Range; 2.6 Angle of Light; 2.7 The Bayer Pattern; 2.8 Banding; 2.9 White Balance vs. Film Type; 2.10 Further Processing; 3 Cameras and Film Formats; 3.1 35mm; 3.1.1 The Film; 3.1.2 Rangefinder; 3.1.3 Single Lens Reflex Camera; 3.2 Medium Format: 6Ã#x97;6, 6Ã#x97;7, and 6Ã#x97;9; 3.2.1 Film Types; 3.2.2 Image Formats; 3.3.2 Camera Types; 3.3 Large Format: 4Ã#x97;5â#x80;#x9D;; 3.3.1 Large Format Cameras
- 3.3.2 Film and Film Holders3.3.3 Camera Movement; 3.4 Tips on Buying a Camera; 3.4.1 Light Seals; 3.4.2 Shutters; 3.4.3 Lenses; 4 Exposure; 4.1 Stops; 4.2 F-Numbers; 4.3 Light Metering; 4.3.1 Reflective Metering; 4.3.2 Incident Metering; 4.4 Without Light Meter; 4.4.1 Sunny 16; 4.5 With Light Meter; 4.5.1 Handheld Light Meter; 4.5.2 Smartphone; 4.5.3 Digicam & Gray Card; 4.5.4 Professional Light Meter; 4.6 Light Metering with the Zone System; 5 Film; 5.1 Black-and-White Film; 5.1.1 From Color to Black-and-White; 5.1.2 Orthochromatic Film; 5.1.3 Panchromatic Film; 5.1.4 Infrared (IR) Film
- 5.1.5 Infrared (IR) Film with Aura Effect5.1.6 Color Filters; 5.2 Color Film; 5.2.1 Color Negative Film; 5.2.2 Slide Film; 5.2.3 Other Types of Film; 5.3 Instant Film; 5.4 ISOâ#x80;#x94;The Film Speed; 6 In the Laboratory; 6.1 Industrial Laboratory; 6.2 Professional Laboratory; 6.3 Processing Yourself: Black-and-White; 6.3.1 Overview: Negative Processing; 6.3.2 Chemicals; 6.3.3 Hardware; 6.3.4 General Procedure for Film Processing; 6.3.5 Troubleshooting; 6.3.6 Digital Helpers; 6.3.7 Community; 6.3.8 Push and Pull; 6.4 Processing Yourself: Color; 6.4.1 The Press Kit; 6.4.2 Temperatures
- 6.4.3 Useful Accessories7 Post-Processing; 7.1 Traditional; 7.2 Hybrid Analog/Digital; 7.2.1 Scanner Types; 7.2.2 Scanner Parameters; 7.2.3 Scanning Software; 7.2.4 Scanner Profiling; 7.2.5 Accessories; 7.2.6 The Scanning Process; 7.3 Digital Printing; 7.3.1 Having Photos Printed: By a Discounter; 7.3.2 Having Photos Printed: At a Professional Lab; 7.3.3 Printing Photos Yourself; 7.3.4 High-End Ink Jet Prints; 7.3.5 Profiling; 7.3.6 Printing Workflow; 7.4 Historical Processes; 7.4.1 Cyanotype; 7.4.2 Albumen Print; 8 Presentation; 8.1 Mats; 8.1.1 Itâ#x80;#x99;s All About the Right Size; 8.2 Frames
- 8.3 Mounting Techniques8.3.1 Matting; 8.3.2 Mounting; 9 Storage and Archiving; 9.1 General Considerations; 9.2 Storing Negatives; 9.3 Prints; 9.4 A Tidy House, A Tidy Mind; 10 Fun with â#x80;#x9C;Planned Accidentsâ#x80;#x9D;; 10.1 Cameras and Optics; 10.1.1 The Box Camera; 10.1.2 Diana, Holga, and Other Toy Cameras; 10.1.3 The Pinhole Camera; 10.1.4 The Subjektiv; 10.1.5 Zone Plate; 10.1.6 Lensbaby; 10.2 Expired Film; 10.2.1 Experimenting is Fun; 10.2.2 Film Speed and Light Conditions; 10.2.3 The Special Joys of Cross Processing; 10.2.4 A Residual Risk Always Remains; 10.2.5 Treated Film