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16mm Film Cutting /

The film editor can make or break a film. What ends up on the cutting room floor, and why? 16mm Film Cutting is a step-by-step guide to film cutting which shows you how to achieve professional results. The practical side of the editor's job is clearly described and illustrated; breaking down ru...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Burder, John (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Abingdon, Oxon ; New York NY : Routledge, 2016.
Colección:Media manuals.
Temas:
Acceso en línea:Texto completo (Requiere registro previo con correo institucional)
Tabla de Contenidos:
  • Film running times
  • Introduction
  • The job of cutting
  • Cutting with safety and economy
  • Cutting films shot with sound
  • Cutting films shot without sound
  • Motorised editing machines
  • Upright and table editing machines
  • Multi-track equipment
  • Synchronisers: accessories
  • Joining film: temporary splices
  • Animated viewers
  • Sundry cutting room equipment
  • Cutting room accessories
  • Planning picture sequences
  • Identifying and printing takes
  • Identifying sound takes
  • The film in the camera
  • Copying the original
  • Cutting copies
  • Edge numbers and film footage
  • Locating scenes and takes
  • Breaking down rushes
  • Joining the tape
  • Joining with cement
  • Film leader
  • Making a first assembly
  • Continuity cutting
  • Cutting a simple sequence
  • Avoiding continuity errors
  • Optical effects: dissolves
  • Single roll optical effects
  • Ordering single roll optical dupes.
  • Optical effects: fades and freezes
  • Extending and fine cutting the action
  • Changing and patching cutting copies
  • Augmenting original film
  • Negative cutting: principle
  • Negative cutting: Checkerboard
  • Negative cutting: where and when
  • And when to cut
  • Negative cutting: optical effects
  • Negative cutting: A/B rolls, cueing
  • Negative cutting: completing
  • Superimposed titles
  • Ordering superimposed titles
  • Synchronised sound: double system
  • Sinchronised sounds: single system
  • Cutting with wild sound
  • Planning a complete soundtrack
  • Preparing sound effects tracks
  • Preparing background sounds
  • Sync points
  • Matching sound and picture
  • Cutting sound and avoiding clicks
  • Background sound loops
  • Synchronised sound and picture
  • Narration: pre recording, matching
  • Narration: recording during a dub
  • Dubbing: procedure
  • Dubbing: practice
  • Combined prints: magnetic or optical
  • Combined prints: optical sound
  • Preparing the first show copy
  • Prints out of sync
  • Picture faults
  • Faults difficult to remedy
  • Safeguarding original: dupe masters
  • The original: neg and pos dupes
  • Moving from gauge to gauge
  • Recording film on video
  • Electronic film conforming.