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Video field production and editing /

Video Field Production and Editing concentrates on video techniques and technology appropriate for "small scale" single-camera electronic field production (EFP) and electronic news gathering (ENG). This book offers the latest material on new digital field recording and editing technologies...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Compesi, Ronald J., 1949- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Abingdon, Oxon ; New York, NY : Routledge, 2016.
Edición:Seventh edition.
Temas:
Acceso en línea:Texto completo (Requiere registro previo con correo institucional)

MARC

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100 1 |a Compesi, Ronald J.,  |d 1949-  |e author. 
245 1 0 |a Video field production and editing /  |c Ronald J. Compesi. 
250 |a Seventh edition. 
264 1 |a Abingdon, Oxon ;  |a New York, NY :  |b Routledge,  |c 2016. 
264 4 |c ©2007 
300 |a 1 online resource (1 volume) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
588 0 |a Online resource; title from title page (Safari, viewed December 4, 2015). 
504 |a Includes bibliographical references and index. 
505 0 |a Cover; Title Page; Copyright Page; Dedication; Table of Contents; Preface; Chapter 1 Introduction; In the Field with Evening Magazine; The Evolution of Video Production Technology; Production Uses of Portable Video Equipment; Camera Equipment Quality and Target Markets; Video as a Medium of Communication; Principal Elements Involved in Video Production; Chapter 2 Preproduction and Production Planning; Stages and Types of Production; Preproduction Planning; Production Planning; Copyright and Distribution; Chapter 3 Video Basics: The Electronic Image and the Video Signal 
505 8 |a Electronic Image ReproductionHow the Video Camera Makes a Picture-Analog and Digital Standards; Video Signal Control; The Color Signal; Camera Performance Characteristics; Camera Configurations; Camera Viewfinder Systems; Color Plates; Insert Follows; Chapter 4 Operating the Video Camcorder; The Basic System; Common Camcorder Camera Section Controls; VCR Section Controls and Inputs/Outputs; Power and Videotape; Camcorder System Setup; Audio and Video Connectors; Monitoring the Recording; Camera-Mounting Equipment; Carrying the Equipment; Chapter 5 Video Recording; Videotape Recording 
505 8 |a Videotape Recording FormatsCompatibility; Types of Videocassette Recorders; Videotape; Tapeless Video Recording Devices; Signal Processing; Chapter 6 Lenses and Visualization; Part One Lenses; Lenses: Functions and Types; Zoom Lens Components; Zoom Lens Operation; Aperture Control and Depth of Field; Part Two Visualization and Composition; Aesthetics of Visual Composition; Camera Movement; Shooting to Edit; Subject-Camera Relationships; On-Site Interview Setup; Chapter 7 Lighting; Part One Physical Factors of Lighting; Basic Lighting Concepts; Lighting Equipment: Types of Lamps 
505 8 |a Portable Lighting InstrumentsPower Requirements; Controlling the Intensity of Light; Other Equipment; Lighting Safety; Part Two Aesthetic Factors; Modeling; Three-Point Lighting; Lighting Problems; Chapter 8 Sound; Part One Technical Factors; Sound: Technical Bases; Microphone Characteristics; Camera-Mounted Microphones; External Microphones; Wired and Wireless Microphones; Recording Sound on a Camcorder; Mixers; Standardized Recording Procedures; Monitoring Sound; Hints for Recording Good Sound; Special Problems; Equalizing and Filtering to Improve Sound Quality 
505 8 |a Adding Sound to Prerecorded VideotapeAdditional Sound Recording and Playback Devices; Part Two Sound Aesthetics; Types of Sound; Sound Perspective and Sound Presence; Constructing the Audio Portion of a Program; The Visual Impact of Microphones; Chapter 9 Editing Aesthetics; Role of the Editor; Types of Editing; Continuity Editing; Dynamic Editing; Transitions and Effects; Sound in Editing; "Don't Worry, We'll Fix it in Post"; Editing Voice-Driven Pieces; Storytelling; Chapter 10 Getting Ready to Edit: Working with SMPTE Time Code and Postproduction Planning; SMPTE Time Code 
520 |a Video Field Production and Editing concentrates on video techniques and technology appropriate for "small scale" single-camera electronic field production (EFP) and electronic news gathering (ENG). This book offers the latest material on new digital field recording and editing technologies and is written in a concise, non-technical, user-friendly format. Reorganized and updated throughout, with new sections dedicated to HDV (High Definition Video) videotape recording formats, and tapeless digital recording media including high capacity optical discs, solid-state memory cards, and computer hard drives, the book walks the reader through the video production process from initial planning through final editing. 
590 |a O'Reilly  |b O'Reilly Online Learning: Academic/Public Library Edition 
650 0 |a Television  |x Production and direction. 
650 0 |a Video recordings  |x Production and direction. 
650 0 |a Video recordings  |x Equipment and supplies. 
650 6 |a Télévision  |x Production et réalisation. 
650 6 |a Vidéo  |x Production et réalisation. 
650 7 |a Television  |x Production and direction.  |2 fast  |0 (OCoLC)fst01146585 
650 7 |a Video recordings  |x Production and direction.  |2 fast  |0 (OCoLC)fst01166496 
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