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151208t20162007enka ob 001 0 eng d |
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|a UMI
|b eng
|e rda
|e pn
|c UMI
|d DEBBG
|d DEBSZ
|d OCLCF
|d CEF
|d OCLCQ
|d UAB
|d OCLCO
|d DST
|d OCLCO
|d OCLCQ
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|a 9781317351108
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|a 131735110X
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|a 0205483356
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|a 9780205483358
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|z 9780205483358
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|a DEBBG
|b BV043968160
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|a DEBSZ
|b 485786494
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|a GBVCP
|b 88274741X
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|a (OCoLC)931716455
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|a CL0500000684
|b Safari Books Online
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|a PN1992.75
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|a 778.59/4
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|a UAMI
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100 |
1 |
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|a Compesi, Ronald J.,
|d 1949-
|e author.
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1 |
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|a Video field production and editing /
|c Ronald J. Compesi.
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250 |
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|a Seventh edition.
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264 |
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1 |
|a Abingdon, Oxon ;
|a New York, NY :
|b Routledge,
|c 2016.
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264 |
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|c ©2007
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300 |
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|a 1 online resource (1 volume) :
|b illustrations
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336 |
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|a text
|b txt
|2 rdacontent
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337 |
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|a computer
|b c
|2 rdamedia
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338 |
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|a online resource
|b cr
|2 rdacarrier
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588 |
0 |
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|a Online resource; title from title page (Safari, viewed December 4, 2015).
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504 |
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|a Includes bibliographical references and index.
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|a Cover; Title Page; Copyright Page; Dedication; Table of Contents; Preface; Chapter 1 Introduction; In the Field with Evening Magazine; The Evolution of Video Production Technology; Production Uses of Portable Video Equipment; Camera Equipment Quality and Target Markets; Video as a Medium of Communication; Principal Elements Involved in Video Production; Chapter 2 Preproduction and Production Planning; Stages and Types of Production; Preproduction Planning; Production Planning; Copyright and Distribution; Chapter 3 Video Basics: The Electronic Image and the Video Signal
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505 |
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|a Electronic Image ReproductionHow the Video Camera Makes a Picture-Analog and Digital Standards; Video Signal Control; The Color Signal; Camera Performance Characteristics; Camera Configurations; Camera Viewfinder Systems; Color Plates; Insert Follows; Chapter 4 Operating the Video Camcorder; The Basic System; Common Camcorder Camera Section Controls; VCR Section Controls and Inputs/Outputs; Power and Videotape; Camcorder System Setup; Audio and Video Connectors; Monitoring the Recording; Camera-Mounting Equipment; Carrying the Equipment; Chapter 5 Video Recording; Videotape Recording
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505 |
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|a Videotape Recording FormatsCompatibility; Types of Videocassette Recorders; Videotape; Tapeless Video Recording Devices; Signal Processing; Chapter 6 Lenses and Visualization; Part One Lenses; Lenses: Functions and Types; Zoom Lens Components; Zoom Lens Operation; Aperture Control and Depth of Field; Part Two Visualization and Composition; Aesthetics of Visual Composition; Camera Movement; Shooting to Edit; Subject-Camera Relationships; On-Site Interview Setup; Chapter 7 Lighting; Part One Physical Factors of Lighting; Basic Lighting Concepts; Lighting Equipment: Types of Lamps
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505 |
8 |
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|a Portable Lighting InstrumentsPower Requirements; Controlling the Intensity of Light; Other Equipment; Lighting Safety; Part Two Aesthetic Factors; Modeling; Three-Point Lighting; Lighting Problems; Chapter 8 Sound; Part One Technical Factors; Sound: Technical Bases; Microphone Characteristics; Camera-Mounted Microphones; External Microphones; Wired and Wireless Microphones; Recording Sound on a Camcorder; Mixers; Standardized Recording Procedures; Monitoring Sound; Hints for Recording Good Sound; Special Problems; Equalizing and Filtering to Improve Sound Quality
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505 |
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|a Adding Sound to Prerecorded VideotapeAdditional Sound Recording and Playback Devices; Part Two Sound Aesthetics; Types of Sound; Sound Perspective and Sound Presence; Constructing the Audio Portion of a Program; The Visual Impact of Microphones; Chapter 9 Editing Aesthetics; Role of the Editor; Types of Editing; Continuity Editing; Dynamic Editing; Transitions and Effects; Sound in Editing; "Don't Worry, We'll Fix it in Post"; Editing Voice-Driven Pieces; Storytelling; Chapter 10 Getting Ready to Edit: Working with SMPTE Time Code and Postproduction Planning; SMPTE Time Code
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520 |
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|a Video Field Production and Editing concentrates on video techniques and technology appropriate for "small scale" single-camera electronic field production (EFP) and electronic news gathering (ENG). This book offers the latest material on new digital field recording and editing technologies and is written in a concise, non-technical, user-friendly format. Reorganized and updated throughout, with new sections dedicated to HDV (High Definition Video) videotape recording formats, and tapeless digital recording media including high capacity optical discs, solid-state memory cards, and computer hard drives, the book walks the reader through the video production process from initial planning through final editing.
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590 |
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|a O'Reilly
|b O'Reilly Online Learning: Academic/Public Library Edition
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650 |
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0 |
|a Television
|x Production and direction.
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650 |
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0 |
|a Video recordings
|x Production and direction.
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650 |
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0 |
|a Video recordings
|x Equipment and supplies.
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650 |
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6 |
|a Télévision
|x Production et réalisation.
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650 |
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6 |
|a Vidéo
|x Production et réalisation.
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650 |
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7 |
|a Television
|x Production and direction.
|2 fast
|0 (OCoLC)fst01146585
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650 |
|
7 |
|a Video recordings
|x Production and direction.
|2 fast
|0 (OCoLC)fst01166496
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856 |
4 |
0 |
|u https://learning.oreilly.com/library/view/~/9781317351108/?ar
|z Texto completo (Requiere registro previo con correo institucional)
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994 |
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|a 92
|b IZTAP
|