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Biennials, triennials, and Documenta : the exhibitions that created contemporary art /
"Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s and the emergence of mega-exhibitions in Asia in the 1990s to the current globalization of biennials"--
| Clasificación: | Libro Electrónico |
|---|---|
| Autores principales: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Chicester, West Sussex ; Malden, MA :
John Wiley & Sons Ltd.,
2016.
|
| Edición: | 1. |
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
Tabla de Contenidos:
- Frontispiece
- Title Page
- Copyright
- Preface
- Introduction
- Why Biennials?
- Part 1. The Second Wave
- Part 2. The Politics of Legitimacy
- Part 3. Hegemony or a New Canon
- The Cultural Geography of Biennials
- Notes
- Part 1: The Second Wave
- 1: 1972: The Rise of the Star-Curator
- Introduction
- Preparation for a Walk-Through Event Structure
- "Therapy Has Changed and No Longer Encourages Copious Art Production"
- "The Most Important Exhibition of Recent Years"
- Conclusion
- Notes
- 2: 1979: Cultural Translation, Cultural Exclusion, and the Second Wave
- Introduction: Biennials as Models for Cultural Encounters
- Founding the Sydney Biennale
- White Elephant or Red Herring? Selecting the 1979 Biennale of Sydney
- Import/Export: Sydney and São Paulo
- Conclusion
- Notes
- 3: 1986: The South and the Edges of the Global
- Introduction: Origin Stories
- A Brief History of Southern Biennials
- The Second Bienal de La Habana
- Conclusion: The Stakes of Southern Histories
- Notes
- Part 2: The Politics of Legitimacy
- 4: 1989: Asian Biennialization
- Introduction
- Experimental Versus Traditional Art: "Traditions/Tensions"
- Conclusion
- Notes
- 5: 1997: Biennials, Migration, and Itinerancy
- Introduction
- Manifesta and Critical Regionalism
- Locality Fails: The 2nd Johannesburg Biennale
- By Way of Conclusion: The Emergency Biennale in Chechnya
- Notes
- Part 3: Hegemony or a New Canon
- 6: 2002: Cosmopolitanism
- Introduction
- The Five-Year Subaltern Plan
- Black Box, White Cube
- Conclusion
- Notes
- 7: 2003: Delegating Authority
- Introduction
- Tirana: "Opening Up the Conversation"
- Escape
- Curating by Delegation: The 50th Venice Biennale: The Dictatorship of the Viewer
- "Counterbalance the Decadence of the Ancient City."
- "Outmoded Structure of National Pavilions and Theme Exhibitions"
- Conclusion
- Notes
- 8: 2014: Global Art Circuits
- Introduction
- The Game of Comparison and Competition
- Negotiated Inequality
- Contemporary Play Time
- Coda: 2014
- Notes
- 9: Conclusion
- Notes
- Index
- EULA.