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|a UAMI
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100 |
1 |
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|a Green, Charles,
|d 1953-
|e author.
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245 |
1 |
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|a Biennials, triennials, and Documenta :
|b the exhibitions that created contemporary art /
|c Charles Green and Anthony Gardner.
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250 |
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|a 1.
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264 |
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1 |
|a Chicester, West Sussex ;
|a Malden, MA :
|b John Wiley & Sons Ltd.,
|c 2016.
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300 |
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|a 1 online resource
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
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|a online resource
|b cr
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|a "Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s and the emergence of mega-exhibitions in Asia in the 1990s to the current globalization of biennials"--
|c Provided by publisher.
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|a Includes bibliographical references and index.
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|a Print version record and CIP data provided by publisher.
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|a Frontispiece -- Title Page -- Copyright -- Preface -- Introduction -- Why Biennials? -- Part 1. The Second Wave -- Part 2. The Politics of Legitimacy -- Part 3. Hegemony or a New Canon -- The Cultural Geography of Biennials -- Notes -- Part 1: The Second Wave -- 1: 1972: The Rise of the Star-Curator -- Introduction -- Preparation for a Walk-Through Event Structure -- "Therapy Has Changed and No Longer Encourages Copious Art Production" -- "The Most Important Exhibition of Recent Years" -- Conclusion -- Notes -- 2: 1979: Cultural Translation, Cultural Exclusion, and the Second Wave -- Introduction: Biennials as Models for Cultural Encounters -- Founding the Sydney Biennale -- White Elephant or Red Herring? Selecting the 1979 Biennale of Sydney -- Import/Export: Sydney and São Paulo -- Conclusion -- Notes -- 3: 1986: The South and the Edges of the Global -- Introduction: Origin Stories -- A Brief History of Southern Biennials -- The Second Bienal de La Habana -- Conclusion: The Stakes of Southern Histories -- Notes -- Part 2: The Politics of Legitimacy -- 4: 1989: Asian Biennialization -- Introduction -- Experimental Versus Traditional Art: "Traditions/Tensions" -- Conclusion -- Notes -- 5: 1997: Biennials, Migration, and Itinerancy -- Introduction -- Manifesta and Critical Regionalism -- Locality Fails: The 2nd Johannesburg Biennale -- By Way of Conclusion: The Emergency Biennale in Chechnya -- Notes -- Part 3: Hegemony or a New Canon -- 6: 2002: Cosmopolitanism -- Introduction -- The Five-Year Subaltern Plan -- Black Box, White Cube -- Conclusion -- Notes -- 7: 2003: Delegating Authority -- Introduction -- Tirana: "Opening Up the Conversation" -- Escape -- Curating by Delegation: The 50th Venice Biennale: The Dictatorship of the Viewer -- "Counterbalance the Decadence of the Ancient City."
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|a "Outmoded Structure of National Pavilions and Theme Exhibitions" -- Conclusion -- Notes -- 8: 2014: Global Art Circuits -- Introduction -- The Game of Comparison and Competition -- Negotiated Inequality -- Contemporary Play Time -- Coda: 2014 -- Notes -- 9: Conclusion -- Notes -- Index -- EULA.
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590 |
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|a O'Reilly
|b O'Reilly Online Learning: Academic/Public Library Edition
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650 |
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|a Art and globalization
|x History
|y 20th century.
|
650 |
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0 |
|a Art and globalization
|x History
|y 21st century.
|
650 |
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0 |
|a Biennials (Art fairs)
|x History.
|
650 |
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6 |
|a Art et mondialisation
|x Histoire
|y 20e siècle.
|
650 |
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6 |
|a Art et mondialisation
|x Histoire
|y 21e siècle.
|
650 |
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|a Biennales (Foires d'art)
|x Histoire.
|
650 |
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|a BUSINESS & ECONOMICS
|x Museum Administration & Museology.
|2 bisacsh
|
650 |
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|a Art and globalization
|2 fast
|
650 |
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|a Biennials (Art fairs)
|2 fast
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648 |
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7 |
|a 1900-2099
|2 fast
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655 |
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|a History
|2 fast
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700 |
1 |
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|a Gardner, Anthony,
|d 1976-
|e author.
|
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0 |
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|i Print version:
|a Green, Charles, 1953-
|t Biennials, triennials, and Documenta.
|b 1.
|d Hoboken : John Wiley & Sons Inc., 2016
|z 9781444336641
|w (DLC) 2015038630
|
856 |
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0 |
|u https://learning.oreilly.com/library/view/~/9781444336641/?ar
|z Texto completo (Requiere registro previo con correo institucional)
|
938 |
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|a EBSCOhost
|b EBSC
|n 1193814
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis33158437
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|a YBP Library Services
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