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Biennials, triennials, and Documenta : the exhibitions that created contemporary art /

"Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s and the emergence of mega-exhibitions in Asia in the 1990s to the current globalization of biennials"--

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Green, Charles, 1953- (Autor), Gardner, Anthony, 1976- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chicester, West Sussex ; Malden, MA : John Wiley & Sons Ltd., 2016.
Edición:1.
Temas:
Acceso en línea:Texto completo (Requiere registro previo con correo institucional)

MARC

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100 1 |a Green, Charles,  |d 1953-  |e author. 
245 1 0 |a Biennials, triennials, and Documenta :  |b the exhibitions that created contemporary art /  |c Charles Green and Anthony Gardner. 
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264 1 |a Chicester, West Sussex ;  |a Malden, MA :  |b John Wiley & Sons Ltd.,  |c 2016. 
300 |a 1 online resource 
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520 |a "Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s and the emergence of mega-exhibitions in Asia in the 1990s to the current globalization of biennials"--  |c Provided by publisher. 
504 |a Includes bibliographical references and index. 
588 0 |a Print version record and CIP data provided by publisher. 
505 0 |a Frontispiece -- Title Page -- Copyright -- Preface -- Introduction -- Why Biennials? -- Part 1. The Second Wave -- Part 2. The Politics of Legitimacy -- Part 3. Hegemony or a New Canon -- The Cultural Geography of Biennials -- Notes -- Part 1: The Second Wave -- 1: 1972: The Rise of the Star-Curator -- Introduction -- Preparation for a Walk-Through Event Structure -- "Therapy Has Changed and No Longer Encourages Copious Art Production" -- "The Most Important Exhibition of Recent Years" -- Conclusion -- Notes -- 2: 1979: Cultural Translation, Cultural Exclusion, and the Second Wave -- Introduction: Biennials as Models for Cultural Encounters -- Founding the Sydney Biennale -- White Elephant or Red Herring? Selecting the 1979 Biennale of Sydney -- Import/Export: Sydney and São Paulo -- Conclusion -- Notes -- 3: 1986: The South and the Edges of the Global -- Introduction: Origin Stories -- A Brief History of Southern Biennials -- The Second Bienal de La Habana -- Conclusion: The Stakes of Southern Histories -- Notes -- Part 2: The Politics of Legitimacy -- 4: 1989: Asian Biennialization -- Introduction -- Experimental Versus Traditional Art: "Traditions/Tensions" -- Conclusion -- Notes -- 5: 1997: Biennials, Migration, and Itinerancy -- Introduction -- Manifesta and Critical Regionalism -- Locality Fails: The 2nd Johannesburg Biennale -- By Way of Conclusion: The Emergency Biennale in Chechnya -- Notes -- Part 3: Hegemony or a New Canon -- 6: 2002: Cosmopolitanism -- Introduction -- The Five-Year Subaltern Plan -- Black Box, White Cube -- Conclusion -- Notes -- 7: 2003: Delegating Authority -- Introduction -- Tirana: "Opening Up the Conversation" -- Escape -- Curating by Delegation: The 50th Venice Biennale: The Dictatorship of the Viewer -- "Counterbalance the Decadence of the Ancient City." 
505 8 |a "Outmoded Structure of National Pavilions and Theme Exhibitions" -- Conclusion -- Notes -- 8: 2014: Global Art Circuits -- Introduction -- The Game of Comparison and Competition -- Negotiated Inequality -- Contemporary Play Time -- Coda: 2014 -- Notes -- 9: Conclusion -- Notes -- Index -- EULA. 
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650 0 |a Art and globalization  |x History  |y 20th century. 
650 0 |a Art and globalization  |x History  |y 21st century. 
650 0 |a Biennials (Art fairs)  |x History. 
650 6 |a Art et mondialisation  |x Histoire  |y 20e siècle. 
650 6 |a Art et mondialisation  |x Histoire  |y 21e siècle. 
650 6 |a Biennales (Foires d'art)  |x Histoire. 
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700 1 |a Gardner, Anthony,  |d 1976-  |e author. 
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