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20231017213018.0 |
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150930s2016 enka ob 001 0 eng d |
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|a 920821253
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|z 9780205111589
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|a 9781317343660
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|a 1317343662
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|z 0205111580
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|a (OCoLC)922588999
|z (OCoLC)920821253
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|a CL0500000648
|b Safari Books Online
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|a PN4784.T4
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|a 070.195
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|a UAMI
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| 100 |
1 |
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|a Shook, Frederick,
|e author.
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1 |
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|a Television field production and reporting :
|b a guide to visual storytelling /
|c Fred Shook, John Larson, John DeTarsio.
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| 250 |
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|a Sixth edition.
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| 264 |
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1 |
|a Abingdon, Oxon [United Kingdom] :
|b Routledge,
|c 2016.
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| 300 |
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|a 1 online resource (1 volume) :
|b illustrations
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 588 |
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|a Description based on print version record.
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| 504 |
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|a Includes bibliographical references and index.
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0 |
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|a Cover; Title Page; Copyright Page; Dedication; Table of Contents; Preface; About the Authors; Introduction; New Titles for New Job Descriptions; How to Renew or Jumpstart Your Career; How to Excel in Multiple Capacities; Anticipate Key Interview Questions; Notes; Chapter 1 Telling the Visual Story; Through Stories we Share Human Experience and Understanding; The Differences Between Visual Stories and Reports; Heart. Emotion. Demeanor; Placing the Human Perspective in Perspective; The Value of Pictorial Narrative; Silence as a Writing Tool; The Silent Languages of the Senses
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| 505 |
8 |
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|a Putting it all TogetherCulture Impacts Perception; How to Plan the Visual Story; The Best Stories Convey a Sense of Progression; Find Images That Convey a Clear Story Focus; Write the Pictures First; Reportorial Editing; Working as Part of a Team; Prove the Story'S Focus Visually; The Focus May Change; Look for a Story Focus in Spot-News Events; Tell Your Story Through People; Strong Natural Sound Helps Tell the Story; Build in Surprises; Keep Sound Bites Short; Address the Larger Issue; Challenge your Focus Statement; Video Packages are Factual Mini-Movies; The Lead
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|a Provide Visual Proof for all Main PointsThe Close; Be Hard on Yourself as a Writer; Write from the Visuals; Look for a Story While Capturing Uncontrolled Action; Look for the Larger Story; Summary; Key Terms; Discussion; Exercises; Notes; Chapter 2 The Visual Grammar of Motion Picture Photography; The Shot; The Sequence; Basic Shots; Long Shot; Medium Shot; Close-Up; How the Basic Shots Work Together; Camera Movement; Pan; Moving Shot; Combination Shot; Tilt Shot; Tracking Shot; Trucking Shot; Dolly Shot; Changes in Camera Perspective; Stabilization of Shaky Images
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| 505 |
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|a Shots That Help Tell the StoryOne Shots to Crowd Shots; Master Shot With Cut-Ins; Overlapping Action; Matched-Action Sequences can be Shot in Spot News; Jump Cuts; The Cutaway; The Motivated Cutaway; The Transition or Reveal Shot; Using Camera Movement to Enhance Storytelling; Point-of-View Movement; Thinking Camera; Screen Direction; How to Avoid the False Reverse; Vary Camera Angles; Photograph People at Eye Level; Angles Provide Psychological Impact; Contrast and Comparison; Composition; Summary; Key Terms; Discussion; Exercises; Notes; Chapter 3 Video Editing: The Invisible Art
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| 505 |
8 |
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|a Editing is Another Writing ToolToward a Philosophy of Editing; Everyone is an Editor; The Cut; Choosing Edit Points; There can be No Matched Action Without Overlapping Action; Cutting on Action or at Rest; Into-Frame/Out-of-Frame Action; Jump Cuts; Pop Cuts; Devices to Compress Time and Advance the Action; Parallel Cutting; Shot Order Impacts the Illusion of Continuity; Content Dictates Pace; Cutting to Condense Time; Composition Affects Pace; Screen Direction; Editing to Eliminate the False Reverse; The Transition Shot; Sound as a Transitional Device; Cold Cuts; Flash Cuts
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| 590 |
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|a O'Reilly
|b O'Reilly Online Learning: Academic/Public Library Edition
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| 650 |
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|a Television broadcasting of news.
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| 650 |
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0 |
|a Television
|x Production and direction.
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| 650 |
|
6 |
|a Téléjournaux.
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| 650 |
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6 |
|a Télévision
|x Production et réalisation.
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| 650 |
|
7 |
|a Television broadcasting of news.
|2 fast
|0 (OCoLC)fst01146787
|
| 650 |
|
7 |
|a Television
|x Production and direction.
|2 fast
|0 (OCoLC)fst01146585
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| 700 |
1 |
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|a Larson, John,
|d 1953-
|e author.
|
| 700 |
1 |
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|a DeTarsio, John,
|e author.
|
| 776 |
0 |
8 |
|i Print version:
|a Shook, Frederick.
|t Television field production and reporting.
|b 6th ed.
|d Upper Saddle River, N.J. : Pearson, ©2013
|z 9780205111589
|w (DLC) 2011051038
|w (OCoLC)768335821
|
| 856 |
4 |
0 |
|u https://learning.oreilly.com/library/view/~/9781317343660/?ar
|z Texto completo (Requiere registro previo con correo institucional)
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| 938 |
|
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|a YBP Library Services
|b YANK
|n 12600698
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| 938 |
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|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n cis32513459
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| 994 |
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|a 92
|b IZTAP
|
