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Composing music with computers /
Focuses on the role of the computer as a generative tool for music composition. Miranda introduces a number of computer music composition techniques ranging from probabilities, formal grammars and fractals, to genetic algorithms, cellular automata and neural computation. Anyone wishing to use the co...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York, NY :
Routledge,
2014.
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| Edición: | 1st ed. |
| Colección: | Music technology series.
|
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
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| 003 | OCoLC | ||
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| 020 | |a 9781136120930 | ||
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| 020 | |z 9780240515670 | ||
| 020 | |a 0240515676 | ||
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| 082 | 0 | 4 | |a 781.3/4 |2 21 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Miranda, Eduardo Reck, |d 1963- |e author. | |
| 245 | 1 | 0 | |a Composing music with computers / |c Eduardo Reck Miranda. |
| 250 | |a 1st ed. | ||
| 264 | 1 | |a New York, NY : |b Routledge, |c 2014. | |
| 300 | |a 1 online resource (1 volume) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Music technology series | |
| 504 | |a Includes bibliographical references and index. | ||
| 588 | |a Description based on print version record. | ||
| 505 | 0 | |a Cover; Copyright Page; Contents; Series introduction; Foreword; Preface; Chapter 1. Computer music: facing the facts; 1.1 Abstraction boundaries; 1.2 Time-domain hierarchies; 1.3 Approaching composition; 1.4 Cognitive archetypes; 1.5 Concluding remarks; Chapter 2. Preparing the ground; 2.1 Elementary discrete mathematics; 2.2 Fundamentals of set theory; 2.3 Basics of logic; 2.4 Introduction to matrices; 2.5 The basics of formal grammars; 2.6 Brief introduction to probabilities; 2.7 A primer in computer programming; 2.8 The legacy of The Second Viennese School | |
| 505 | 8 | |a 2.9 The legacy of formalised musicChapter 3. Probabilities, grammars and automata; 3.1 Probabilities; 3.2 Probability tables; 3.3 Markov chains; 3.4 Formal grammars; 3.5 Finite state automata; 3.6 Related software on the accompanying CD-ROM; Chapter 4. Iterative algorithms: chaos and fractals; 4.1 Iterative processes; 4.2 Fractal geometry; 4.3 Related software on the accompanying CD-ROM; Chapter 5. Neural computation and music; 5.1 Thinking music aloud; 5.2 Artificial neural networks; 5.3 Musical networks; 5.4 Related software on the accompanying CD-ROM | |
| 505 | 8 | |a Chapter 6. Evolutionary music: breaking new ground6.1 Cellular automata; 6.2 Genetic algorithms; 6.3 Adaptive musical games; 6.4 Evolving rhythmic forms; 6.5 Related software on the accompanying CD-ROM; Chapter 7. Case studies; 7.1 From content to form; 7.2 From form to content; 7.3 Phonetic grounding; 7.4 Final remarks; Chapter 8. Music composition software on the accompanying CD-ROM; 8.1 A programming language for algorithmic composition. Nyquist; 8.2 Visual programming: OpenMusic; 8.3 Intelligent riff blocks: Music Sketcher; 8.4 Hybrid approach: Tangent; 8.5 Internet: the SSEYO Koan system | |
| 505 | 8 | |a 8.6 Grammars and constraints: Bol Processor8.7 Aleatory music and probabilities: Texture; 8.8 Number theory: MusiNum; 8.9 Iterative algorithms: a Music Generator; 8.10 Fractals: FractMus; 8.11 Cellular automata: CAMUS; 8.12 Genetic algorithms: Vox Populi; 8.13 Selective automata: Harmony Seeker; 8.14 Brain interface: IBVA system; 8.15 Algorithmic but live: M; Epilogue; Appendix 1. Excerpt from J. S. Bach's Chorale BWV; Appendix 2. Musical clip; Appendix 3. Formant chart; Appendix 4. A primer in Lisp programming; References; CD-ROM instructions; Index | |
| 520 | |a Focuses on the role of the computer as a generative tool for music composition. Miranda introduces a number of computer music composition techniques ranging from probabilities, formal grammars and fractals, to genetic algorithms, cellular automata and neural computation. Anyone wishing to use the computer as a companion to create music will find this book a valuable resource. As a comprehensive guide with full explanations of technical terms, it is suitable for students, professionals and enthusiasts alike.The accompanying CD-ROM contains examples, complementary tutorials and a number. | ||
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 650 | 0 | |a Computer composition (Music) | |
| 650 | 6 | |a Composition (Musique) par ordinateur. | |
| 650 | 7 | |a Computer composition (Music) |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Miranda, Eduardo Reck, 1963- |t Composing music with computers. |b 1st ed. |d Oxford ; Boston : Focal Press, 2001 |z 0240515676 |w (DLC) 2001033448 |w (OCoLC)46500614 |
| 830 | 0 | |a Music technology series. | |
| 856 | 4 | 0 | |u https://learning.oreilly.com/library/view/~/9780240515670/?ar |z Texto completo (Requiere registro previo con correo institucional) |
| 994 | |a 92 |b IZTAP | ||