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Producing and directing the short and film video /
Producing and Directing the Short Film and Video, Fifth Edition is the definitive book on the subject for the serious film student or beginning filmmaker. Its unique two-fold approach looks at filmmaking from the perspectives of both the producer and director, and clearly explains how their separate...
| Clasificación: | Libro Electrónico |
|---|---|
| Autores principales: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Burlington, MA :
Focal Press,
2015.
|
| Edición: | Fifth edition. |
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
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| 100 | 1 | |a Rea, Peter W., |e author. | |
| 245 | 1 | 0 | |a Producing and directing the short and film video / |c by Peter W. Rea and David K. Irving. |
| 250 | |a Fifth edition. | ||
| 264 | 1 | |a Burlington, MA : |b Focal Press, |c 2015. | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Cover; Half Title; Title Page; Copyright Page; Table of Contents; Preface: Fifth Edition; Acknowledgments; Introduction; Internet; Craft versus Art and Collaboration; What Are the Steps?; The Organization of the Book; Producer and Director; The Producer; The Director; Six Short Films; The Filmmakers Speak; Chapter Breakdowns; Companion Web Site; Timeline; Part I Preproduction; 1 Script; The Creative Producer; Developing the Script; Animation; Do Your Homework; What Is a Script?; What Does a Script Look Like?; Where Do Scripts Come From?; How Are Scripts Developed?; Workshop Your Idea. | |
| 505 | 8 | |a Basic Guidelines for the Short FormLength; The Central Theme; Conflict; The Basic Conflicts; The Dramatic Arc or Spine; One Primary Event; One Major Character; Follow-Through; Minimum Back Story; Internal Motives, External Action; No Talking Heads; Images before Words; Adaptation; Why Adapt?; Rights; What Is the Story About?; Find Your Plot and Characters; Make the Internal External; Dramatic Expectations; What Do You Do Now?; General Guidelines for Adaptation; True Stories and Events; Legalities; Rights and Adaptations (Preexisting Material); Noncommercial/Festival Rights; Original Material. | |
| 505 | 8 | |a CopyrightCollaboration; Working with a Writer; Rewriting; How Do Scripts Affect Budgets?; Director; Supervising or Performing Rewrites; Working with the Writer; Director as Storyteller; Readings; Story Questions; Scene Analysis; The Shooting Script; Documentaries; Developing a Web Presence; Selecting a Web Master; Designing the Interface; Key Points; 2 Finance; Producer; Raising the Capital; Basic Fundraising Problems; How Much Money Will You Need?; Funding Options; Private Investors; Fiscal Sponsorship; Private Foundation Grants; Public Foundation Grants; Corporate Sponsorship; Bank Loans. | |
| 505 | 8 | |a Personal SavingsIn-Kind Services and Donations; Do Your Research; The Prospectus; Presentation Is Everything; Spending the Money Responsibly; The Digital Prospectus; General Fundraising Suggestions; Student Fundraising Strategies; Sources for Students; Director; Pitching the Project; The Elevator Challenge; Steps to a Successful Pitch; Key Points; 3 Breakdowns; Producer; Breaking Down the Script; Production Book; Proper Script Format; Breaking Down the Script; Step 1: Breakdowns; Step 2: Schedule; Step 3: Budget; The Digital Producer; Director; Developing a Shooting Plan. | |
| 505 | 8 | |a Organization Leads to FlexibilityDirector Breakdowns; Know the Script; Know the Theme; Develop a History for the Main Characters; Know What Each Character Wants in the Story; Break Down Each Scene into Dramatic Beats; Determine a Visual Style for the Story; Study the Locations and Rehearse the Actors; Settle on Pacing and Tone; Workshop Ideas on Video; Create Floor Plans and Storyboards; Make a Shot List; Animation; The Final Word; Key Points; 4 Schedule; Producer (As Production Manager); Building a Stripboard; General Guidelines; Fixed Dates; Locations; Cast; Exteriors; Night Shooting. | |
| 520 | |a Producing and Directing the Short Film and Video, Fifth Edition is the definitive book on the subject for the serious film student or beginning filmmaker. Its unique two-fold approach looks at filmmaking from the perspectives of both the producer and director, and clearly explains how their separate roles must work together to create a successful short film or video. Through extensive examples from award-winning shorts and insightful interviews, you will learn about common challenges the filmmakers encountered during each step of filmmaking process-from preproduction to production, postproduct. | ||
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 650 | 0 | |a Short films |x Production and direction. | |
| 650 | 0 | |a Video recordings |x Production and direction. | |
| 650 | 6 | |a Vidéo |x Production et réalisation. | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 7 | |a Short films |x Production and direction |2 fast | |
| 650 | 7 | |a Video recordings |x Production and direction |2 fast | |
| 650 | 7 | |a Kurzfilm |2 gnd | |
| 650 | 7 | |a Video |2 gnd | |
| 650 | 7 | |a Filmproduktion |2 gnd | |
| 650 | 7 | |a Filmregie |2 gnd | |
| 650 | 7 | |a Regie |2 gnd | |
| 700 | 1 | |a Irving, David K., |e author. | |
| 776 | 0 | 8 | |i Print version: |a Rea, Peter W. |t Producing and Directing the Short Film and Video |z 9780415732550 |w (OCoLC)904328000 |
| 856 | 4 | 0 | |u https://learning.oreilly.com/library/view/~/9780415732550/?ar |z Texto completo (Requiere registro previo con correo institucional) |
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