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|a TR897.7 .F683 2014
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|a UAMI
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100 |
1 |
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|a Foster, Jeff.
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245 |
1 |
4 |
|a The Green Screen Handbook :
|b Real-World Production Techniques.
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250 |
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|a 2nd ed.
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260 |
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|a New York ;
|a London :
|b Focal Press,
|c 2015.
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300 |
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|a 1 online resource (419 pages)
|
336 |
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|a text
|b txt
|2 rdacontent
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337 |
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|a computer
|b c
|2 rdamedia
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338 |
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|a online resource
|b cr
|2 rdacarrier
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588 |
0 |
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|a Print version record.
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|a Cover; Title; Copyright; Contents; Acknowledgments; About the Author; Foreword; Introduction; Part I Exploring the Matting Process; Chapter 1 Mattes and Compositing Defined; The Road to the Modern-Day Traveling Matte; The Early Days; The Traveling Matte Is Introduced; How the Sodium Vapor Traveling Matte Process Works; How the Modern-Day Blue and Green Screen Traveling Matte Process Works; Chapter 2 Digital Matting Methods and Tools; Why Green vs. Blue Screen?; Real-World Examples; Jonathan Erland at the Academy; Difference Matte vs. Chroma Key; Hardware Matte Compositors and Chroma Keyers.
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505 |
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|a Ultimatte Hardware CompositorsGrass Valley Switchers with Chroma Keyer; NewTek TriCaster 8000; VeeScope LIVE; Reflecmedia LiteRing; Compositing Software and Plug-ins; Video- and Image-Compositing Software with Keyers; Third-Party Keying and Compositing Plug-ins; Chapter 3 Basic Shooting Setups; Basic Setups for Shooting Green Screen; Green Screen and Blue Screen Materials; Painted Walls, Cycs, and Floors; Digital Matte Keying Fabrics and Materials; Reflective Media; Chapter 4 Basic Compositing Techniques; Overview of Matting Compositing Techniques.
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505 |
8 |
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|a Software Chroma Keying, Matting and Compositing ProcessOverview of Layer Masks, Mattes and Roto-Masking Techniques; Creative Alpha Mattes; Roto-Spline Masking; After Effects Roto Brush; Chapter 5 Simple Setups on a Budget; Shooting Green Screen Outdoors to Save Money; DIY Light Kits on the Cheap; Shooting with Inexpensive Background Materials and the NanoSoftLights; Chapter 6 Green Screens in Live Broadcasts; Visiting a Typical Local TV Newsroom; The Studio's Green Screen; The Ultimatte Hardware in Action; Live Broadcast with Virtual Sets; Chapter 7 How the Pros Do It.
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505 |
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|a Traveling Back in Time with HBO's John AdamsIndie Filmmakers Tackle Big Effects; Hydralab's Marvel in Miniature: Machine; Pendragon Pictures 1800s Version of H.G. Wells' The War of the Worlds; Kanen Flowers/That Studio-Hero Punk; Films In Motion Theatrical Release-The Courier; Part II Setting the Scene; Chapter 8 Choosing the Right Matting Process for Your Project; Should I Choose Hardware or Software Matting/Compositing?; What Kind of Shots Do I Need?; Single Interviews and Talking-Head Shots; Action and Full-Body Motion; Creative Shots and Lighting for Effect.
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505 |
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|a Chapter 9 Proper Lighting TechniquesLighting the Screen and Foreground Subjects; Green Screen on the Go; Studio Lighting; The Importance of Using a Scope; Using Portable Devices to Measure Your Screens; Shooting Green and Blue Screen Outdoors; Chapter 10 Matching Your Subjects to the Background; Creating Simple Composites; Lighting and Camera Angles; Integrating Props with Sets; Tracking and Matchmoving Green Screen Shots; Tracking Handheld Background Footage; Tracking the Green Screen Insert; Using Multiple Backgrounds to Alter the Mood of a Scene; Chapter 11 Digital Cameras and Camcorders.
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500 |
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|a Digital Camcorder Basics.
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520 |
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|a The Green Screen Handbook, Second Edition is a comprehensive how-to manual that walks you through the many integral techniques required in preproduction, production, and postproduction to use green screen effectively. Step-by-step instruction and time-saving tips cover matting and keying basics; lighting and digital camera essentials; setups using fabric, portable background panels, and paint; broadcast TV hardware switchers; professional HD and major motion picture compositing; multi-colored screen composites; directing storyboards and talent; working with virtual sets; motion tracking; and m.
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504 |
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|a Includes bibliographical references and index.
|
590 |
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|a O'Reilly
|b O'Reilly Online Learning: Academic/Public Library Edition
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650 |
|
0 |
|a Cinematography
|x Special effects
|v Handbooks, manuals, etc.
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650 |
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0 |
|a Computer animation
|v Handbooks, manuals, etc.
|
650 |
|
0 |
|a Computer graphics
|v Handbooks, manuals, etc.
|
650 |
|
0 |
|a Image processing
|x Digital techniques
|v Handbooks, manuals, etc.
|
650 |
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6 |
|a Cinéma
|x Effets spéciaux
|v Guides, manuels, etc.
|
650 |
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6 |
|a Animation par ordinateur
|v Guides, manuels, etc.
|
650 |
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6 |
|a Infographie
|v Guides, manuels, etc.
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650 |
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6 |
|a Traitement d'images
|x Techniques numériques
|v Guides, manuels, etc.
|
650 |
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7 |
|a ART
|x Film & Video.
|2 bisacsh
|
650 |
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7 |
|a PHOTOGRAPHY
|x Techniques
|x Cinematography & Videography.
|2 bisacsh
|
650 |
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7 |
|a Cinematography
|x Special effects.
|2 fast
|0 (OCoLC)fst00861506
|
650 |
|
7 |
|a Computer animation.
|2 fast
|0 (OCoLC)fst00872015
|
650 |
|
7 |
|a Computer graphics.
|2 fast
|0 (OCoLC)fst00872119
|
650 |
|
7 |
|a Image processing
|x Digital techniques.
|2 fast
|0 (OCoLC)fst00967508
|
655 |
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0 |
|a Electronic books.
|
655 |
|
7 |
|a Handbooks and manuals.
|2 fast
|0 (OCoLC)fst01423877
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655 |
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7 |
|a Handbooks and manuals.
|2 lcgft
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776 |
0 |
8 |
|i Print version:
|a Foster, Jeff.
|t Green Screen Handbook : Real-World Production Techniques.
|d Hoboken : Taylor and Francis, ©2014
|z 9781138780330
|
856 |
4 |
0 |
|u https://learning.oreilly.com/library/view/~/9781138780330/?ar
|z Texto completo (Requiere registro previo con correo institucional)
|
936 |
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|a BATCHLOAD
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938 |
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|a Bloomsbury Publishing
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938 |
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|a ProQuest Ebook Central
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|a Taylor & Francis
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938 |
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