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Nonlinear editing /

Nonlinear is a buzzword for every broadcaster and facility house worldwide. Systems range from the humble to the exotic, and despite the growing acceptance of the technology, many users, both new and experienced, find the complexity of the operation and the time spent loading the material and render...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Morris, Patrick
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oxford [England] ; Boston : Focal Press, 1999.
Colección:Media manuals.
Temas:
Acceso en línea:Texto completo (Requiere registro previo con correo institucional)

MARC

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082 0 4 |a 778.5/35  |2 21 
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100 1 |a Morris, Patrick. 
245 1 0 |a Nonlinear editing /  |c Patrick Morris. 
260 |a Oxford [England] ;  |a Boston :  |b Focal Press,  |c 1999. 
300 |a 1 online resource (1 volume) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Media manual 
588 0 |a Print version record. 
504 |a Includes bibliographical references. 
505 0 |a Ch. 1. What is linear editing? What is nonlinear editing? -- ch. 2. The interlaced scanning system. The waveform monitor. The vectorscope. The video monitor. The computer monitor. Audio. Summary -- ch. 3. Digital signals and sampling. Disk drives. Disk capacity. Compression. Summary -- ch. 4. Off-line and on-line editing. The digitizing process. Some special cases. Editing. Output -- ch. 5. Project and system management. Timecode. Media logging. Batch digitizing. System management. Summary -- ch. 6. Dissolve/wipe. Motion effects. Multi-layer effects. Summary -- ch. 7. Hole cutters. Luminance key. Chrominance key. Matte key. Alpha channels -- ch. 8. Working with titles and captions. Style. Working with third party graphics applications. Safe title area. Saving time. File type and cross-platform compatibility. Summary -- ch. 9. Working with audio. Audio options for the nonlinear suite. Summary -- ch. 10. The future. 
520 |a Nonlinear is a buzzword for every broadcaster and facility house worldwide. Systems range from the humble to the exotic, and despite the growing acceptance of the technology, many users, both new and experienced, find the complexity of the operation and the time spent loading the material and rendering effects difficult to manage at first. Non-linear editing also comes with its own specialist language, requiring each editor to be conversant with a new range of skills from day one. As desktop systems improve the role of the traditional editor is constantly evolving and expanding.<BR id=""CRLF"" 
590 |a O'Reilly  |b O'Reilly Online Learning: Academic/Public Library Edition 
650 0 |a Motion pictures  |x Editing. 
650 0 |a Video tapes  |x Editing. 
650 6 |a Montage (Cinéma) 
650 6 |a Vidéos  |x Montage. 
650 7 |a Motion pictures  |x Editing.  |2 fast  |0 (OCoLC)fst01027319 
650 7 |a Video tapes  |x Editing.  |2 fast  |0 (OCoLC)fst01166542 
776 0 8 |i Print version:  |a Morris, Patrick.  |t Nonlinear editing.  |d Oxford [England] ; Boston : Focal Press, 1999  |z 0240515641  |w (DLC) 99032801  |w (OCoLC)41420678 
830 0 |a Media manuals. 
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938 |a ProQuest MyiLibrary Digital eBook Collection  |b IDEB  |n cis24324204 
938 |a Taylor & Francis  |b TAFR  |n 9780080512792 
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938 |a YBP Library Services  |b YANK  |n 9937667 
994 |a 92  |b IZTAP