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Focus on close-up and macro photography /
"Macro and close-up photography isn't all about the equipment. In fact, most DLSR users that love to shoot close-up do not even have a Macro lens. This type of photography does, however, involve a unique set of challenges and skills. The composition and lighting are key elements of shootin...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Burlington, MA :
Focal Press,
2013.
|
| Colección: | Focus on series (Focal Press)
|
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
| LEADER | 00000cam a2200000Ia 4500 | ||
|---|---|---|---|
| 001 | OR_ocn858027810 | ||
| 003 | OCoLC | ||
| 005 | 20231017213018.0 | ||
| 006 | m o d | ||
| 007 | cr unu|||||||| | ||
| 008 | 130913s2013 maua o 001 0 eng d | ||
| 040 | |a UMI |b eng |e pn |c UMI |d DEBBG |d DEBSZ |d OCLCQ |d OCLCF |d OCLCQ |d CEF |d UAB |d GBVCP |d UKAHL |d CZL |d OCLCO |d OCLCQ | ||
| 020 | |a 9781136108617 | ||
| 020 | |a 1136108610 | ||
| 020 | |a 0240823982 | ||
| 020 | |a 9780240823980 | ||
| 020 | |z 9780240823980 | ||
| 029 | 1 | |a AU@ |b 000052282005 | |
| 029 | 1 | |a DEBBG |b BV041776488 | |
| 029 | 1 | |a DEBSZ |b 404319319 | |
| 035 | |a (OCoLC)858027810 | ||
| 037 | |a CL0500000289 |b Safari Books Online | ||
| 050 | 4 | |a TR684 |b .B73 2013 | |
| 082 | 0 | 4 | |a 778.3/24 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Branson, Clive. | |
| 245 | 1 | 0 | |a Focus on close-up and macro photography / |c Clive Branson. |
| 260 | |a Burlington, MA : |b Focal Press, |c 2013. | ||
| 300 | |a 1 online resource (1 volume) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a The focus on series | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Focus On Close-Up and Macro Photography; Copyright; Contents; About the Author; Acknowledgements; Introduction; Chapter 1: What Is Macro Photography?; The Difference between Close- Up and Macro Photography; The Difficulty with Macro Photography; Extension Accessories for Close-Up Photography; Choosing the Right Camera and Lenses; Cameras; Lenses; Tripods; Flash and Reflectors; Chapter 2: Composition; Before You Even Take a Shot, Consider the Following; Your Eye Isn't the Camera's Eye; Framing; The Rule of Thirds; Depth of Field; Bracketing; Shutter Speed; ISO; Digital Noise | |
| 505 | 8 | |a RAW, TIFF, and JPEGHistogram; White Balance; Chapter 3: Flower Photography; Fun or Serious?; Photography Is All about Observing; The Anatomy of a Flower; Focus on What You Want to Shoot; If I'm Shooting Close-Ups, Why Is the Background So Important?; Eliminating Distractions; Positive and Negative Space; Using Negative Space; Horizontal versus Vertical; Lighting; Color; Photographing Multicolored Flowers; Photographing Roses; Photographing Red and Yellow Flowers; Photographing Blue and Green Flowers; Photographing White Flowers; Photographing Flowers in Black and White; Sepia; Leaves; Weather | |
| 505 | 8 | |a Lens HoodFilters; Aesthetics; Chapter 4: Lighting; Outdoor Lighting; Front Lighting; Back Lighting; Silhouettes; Side Lighting; Diffused Lighting; Studio Lighting; Incandescent Lighting or Continuous Lighting; Strobe Lighting; Chapter 5: Subjects to Photograph; Automotive Photography; Food Photography; Photographing Fruit; How to Photograph Falling Droplets; How to Photograph Smoke Trails; How to Photograph Lit Matches; How to Photograph Water Refractions; Photographing Water; Photographing Glass; Photographing Synthetic Textures; Photographing Fabrics; Photographing Insects | |
| 505 | 8 | |a Abstract PhotographyChapter 6: What to Do with Your Images; Getting Published; Documentation; Magazines; Book Publishing; Self-Publishing; Stock Photography; Greeting Cards and Calendar Companies; Advertising and Promotion; Conclusion; List of Acronyms; Index | |
| 520 | |a "Macro and close-up photography isn't all about the equipment. In fact, most DLSR users that love to shoot close-up do not even have a Macro lens. This type of photography does, however, involve a unique set of challenges and skills. The composition and lighting are key elements of shooting something close-up. Done right, a photographer can make the most extraordinary photo out of something common without being too complex. This author shows you how to achieve stunning and creative results without overloading the reader with too much technical info"-- |c Provided by publisher. | ||
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 650 | 0 | |a Macrophotography. | |
| 650 | 0 | |a Photography, Close-up. | |
| 650 | 6 | |a Macrophotographie. | |
| 650 | 6 | |a Photographie en gros plan. | |
| 650 | 7 | |a close-up photography. |2 aat | |
| 650 | 7 | |a Macrophotography. |2 fast |0 (OCoLC)fst01005270 | |
| 650 | 7 | |a Photography, Close-up. |2 fast |0 (OCoLC)fst01061982 | |
| 776 | 0 | 8 | |i Print version: |a Branson, Clive. |t Focus on close-up and macro photography. |d Burlington, MA : Focal Press, 2013 |z 9780240823980 |w (DLC) 2012024386 |w (OCoLC)793581642 |
| 830 | 0 | |a Focus on series (Focal Press) | |
| 856 | 4 | 0 | |u https://learning.oreilly.com/library/view/~/9780240823980/?ar |z Texto completo (Requiere registro previo con correo institucional) |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH24415310 | ||
| 994 | |a 92 |b IZTAP | ||