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Digital filmmaking : the changing art and craft of making motion pictures /

Digital Filmmaking has been called the bible for professional filmmakers in the digital age. It details all of the procedural, creative, and technical aspects of pre-production, production, and post-production within a digital filmmaking environment. It examines the new digital methods and technique...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ohanian, Thomas A.
Otros Autores: Phillips, Michael E.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Boston : Focal Press, ©2000.
Edición:2nd ed.
Temas:
Acceso en línea:Texto completo (Requiere registro previo con correo institucional)
Tabla de Contenidos:
  • Cover; Digital Filmmaking; Copyright; Contents; Foreword; Preface To The Second Edition; Acknowledgments; Introduction; Preproduction And Previsualization; 1. From Filmmaking To Digital Filmmaking; Industry Viewpoints; George Lucas-filmmaker/lucasfilm; The Process And The Peoplewho Make Films; Collaboration Defines Filmmaking; Preproduction; The Screenwriter; Script Breakdown; Budgeting; Scheduling; Casting; Production Designer; Location Scout; Set Designer; Set Decorator; Property Master; Costume Designer; Makeup Artist; Production Illustrator; Production; Director Of Photography
  • Camera OperatorKey Grip; Gaffer; Production Sound Mixer; Script Supervisor/continuity; Developing And Printing The Film; Postproduction; Negative Cutter; Visual Effects Producer; Re-recording Mixer; Scoring Mixer; Titles And Effects Supervisor; The Color Timer; The Collaborative Process Offilmmaking; Industry Viewpoints; Howard Smith-film Editor; 2. Introduction To Digital Filmmaking; Film Categories; Film-a World Perspective; The Digital Filmmaking Experience; Industry Viewpoints; Fraser Heston-director/writer; Preserving And Sharinginformation
  • Preproduction, Production/postproduction, And DistributionWhy Filmmaking Is Changing; The Digital Filmmaking Flowchart; Preproduction; The Script; Industry Viewpoints; Tim Mcgovern-svp Of Creativeand Technical Affairs, Sonypictures Imageworks; Previsualization; Set Construction And Lightingconsiderations; Script And Previsualization:an Interconnected Process; The Script Supervisor And Logging; The Camera, Sound, Andon-location Digital Recordingprocesses; On-set/on-locationprevisualization, Editorial/ Andcompositing; The Laboratory; The Telecine; Electronic Dailies; Dailies Projection
  • The Editorial StageEditorial Interaction With Paralleloperations; Industry Viewpoints; Frank Kerr-film Director; Networking; Screening; Changes; Sound Sweetening And Mixing; Libraries For Picture And Sound; Finishing The Film; The Film Negative; Timing Lite Information; Computerized Workprint Andnegative Location Tables; Film Exhibition Anddistribution; Theater And Film Or Television Andvideo?; Ancillary And New Markets; Electronic Distribution; Industry Viewpoints; Kim Aubry-vice-president,engineering And Technology,american Zoetrope; Rob Kobrin-editor
  • Basil Pappas-film And Digital,nonlinear Editor3. Scripting, Breakdown,scheduling, And Budgeting; Scripting; Scheduling; Budgeting; Industry Viewpoints; Elizabeth Rodeno-production Manager, Film And Commercial Productions; 4. Previsualization; Envisioning The Finished Film; Industry Viewpoints; Frank Foster-vice President Of Previsualization, Sony Pictures Image Works; Utilizing The Work Products Of The Previsualization Stage; Storyboarding: Visualizing Scene Coverage; Electronic Storyboarding Software; Storyboarding Tools And Creatingan Electronic Storyboard; Drawing And Pasting