Video production handbook /

Mostrar otras versiones (2)

'Video Production Handbook' guides you step-by-step, explaining how to develop your initial programme ideas, and build them into a successful working format. It covers the techniques of persuasive camerawork, successful lighting and video editing.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Millerson, Gerald
Otros Autores: Owens, Jim, 1957-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Burlington, MA : Focal Press, ©2008.
Edición:4th ed.
Temas:
Video recording.
Video recordings > Production and direction.
Video recordings.
Video art.
Vidéo.
Vidéo > Production et réalisation.
Vidéos.
Art vidéo.
video (discipline)
video recordings (physical artifacts)
video art.
video recording (process)
Video recording
Video recordings > Production and direction
Acceso en línea:Texto completo (Requiere registro previo con correo institucional)
Tabla de Contenidos:
  • Cover
  • Copyright
  • Contents
  • Acknowledgments
  • Introduction
  • 1 Overview of video production
  • 1.1 What is video production?
  • FIRST STEP IN VIDEO PRODUCTION
  • 1.2 The need for "know-how"
  • 1.3 It's designed for you
  • 1.4 Learning basics
  • 1.5 Remember the purpose
  • 1.6 Equipment
  • 1.7 What equipment is needed?
  • 1.8 Is there a right way?
  • 1.9 The production approach
  • TECHNICALITIES
  • 1.10 Equipment performance
  • 2 Production crew
  • 2.1 Production crew size
  • VIDEO PRODUCTION CREW JOB DESCRIPTIONS
  • 2.2 Producer
  • 2.3 Assistant producer or associate producer (AP)
  • 2.4 Director
  • 2.5 Assistant director or associate director (AD)
  • 2.6 Floor manager (FM) or stage manager (SM)
  • 2.7 Production assistant (PA)
  • 2.8 Technical director (TD) or vision mixer
  • 2.9 Makeup artist
  • 2.10 Graphic designer/operator
  • 2.11 Lighting director/vision supervisor
  • 2.12 Camera operator
  • 2.13 Camera assistant
  • 2.14 Audio mixer/sound mixer/sound supervisor
  • 2.15 Boom operator or audio assistant
  • 2.16 Engineer
  • 2.17 Writer
  • 2.18 Editor
  • 2.19 Set designer
  • PROFESSIONAL CREW
  • 2.20 Freelance crew
  • 2.21 Below-the-line/above-the-line
  • 2.22 The structure of a video production crew
  • 3 Organizing the production
  • 3.1 Art conceals craft
  • 3.2 Shot selection
  • 3.3 The problem of familiarity
  • 3.4 The problem of quality
  • 3.5 The problem of "bigger and better"
  • 3.6 Communication can be elusive
  • 3.7 Start with an idea (concept)
  • 3.8 Goals and objectives
  • 3.9 Target audience
  • 3.10 Research
  • 3.11 Covering the subject
  • 3.12 Production methods
  • 3.13 The empirical approach
  • 3.14 The planned approach
  • 3.15 Storyboards
  • 3.16 Why plan?
  • 3.17 The three stages of production
  • 3.18 Coverage
  • 3.19 Building an outline
  • 3.20 Broad treatment
  • 3.21 Production research
  • 3.22 Remote surveys (recce)
  • 3.23 Freedom to plan
  • 3.24 Single camera shooting
  • 3.25 Multicamera shooting
  • 3.26 Copyright
  • 3.27 Contracts
  • 4 Production techniques
  • 4.1 Single- and multicamera production
  • 4.2 Multicamera ISO
  • 4.3 Multicamera production without a switcher
  • 4.4 The illusion of reality
  • 4.5 The camera's role
  • 4.6 The camera as an observer
  • 4.7 The persuasive camera
  • 4.8 Beginning and ending
  • 4.9 Production methods
  • 4.10 How do you visualize something that does not exist?
  • 5 Writing for video
  • 5.1 The script's purpose
  • 5.2 Is a script needed?
  • 5.3 Basic script formats
  • 5.4 The full script
  • 5.5 The drama script
  • 5.6 Suggestions on scriptwriting
  • 5.7 Be visual
  • 5.8 Assimilation
  • 5.9 Relative pace
  • 5.10 Style
  • 6 The camera
  • 6.1 A range of models
  • 6.2 Cameracraft
  • CAMERA FEATURES
  • 6.3 Main features
  • 6.4 The lens system
  • 6.5 Focal length and lens angle
  • 6.6 The prime lens
  • 6.7 The zoom lens
  • 6.8 Zoom lens control
  • 6.9 The aperture of the camera
  • 6.10 Lens accessories
  • 6.11 The image sensor
  • 6.12 Sensitivity
  • 6.13 The viewfinder
  • 6.14 Indicators
  • 6.15 Audio
  • 6.16 Power
  • CONTROLLING THE CAMERA.

Ejemplares similares