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OR_ocn852158289 |
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OCoLC |
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|b .E37 2013eb
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049 |
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|a UAMI
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100 |
1 |
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|a Elkins, David E.
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245 |
1 |
4 |
|a The camera assistant's manual /
|c David E. Elkins.
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250 |
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|a 6th ed.
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260 |
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|a Burlington, MA :
|b Focal Press,
|c 2013.
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300 |
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|a 1 online resource (xxviii, 592 pages) :
|b illustrations
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336 |
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|a text
|b txt
|2 rdacontent
|
337 |
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|a computer
|b c
|2 rdamedia
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338 |
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|a online resource
|b cr
|2 rdacarrier
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520 |
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|a "Excel as a Camera Assistant (AC) in today's evolving film industry with this updated classic. Learn what to do--and what NOT to do--during production and get the job done right the first time. The Camera Assistant's Manual, Sixth Edition covers the basics of cinematography and provides you with the multi-skill set needed to maintain and transport a camera, troubleshoot common problems on location, prepare for job interviews, and work with the latest film and video technologies. Illustrations, checklists, and tables accompany each chapter and highlight the daily workflow of an AC. The new edition has been updated to include: - All new sample reports and forms including AC time cards, resumé templates, a digital camera report, and a non-prep disclaimer - A fresh chapter on the entry level camera positions of Camera Trainee/Production Assistant - Instruction and custom forms to help freelance filmmakers keep track of daily expenses for tax purposes - Coverage of emerging iPhone apps that are used by filmmakers and ACs on set - An updated companion website offering online tutorials, clips, and techniques that ACs can easily access while on location (www.cameraassistantmanual.com)"--
|c Provided by publisher
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588 |
0 |
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|a Print version record.
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504 |
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|a Includes bibliographical references.
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505 |
0 |
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|a Cover; Title; Copyright; Dedication; Contents; Preface; Acknowledgments; Introduction; 1 Basics of Cinematography; Film Formats; Single Perf or Double Perf; Videotape and Digital Shooting; Aspect Ratios; Shots and Composition; Film Stock; Emulsion; Base; Anti-halation Backing; Types of Film; Negative Film; Reversal Film; Film Speed; Sync Speed; Exposure Time; Exposure Meters; Color Temperature and Color Balance; The Camera; Gate; Intermittent Movement; Pull Down Claw; Registration Pin; Aperture Plate; Pressure Plate; Shutter; Shutter Angle; Inching Knob; Viewing System; Diopter Adjustment.
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8 |
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|a The LensPrimes and Zooms; F-stops and T-stops; Magazines; Motor; Batteries; Additional Camera Components; Sync and MOS; Filters; Conversion Filters; 85 Filter; 80 A Filter; Neutral Density Filters; Polarizing Filters; Combination Filters; Optical Flat; Diffusion Filters; Fog and Double Fog Filters; Low-Contrast Filters; Soft-Contrast Filters; Ultra-Contrast Filters; Coral Filters; Enhancing Filters; Graduated Filters; Diopters; Filter Manufacturers; Camera Mounts; Tripods and Spreader; High Hat/Low Hat; Tripod Heads; Fluid Head; Gear Head; Steadicam; Dolly; 2 The Camera Department.
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505 |
8 |
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|a Film ProductionsDirector of Photography; Preproduction; Production; Postproduction; Camera Operator; Preproduction; Production; First and Second Assistant Cameramen; First Assistant Cameraman (1st AC or Focus Puller); Preproduction; Production; Postproduction; Second Assistant Cameraman (2nd AC or Clapper/Loader); Preproduction; Production; Postproduction; Film Loader; Preproduction; Production; Digital Productions; Digital Imaging Technician (DIT); Video Controller; Camera Utility; Digital Utility; Digital Loader/Data Manager; 3 Camera Trainee and Camera Production Assistant (PA).
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505 |
8 |
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|a PreproductionWorking with the Film Laboratory; Obtaining Laboratory Supplies; Choosing and Ordering Expendables; Preparation of Camera Equipment; Preparation of Camera Truck; Production; Start-of-the-Day Procedures; Camera Reports; Recording Shot Information; Marking Actors; Slates and Slating; Changing Lenses, Filters, Magazines, and Accessories; Using a Video Tap and Monitor; Record Keeping and Filing of Paperwork; Packing Equipment; Tools and Accessories; Camera Trainee and PA Tips; 4 Second Assistant Cameraman (2nd AC) and Film Loader; Preproduction; Working with the Film Laboratory.
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505 |
8 |
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|a Obtaining Laboratory SuppliesChoosing and Ordering Expendables; Preparation of Camera Equipment; Preparation of Camera Truck; Preparation of Darkroom; Production; Start-of-the-Day Procedures; Setting Up the Camera; Organizing Equipment; Film Stocks; Film Stock Packaging Sizes; Camera Reports; Recording Shot Information; Magazines; Loading Magazines; Using a Changing Bag or Changing Tent; Marking Actors and Camera Positions; Slates; Slating Procedures; Changing Lenses, Filters, and Magazines; Using a Video Tap and Monitor; Preparing Exposed Film for Delivery to the Lab.
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590 |
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|a O'Reilly
|b O'Reilly Online Learning: Academic/Public Library Edition
|
650 |
|
0 |
|a Cinematography
|v Handbooks, manuals, etc.
|
650 |
|
0 |
|a Camera operators
|v Handbooks, manuals, etc.
|
650 |
|
6 |
|a Cinéma
|v Guides, manuels, etc.
|
650 |
|
6 |
|a Cadreurs
|v Guides, manuels, etc.
|
650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x General.
|2 bisacsh
|
650 |
|
7 |
|a ART
|x Film & Video.
|2 bisacsh
|
650 |
|
7 |
|a PHOTOGRAPHY
|x Techniques
|x Cinematography & Videography.
|2 bisacsh
|
650 |
|
7 |
|a Cinematography.
|2 fast
|0 (OCoLC)fst00861484
|
650 |
|
7 |
|a Camera operators.
|2 fast
|0 (OCoLC)fst00844726
|
655 |
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2 |
|a Handbook
|
655 |
|
7 |
|a Handbooks and manuals.
|2 fast
|0 (OCoLC)fst01423877
|
655 |
|
7 |
|a Handbooks and manuals.
|2 lcgft
|
655 |
|
7 |
|a Guides et manuels.
|2 rvmgf
|
776 |
0 |
8 |
|i Print version:
|a Elkins, David E.
|t Camera assistant's manual.
|b 6th ed.
|d Burlington, MA : Focal Press, 2013
|z 9780240818689
|w (DLC) 2013001985
|w (OCoLC)824672428
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856 |
4 |
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|u https://learning.oreilly.com/library/view/~/9780240818689/?ar
|z Texto completo (Requiere registro previo con correo institucional)
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