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See it : photographic composition using visual intensity /
A good image is more than just acceptable exposure and sharp focus -- two components that photography instruction concentrates on. A fascinating subject doesn't necessarily result in a good image, and likewise, it's possible to create an outstanding image of a mundane subject. So how do yo...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Burlington, MA :
Focal Press,
©2013.
|
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
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| 100 | 1 | |a Anon, Josh. | |
| 245 | 1 | 0 | |a See it : |b photographic composition using visual intensity / |c Josh Anon, Ellen Anon. |
| 260 | |a Burlington, MA : |b Focal Press, |c ©2013. | ||
| 300 | |a 1 online resource (xiii, 333 pages) : |b color illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (page 327) and index. | ||
| 505 | 0 | |a Learning to see -- Light and perception -- Lines, shapes, and textures -- Color -- Framing -- Light -- Visual storytelling -- Putting it all together : classic good images and visual intensity -- Creating images in the field -- Improving visual intensity with digital manipulation -- Going beyond with creative digital techniques. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a A good image is more than just acceptable exposure and sharp focus -- two components that photography instruction concentrates on. A fascinating subject doesn't necessarily result in a good image, and likewise, it's possible to create an outstanding image of a mundane subject. So how do you know the difference? Perhaps you've read a lot of material on how to use your camera, how to manage images, and/or how to make adjustments using different software programs. What usually is not covered is what needs to be done beyond obvious exposure, noise, and sharpening issues so that you can intuitiv. | ||
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 650 | 0 | |a Composition (Photography) | |
| 650 | 6 | |a Composition (Photographie) | |
| 650 | 7 | |a COMPUTERS |x Digital Media |x Photography. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Reference. |2 bisacsh | |
| 650 | 7 | |a TECHNOLOGY & ENGINEERING |x Imaging Systems. |2 bisacsh | |
| 650 | 7 | |a Composition (Photography) |2 fast | |
| 700 | 1 | |a Anon, Ellen. | |
| 776 | 0 | 8 | |i Print version: |a Anon, Josh. |t See it. |d Burlington, MA : Focal Press, ©2013 |z 9780240821504 |w (OCoLC)800640739 |
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