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Editing digital film : integrating Final Cut Pro, Avid, and Media 100 /
At long last, film and video editors are using the same systems to edit their projects, and Editing Digital Film is the guide to show them how to do it. This concise reference provides video and film editors familiar with the Avid, Media 100, and Final Cut Pro systems with crucial information they w...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Boston, MA :
Focal Press,
©2001.
|
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
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| 100 | 1 | |a Fowler, Jaime. | |
| 245 | 1 | 0 | |a Editing digital film : |b integrating Final Cut Pro, Avid, and Media 100 / |c Jaime Fowler. |
| 260 | |a Boston, MA : |b Focal Press, |c ©2001. | ||
| 300 | |a 1 online resource (xvi, 187 pages) : |b illustrations | ||
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| 520 | |a At long last, film and video editors are using the same systems to edit their projects, and Editing Digital Film is the guide to show them how to do it. This concise reference provides video and film editors familiar with the Avid, Media 100, and Final Cut Pro systems with crucial information they will need to edit on all three of these systems. In addition to showing film editors and directors working on DV projects how to edit for this new format, this text also clarifies the NLE process to those familiar with traditional film editing. | ||
| 504 | |a Includes bibliographical references (page 175) and index. | ||
| 505 | 0 | 0 | |g Ch. 1. |t Tools of the Film Editor -- |g Ch. 2. |t Post Production Workflow -- |g Ch. 3. |t Telecine Demystified -- |g Ch. 4. |t Conforming a Workprint -- |g Ch. 5. |t Cut Lists -- |g Ch. 6. |t 24 fps versus Matchback -- |g Ch. 7. |t Editing Film on Avid NLEs with FilmScribe -- |g Ch. 8. |t Editing Film on Media 100 NLEs with Slingshot Pro -- |g Ch. 9. |t Editing Film on Final Cut Pro NLEs with FilmLogic -- |g Ch. 10. |t Cutting DV for a Film Release -- |g Ch. 11. |t HDTV, 24p, and the Future. |
| 588 | 0 | |a Print version record. | |
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 610 | 2 | 7 | |a Advancement Via Individual Determination (Program) |2 blmlsh |
| 630 | 0 | 7 | |a Final cut (Electronic resource) |2 blmlsh |
| 650 | 0 | |a Motion pictures |x Editing |x Data processing. | |
| 650 | 0 | |a Digital video |x Editing |x Data processing. | |
| 650 | 6 | |a Montage (Cinéma) |x Informatique. | |
| 650 | 6 | |a Vidéo numérique |x Montage |x Informatique. | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a PHOTOGRAPHY |x Techniques |x Cinematography & Videography. |2 bisacsh | |
| 650 | 7 | |a Digital video |x Editing |x Data processing |2 fast | |
| 650 | 7 | |a Motion pictures |x Editing |x Data processing |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Fowler, Jaime. |t Editing digital film. |d Boston, MA : Focal Press, ©2001 |z 9780240804705 |w (OCoLC)45917195 |
| 856 | 4 | 0 | |u https://learning.oreilly.com/library/view/~/9780240804705/?ar |z Texto completo (Requiere registro previo con correo institucional) |
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