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Shooting movies without shooting yourself in the foot : becoming a cinematographer /
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdame ; Boston :
Elsevier/Focal Press,
2011, ©2012.
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| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
Tabla de Contenidos:
- What is a director of photography?
- Realities : preproduction
- What's first?
- We're still reading the script
- A few more things to think about
- The shot list
- The crew The location
- Selecting a camera
- Selecting lenses
- Selecting film stock
- Selecting a tripod and head
- What everyone else is doing to prepare
- The night before
- Realities : production
- On time and ready to shoot
- First day/first shot
- Shooting masters
- Close-ups and coverage
- Operating the camera
- Still more composition, or follow the money
- The horror of the 180-degree line
- The good, the bad, and the ugly (but not necessarily in that order)
- Learning the hardware
- Why we light
- Exposure
- Exercise : shooting your project on film
- Realities : postproduction
- Postproduction : timing and transferring
- Postproduction : putting together a reel
- Technicalities
- Cameras : black boxes
- Lenses
- The Zen of focusing
- The magic of filters
- Film
- Color temperature
- Using and handling film cameras and lenses
- Using a tripod and head
- The dolly grip
- Laboratory and postproduction processes.