|
|
|
|
LEADER |
00000cam a2200000Ia 4500 |
001 |
OR_ocn794668579 |
003 |
OCoLC |
005 |
20231017213018.0 |
006 |
m o d |
007 |
cr unu|||||||| |
008 |
120604s2009 enkah o 001 0 eng d |
040 |
|
|
|a UMI
|b eng
|e pn
|c UMI
|d DEBSZ
|d OCLCQ
|d COO
|d OCLCA
|d OCLCQ
|d OCLCF
|d OCLCQ
|d CEF
|d UWO
|d OTZ
|d TYFRS
|d UAB
|d C6I
|d OCLCO
|d OCLCQ
|d OCLCA
|d OCLCO
|
019 |
|
|
|a 858312257
|
020 |
|
|
|a 0240521609
|
020 |
|
|
|a 9780240521602
|
020 |
|
|
|a 9781136134616
|
020 |
|
|
|a 1136134611
|
020 |
|
|
|a 0240517148
|
020 |
|
|
|a 9780240517148
|
020 |
|
|
|z 9780240521602
|q (pbk.)
|
020 |
|
|
|z 9780240517148
|
020 |
|
|
|a 9781136134623
|
020 |
|
|
|a 113613462X
|
020 |
|
|
|a 9781136134579
|
020 |
|
|
|a 1136134573
|
024 |
7 |
|
|a 10.4324/9780080519272
|2 doi
|
029 |
1 |
|
|a AU@
|b 000052006613
|
029 |
1 |
|
|a DEBBG
|b BV041432016
|
029 |
1 |
|
|a DEBSZ
|b 370596331
|
029 |
1 |
|
|a DEBSZ
|b 398279055
|
029 |
1 |
|
|a GBVCP
|b 785361286
|
029 |
1 |
|
|a GBVCP
|b 785452257
|
035 |
|
|
|a (OCoLC)794668579
|z (OCoLC)858312257
|
037 |
|
|
|a CL0500000141
|b Safari Books Online
|
050 |
|
4 |
|a TR897.5
|b .W63 2009
|
082 |
0 |
4 |
|a 778.5347
|b W577
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Whitaker, Harold,
|d 1920-2013.
|
245 |
1 |
0 |
|a Timing for animation /
|c Harold Whitaker and John Halas ; updated by Tim Sito.
|
250 |
|
|
|a 2nd ed.
|
260 |
|
|
|a Oxford, UK ;
|a Burlington, MA :
|b Focal Press/Elsevier,
|c 2009.
|
300 |
|
|
|a 1 online resource (xv, 157 pages) :
|b illustrations, facsimiles
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
588 |
0 |
|
|a Print version record.
|
505 |
0 |
|
|a Introduction : general principles of timing -- The storyboard -- Responsibility of the director -- The basic unit of time in animation -- Timing for television vs. timing for feature films -- Slugging -- Bar sheets -- Timing for traditional animation : exposure charts or exposure sheets -- Timing for an overseas production -- Timing for a 2D digital production -- Timing for a 3D digital production -- Timing for an actor-based program (performance or motion capture) -- Animation and properties of matter -- Rotating objects -- Force transmitted through a flexible joint -- Force transmitted through jointed limbs -- Spacing of drawings : general remarks -- Spacing of drawings -- Timing a slow action -- Timing a fast action -- Getting into and out of holds -- Single frames or double frames? Ones or twos? -- How long to hold? -- Anticipation -- Follow through -- Overlapping action -- Timing an oscillating movement -- Timing to suggest weight and force : 1 -- Timing to suggest weight and force : 2 -- Timing to suggest weight and force : 3 -- Timing to suggest weight and force : 4 -- Timing to suggest force : repeat action -- Character reactions and 'takes' -- Timing to give a feeling of size -- The effects of friction, air resistance and wind -- Timing cycles : how long a repeat? -- Multiple character scenes -- Digital crowd scenes -- Effects animation : flames and smoke -- Water -- Rain -- Snow -- Explosions -- Digital effects -- Repeat movements of inanimate objects -- Timing a walk -- Types of walk -- Spacing of drawings in perspective animation -- Timing animals' movements -- Other quadrupeds -- Timing an animals gallop -- Bird flight -- Drybrush (speed lines) and motion blur -- Accentuating a movement -- Strobing -- Fast run cycles -- Characterization (acting) -- The use of timing to suggest mood -- Synchronizing animation to speech -- Lip-sync : 1 -- Lip-sync : 2 -- Lip sync : 3 -- Timing and music -- Traditional camera movements -- 3D camera moves -- Peg movements in traditional animation -- Peg movements in 3D animation -- Editing animation -- Editing for feature films -- Editing for television episodes -- Editing for children's programming -- Editing for internet downloads -- Games -- Conclusion.
|
504 |
|
|
|a Includes bibliographical references and index.
|
590 |
|
|
|a O'Reilly
|b O'Reilly Online Learning: Academic/Public Library Edition
|
650 |
|
0 |
|a Animation (Cinematography)
|
650 |
|
6 |
|a Animation (Cinéma)
|
650 |
|
7 |
|a animations (visual works)
|2 aat
|
650 |
|
7 |
|a animation (process)
|2 aat
|
650 |
|
7 |
|a Animation (Cinematography)
|2 fast
|
700 |
1 |
|
|a Halas, John,
|d 1912-1995.
|
700 |
1 |
|
|a Sito, Tom,
|d 1956-
|
776 |
0 |
8 |
|i Print version:
|a Whitaker, Harold, 1920-
|t Timing for animation.
|b 2nd ed.
|d Amsterdam ; Boston ; London : Elsevier/Focal Press, 2009
|z 9780240521602
|w (DLC) 2009926204
|w (OCoLC)373479148
|
856 |
4 |
0 |
|u https://learning.oreilly.com/library/view/~/9780240517148/?ar
|z Texto completo (Requiere registro previo con correo institucional)
|
856 |
4 |
0 |
|u https://learning.oreilly.com/library/view/~/9780240521602/?ar
|z Texto completo (Requiere registro previo con correo institucional)
|
938 |
|
|
|a Taylor & Francis
|b TAFR
|n 9780080519272
|
994 |
|
|
|a 92
|b IZTAP
|