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Rowland B. Wilson's trade secrets : notes on cartooning and animation /
Animation doesn't come with instructions; Rowland B. Wilson demanded guidelines. Trade Secrets offers a never before published peek into the personal journals of Rowland B. Wilson (1930-2005), a legend in the world of Cartooning, Advertising, Illustration and Animation. Trade Secrets is a compe...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Burlington :
Elsevier/Focal Press,
2012.
|
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
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| 100 | 1 | |a Wilson, Rowland B., |d 1930-2005. | |
| 245 | 1 | 0 | |a Rowland B. Wilson's trade secrets : |b notes on cartooning and animation / |c authored by Rowland B Wilson ; edited by Suzanne Lemieux-Wilson. |
| 246 | 3 | 0 | |a Trade secrets |
| 260 | |a Burlington : |b Elsevier/Focal Press, |c 2012. | ||
| 300 | |a 1 online resource : |b illustrations (chiefly color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Front Cover; Rowland B. Wilson's Trade Secrets: Notes on Cartooning & Animation; Copyright Page; Contents; Foreword; Tradition and Originality; The Remedy Paradox; Excellence and Perfection; The Spirit of Sacrifice; Knowledge, Wisdom and Information; Introduction-The Flow Charts; The Flow Charts: Interpretation, Composition and Rendition; Interpretation; The Act; The Scene; Setting, Set Dressing and Viewpoint; Time and Season, Atmosphere and Weather; Light; Players, Costume and Props, Business and Gesture; Caricature; Proportion, Metaphor and Emotional Heightening. | |
| 505 | 8 | |a Perspective, Organic and Geometric and Gesture DistortionComposition; Dominance, Grid, Rhythm and Reverse Negatives; Shape; Overlap, Focus and Eye Path, Direction, Perspectives and Vignette; Tone; Notan, Silhouette, Massing of Values, Lost and Found, Skipped Tones; Texture; Contrast, Collage, Line and Tone and Decoration; Color; Value Scheme, Hue Scheme and Refraction; Rendition; Techniques; Resist-Ink, Airbrush, Aquapasto, Spot Shadows, Mottling and Spatter; Line; Signature, Self-Line, Complement and Highlight; Shape; Signature, Edges, Negative, Coming Apart and Line Hatch; Tone. | |
| 505 | 8 | |a Surfaces, Articulated, the Extremes, Fat and LeanColor; Irradiation, Hue Families and Caricature; About the Logos; Brief Outline; 1-The Act; Story; Storytelling: The Point of View; Where to Put the Camera?; The Aspects of Pictorial Storytelling; Subject Matter; Chain of Events; Story Rendition; Story Themes; Story Focal Points; Story Focus; Treatment; Forms of Storytelling; Animation vis-á-vis the Storytelling Forms; What Would Adapt to Animation?; More Thoughts on "Story"; Systems Within Systems; The Play within a Play; 2-The Scene; Setting the Scene: the Place. | |
| 505 | 8 | |a Useful Places for Comedy DisruptionEvery Shot is Subjective; Examples; 3-Caricature; Caricature; Possible Effects; Gesture and Expression; Metaphor; Form; Contrast; Heightening; Light for Caricature; Color in Caricature; Character Drawing; 4-Composition; Breadth and Detail (Resolution); The "OAK" Formula for Dynamic Picture-Making; Blick; Examples of Blicks; The Style of a Blick; The Composition of a Blick; Blick as Related to Townscape; 5-Shape, Line and Tone; Line; Silhouette; How Tone Dominates Color; Light Quality Created by Value Steps; Notan; The Unique Puzzling Abstract Composition. | |
| 505 | 8 | |a =Compound Notan=Figure/Ground versus Compound Notan vis-à-vis the Three Qualities for Beauty; 6-Color; Color Ideas; Optical Mixing; "The Soup"; Choice of Colors for a Mix; Some Color Mixtures for Painting the Sky; Useful Colors; Color Advice from Edgar Payne; Charting the Hue, Value, Temperature and Intensity of a Color; Neutralizing a Color/Changing Value; Neutral Colors; Art Nouveau Color Schemes; 7-Rendition; Transparent and Opaque Watercolor Techniques; 8-The Process; Working Notes from the Studio; Lessons from "The Paisley Whale"; Working Notes for Cartoons, Illustrations and Animation. | |
| 520 | |a Animation doesn't come with instructions; Rowland B. Wilson demanded guidelines. Trade Secrets offers a never before published peek into the personal journals of Rowland B. Wilson (1930-2005), a legend in the world of Cartooning, Advertising, Illustration and Animation. Trade Secrets is a compendium of tips, €tricks, €philosophies and techniques garnered over a lifetime of professional animation and artistry. Study one-on-one with a mentor whose Walt Disney film credits include The Little Mermaid, Tarzan, Atlantis and Treasure Planet. These writings represent the quintessential refresh. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 600 | 1 | 7 | |a Wilson, Rowland B. / 1930-2005. |2 blmlsh |
| 650 | 0 | |a Cartooning |x Technique. | |
| 650 | 0 | |a Animation (Cinematography) |x Technique. | |
| 650 | 6 | |a Dessin humoristique |x Technique. | |
| 650 | 6 | |a Animation (Cinéma) |x Technique. | |
| 650 | 7 | |a ART |x Techniques |x Drawing. |2 bisacsh | |
| 650 | 7 | |a HUMOR |x General. |2 bisacsh | |
| 650 | 7 | |a Animation (Cinematography) |x Technique |2 fast | |
| 650 | 7 | |a Cartooning |x Technique |2 fast | |
| 700 | 1 | |a Lemieux-Wilson, Suzanne. | |
| 776 | 0 | 8 | |i Print version: |a Wilson, Rowland B. |t Trade Secrets : Rowland B. Wilson's Notes on Design for Cartooning and Animation. |d Burlington : Elsevier Science, ©2012 |z 9780240817347 |
| 856 | 4 | 0 | |u https://learning.oreilly.com/library/view/~/9780240817347/?ar |z Texto completo (Requiere registro previo con correo institucional) |
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