|
|
|
|
LEADER |
00000cam a2200000Ia 4500 |
001 |
OR_ocn782911511 |
003 |
OCoLC |
005 |
20231017213018.0 |
006 |
m o d |
007 |
cr unu|||||||| |
008 |
120402s2012 caua o 001 0 eng d |
010 |
|
|
|a 2012359308
|
040 |
|
|
|a UMI
|b eng
|e pn
|c UMI
|d COO
|d DEBSZ
|d OCLCQ
|d REB
|d OCLCQ
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCF
|d OCLCO
|d OCLCQ
|d OCLCO
|d YDX
|d OCLCQ
|d OCLCO
|d CEF
|d WYU
|d AU@
|d VT2
|d OCLCQ
|d OCLCO
|d UKAHL
|d OCLCO
|d OCLCQ
|d OCLCO
|
015 |
|
|
|a GBB1D2552
|2 bnb
|
016 |
7 |
|
|a 015970491
|2 Uk
|
019 |
|
|
|a 1063874203
|a 1103271262
|a 1129337927
|a 1202537163
|a 1240517723
|
020 |
|
|
|a 9780132887823
|q (electronic bk.)
|
020 |
|
|
|a 0132887827
|q (electronic bk.)
|
020 |
|
|
|z 9780321811264
|q (pbk.)
|
020 |
|
|
|z 0321811267
|q (pbk.)
|
029 |
1 |
|
|a DEBSZ
|b 370595440
|
029 |
1 |
|
|a GBVCP
|b 785437495
|
035 |
|
|
|a (OCoLC)782911511
|z (OCoLC)1063874203
|z (OCoLC)1103271262
|z (OCoLC)1129337927
|z (OCoLC)1202537163
|z (OCoLC)1240517723
|
037 |
|
|
|a CL0500000130
|b Safari Books Online
|
050 |
|
4 |
|a TR899
|b .F5635 2012
|
082 |
0 |
4 |
|a 777.55
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Jordan, Larry,
|d 1950-
|
245 |
1 |
0 |
|a Final Cut Pro X :
|b making the transition /
|c Larry Jordan.
|
260 |
|
|
|a Berkeley, CA. :
|b Peachpit Press,
|c ©2012.
|
300 |
|
|
|a 1 online resource (xii, 339 pages) :
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
588 |
0 |
|
|a Print version record.
|
505 |
0 |
|
|a Welcome -- Preparing For Final Cut Pro X: -- Getting your system ready to edit -- Why use an editing workflow? -- Summary -- Get Started Editing: -- Learning about events and projects -- Starting Final Cut Pro X -- Touring the interface -- Creating a new event -- Importing media -- Creating a new project -- Creating a simple edit -- Summary -- Keyboard shortcuts -- Managing Events, Projects, And Shortcuts: -- All about events -- All about projects -- Creating keyboard shortcuts -- Summary -- Keyboard shortcuts -- Managing Media: -- Overview -- Naming media folders -- Importing media -- Special cases -- Summary -- Keyboard shortcuts -- Organizing Clips: Ratings, Keywords, And Extended Metadata: -- Displaying events and clips -- Working the ratings -- Keying in on keywords -- Managing metadata -- Summary -- Keyboard shortcuts -- Editing: -- Editing process -- Editing and playback preferences -- Editing techniques -- Summary -- Keyboard shortcuts -- Organizing Your Edit: -- Making selections -- Using markers and to-dos -- Copy and paste options -- Magnetic timeline -- Magic of compound clips -- Grab bag of tools -- Roles -- Timeline index -- Summary -- Keyboard shortcuts -- Trimming Your Edit: -- Getting ready to trim -- Setting the scene -- Precision editor -- Twelve trimming techniques -- Introducing the trim tool -- Summary -- Keyboard shortcuts -- Audio: -- Audio basics -- Audio in final Cut Pro X -- Introducing the inspector -- Audio techniques -- Special situations for audio -- Mixing -- Explaining keyframes -- Summary -- Keyboard shortcuts -- Transitions: -- Transitions overview -- Transition basics -- Advanced transitions -- Transition inspector -- Transition browser -- Summary -- Keyboard shortcuts -- Titles And Text: -- Title basics -- Modifying titles -- Displaying action and title safe -- Finding and replacing text -- Specific title examples -- Summary -- Keyboard shortcuts -- Built-In Effects: -- Effects basics -- Transform effects -- Animate using keyframes -- Trim, crop, and ken burns -- Distort, or corner pinning -- Image stabilization -- Rolling shutter -- Spatial conform -- Compositing -- Special case: Use compound clips for effects -- Summary -- Keyboard shortcuts -- Themes And Generators: -- Themes -- Generators -- Adjusting a generator in motion -- Summary -- Keying: -- Planning a key -- Creating a luma key -- Creating a Chroma key -- Adding a mask -- Summary -- Keyboard shortcuts -- Retiming: -- Basics of retiming -- Hold frames -- Constant speed changes -- Variable speed changes -- Other speed effects -- Summary -- Keyboard shortcuts -- Color Correction: -- Color correction basics -- Color looks -- Color correction with the enhancement menu -- How to read the video scopes -- Adjusting grayscale and color -- Using masks for color correction -- Summary -- Keyboard shortcuts -- Sharing And Exporting: -- Overview of the output process -- Exporting a high-quality master file -- Exporting roles -- Other options in the share menu -- Summary -- Keyboard shortcuts -- Index.
|
520 |
3 |
|
|a Overview: Final Cut Pro X has literally rocked the film and video-editing world by completely re-imagining the inherent concepts of nonlinear editing. For many editors and users of the previous versions of Final Cut Pro, it is like starting anew and learning a brand-new program. Those experienced with previous versions of Final Cut and other non-linear editors such as iMovie, Adobe Premiere Pro, and Avid Media Composer already understand the basic concepts of editing and are now looking for a quick guide to getting started. In this useful, cut-to-the-chase guide to the program, popular trainer and Final Cut guru Larry Jordan takes these experienced users through all the components of the software, from importing footage and organizing media to export and sharing. Along the way, they'll learn the best ways to edit footage and add transitions, effects, and filters, do basic color correcting, work with audio, and utilize a variety of HD workflow techniques, to name a few. Within a weekend, users will learn the best ways to start editing in this groundbreaking program in this must-have guide --
|c Source other than Library of Congress.
|
590 |
|
|
|a O'Reilly
|b O'Reilly Online Learning: Academic/Public Library Edition
|
630 |
0 |
0 |
|a Final cut (Electronic resource)
|
630 |
0 |
7 |
|a Final cut (Electronic resource)
|2 blmlsh
|
630 |
0 |
7 |
|a Final cut (Electronic resource)
|2 fast
|
650 |
|
0 |
|a Digital video
|x Editing
|x Data processing.
|
650 |
|
6 |
|a Vidéo numérique
|x Montage
|x Informatique.
|
650 |
|
7 |
|a Digital video
|x Editing
|x Data processing
|2 fast
|
776 |
0 |
8 |
|i Print version:
|t Final cut pro x.
|d Berkeley, CA. : Peachpit Press, ©2012
|z 9780321811264
|w (OCoLC)773368815
|
856 |
4 |
0 |
|u https://learning.oreilly.com/library/view/~/9780132887823/?ar
|z Texto completo (Requiere registro previo con correo institucional)
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH37806555
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH37973015
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 14854771
|
994 |
|
|
|a 92
|b IZTAP
|