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Recording studio design /

Using straight-forward language and practical examples, Philip Newell covers the key principles of making a successful studio construction. In this third edition of Recording Studio Design, he gives you the skills you need to avoid disaster and create an efficient and effective acoustical environmen...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Newell, Philip Richard
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oxford : Focal, 2011.
Edición:3rd ed.
Temas:
Acceso en línea:Texto completo (Requiere registro previo con correo institucional)

MARC

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520 |a Using straight-forward language and practical examples, Philip Newell covers the key principles of making a successful studio construction. In this third edition of Recording Studio Design, he gives you the skills you need to avoid disaster and create an efficient and effective acoustical environment to record and produce the fineset audio. Learn from Newell's years of experience as he provides great detail on the practical recording application in various acoustic environments, and explores complex issues, providing real-world solutions. This new edition expands and develops on the topics from the previous editions, updating it for the digital age, so you have all the current information you need to build, adapt or update your recording studio. This new edition expands and develops on topics from the previous edition, updating it for the digital age ensuring you have all the information you need to build, adapt or update your recording studio. 
505 0 |a General requirements and common errors; Sound, decibels and hearing; Sound isolation; Room acoustics and means of control; Designing neutral rooms; Rooms with characteristic acoustics; Variable acoustics; Room combinations and operational considerations; The studio environment; Limitations to design predictions; Loudspeakers in rooms; Flattening the room response; Control rooms; The behaviour of multiple loudspeakers in rooms; Studio monitoring: the principal objectives; The non-environment control room; The live-end, dead-end approach; Response disturbances due to mixing consoles and studio furniture; Objective measurement and subjective evaluations; Studio monitoring systems; Surround sound and control rooms; Human factors; A mobile control room; Appendices; Glossary of terms. 
504 |a Includes bibliographical references and index. 
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650 0 |a Sound studios  |x Design. 
650 0 |a Acoustical engineering. 
650 6 |a Acoustique appliquée. 
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