|
|
|
|
LEADER |
00000cam a2200000M 4500 |
001 |
OR_ocn729021673 |
003 |
OCoLC |
005 |
20231017213018.0 |
006 |
m o d |
007 |
cr un|---uuuuu |
008 |
101115s2011 xx o 000 0 eng d |
010 |
|
|
|a 2011420536
|
040 |
|
|
|a IDEBK
|b eng
|e pn
|c IDEBK
|d OCLCQ
|d UMI
|d COO
|d MERUC
|d DEBSZ
|d OCLCF
|d S9I
|d OCLCO
|d OCLCQ
|d YDX
|d OCLCQ
|d OCLCO
|d CEF
|d AU@
|d WYU
|d OCLCQ
|d STF
|d VT2
|d UKAHL
|d OCLCO
|d OCLCQ
|
015 |
|
|
|a GBB066989
|2 bnb
|
016 |
7 |
|
|a 015566073
|2 Uk
|
019 |
|
|
|a 738406419
|a 1062909264
|a 1129378943
|
020 |
|
|
|a 9780321719836
|
020 |
|
|
|a 0321719832
|
020 |
|
|
|z 9780132117869
|
020 |
|
|
|z 013211786X
|
029 |
1 |
|
|a DEBSZ
|b 368462617
|
029 |
1 |
|
|a GBVCP
|b 785424288
|
029 |
1 |
|
|a AU@
|b 000057228202
|
035 |
|
|
|a (OCoLC)729021673
|z (OCoLC)738406419
|z (OCoLC)1062909264
|z (OCoLC)1129378943
|
050 |
|
4 |
|a TA1637
|
072 |
|
7 |
|a UGP
|2 bicssc
|
082 |
0 |
4 |
|a 006.686
|
049 |
|
|
|a UAMI
|
245 |
0 |
0 |
|a Real World Adobe® Photoshop® CS5 for Photographers.
|
260 |
|
|
|b Peachpit Press
|c 2011.
|
300 |
|
|
|a 1 online resource (601)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
505 |
0 |
|
|a Cover13; -- Table of Contents -- Introduction -- Chapter One: Building a Photoshop System -- Choosing a Platform -- Processors and Cores -- 64-Bit Processing -- RAM -- Virtual Memory -- Monitors and Video Cards -- Chapter Two: Image Essentials -- Pixels and Paths -- Pixels and Images -- Resolution -- How Much Resolution Is Enough? -- Using the Image Size Dialog -- Resampling -- Image Mode -- Chapter Three: Color Essentials -- Primary Colors -- The Color Wheel -- How Colors Affect Each Other -- Device-Independent Lab Color -- Colors in the Real World -- Chapter Four: Color Settings -- What Is Color Management Anyway? -- Color Management Systems Explained -- Choosing Your Working Spaces -- Handling Color-Space Conversions -- Photoshop and Your Monitor -- Assign Profile and Convert to Profile -- Soft-Proofing Other Color Spaces -- Converting Colors When You Print -- Printing to Desktop Printers -- Troubleshoot by Isolating Variables -- Chapter Five: Building a Digital Workflow -- Choosing a Digital Workflow -- Copying Files from a Camera -- Verifying Images -- Refining a Shoot Using Bridge -- Opening Images into Camera Raw -- Camera Raw Controls -- Camera Raw Preferences -- The Output Buttons -- Camera Raw Workflow Options -- Camera Raw Image Control Tabs -- The Basic Tab -- The Tone Curve Tab -- The Detail Tab -- The HSL/Grayscale Tab -- The Split Toning Tab -- The Lens Corrections Tab -- The Effects Tab -- The Camera Calibration Tab -- The Presets Tab -- The Snapshots Tab -- Filmstrip Mode -- Copying Adjustments to More Images -- Generating Adjusted Images -- Using Adobe Bridge -- Using Bridge Windows -- Managing Files in Bridge -- Image Previews and the Cache -- Evaluating and Comparing Images -- Rating and Labeling Images -- Applying Metadata and Keywords -- Finding and Filtering Files -- Presenting Your Photos -- Exporting to Online Albums and Folders on Disk -- The Image Processor -- About Automating with Actions -- Using Mini Bridge -- Chapter Six: Essential Photoshop Tips and Tricks -- Window Tips -- Navigation Tips -- Moving Tips -- Guide and Grid Viewing Tips -- Dialog Tips -- New Document Tips -- Keyboard Shortcut Tips -- Menu Customization Tips -- Tips for Tools -- Panels and Workspaces -- Setting Preferences -- When Things Go Wrong -- Chapter Seven: Image Adjustment Fundamentals -- What Is Image Quality, Anyway? -- Visualizing Tonal Values with the Histogram -- The Three Basic Tonal Adjustments -- Making Adjustments Using Levels -- Adjusting Levels for Color Images -- Controlling Auto Corrections -- The Info Panel -- Output Levels -- Eyedroppers in Levels and Curves -- Preserving Quality as You Edit -- Making Adjustments Using Curves -- Hands-On Curves -- Using Color Samplers -- Using Shadows/Highlights -- Hue, Saturation, and Lightness -- Vibrance -- Choosing a Color Mode for Editing -- Quick Lab Mode Fixes -- Photo Filter -- Replace Color -- Selective Color -- Channel Mixer -- Tools of Limited Usefulness -- Chapter Eight: The Digital Darkroom -- Adjustment Layer Basics -- Creating Adjustment Layers -- Controlling Adjustmen.
|
590 |
|
|
|a O'Reilly
|b O'Reilly Online Learning: Academic/Public Library Edition
|
630 |
0 |
0 |
|a Adobe Photoshop.
|
630 |
0 |
7 |
|a Adobe Photoshop.
|2 blmlsh
|
630 |
0 |
7 |
|a Adobe Photoshop.
|2 fast
|0 (OCoLC)fst01378295
|
650 |
|
0 |
|a Photography
|x Digital techniques.
|
650 |
|
6 |
|a Photographie numérique.
|
650 |
|
7 |
|a Photography
|x Digital techniques.
|2 fast
|0 (OCoLC)fst01061736
|
655 |
|
4 |
|a Electronic resource.
|
720 |
|
|
|a Chavez, Conrad.
|
856 |
4 |
0 |
|u https://learning.oreilly.com/library/view/~/9780132117869/?ar
|z Texto completo (Requiere registro previo con correo institucional)
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH37803413
|
938 |
|
|
|a ProQuest MyiLibrary Digital eBook Collection
|b IDEB
|n 276865
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 14843906
|
994 |
|
|
|a 92
|b IZTAP
|