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Sound for film and television /
Sound for Film and Television, Third Edition provides a thorough introduction to the fascinating field of recording, editing, mixing, and exhibiting film and television sound. It strikes a fine balance between aesthetic and technical content, combining theory and practice to approach sound as both a...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Burlington, MA :
Focal Press,
©2010.
|
| Edición: | 3rd ed. |
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
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| 100 | 1 | |a Holman, Tomlinson. | |
| 245 | 1 | 0 | |a Sound for film and television / |c Tomlinson Holman. |
| 250 | |a 3rd ed. | ||
| 260 | |a Burlington, MA : |b Focal Press, |c ©2010. | ||
| 300 | |a 1 online resource (xiii, 248 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Ch. 1. Objective sound -- ch. 2. Psychoacoustics -- ch. 3. Audio fundamentals -- ch. 4. Capturing sound -- ch. 5. Microphone technicalities -- ch. 6. Handling the output of microphones -- ch. 7. Production sound mixing -- ch. 8. Sync, sank, sunk -- ch. 9. Transfers -- ch. 10. Sound design -- ch. 11. Editing -- ch. 12. Mixing -- ch. 13. From print masters to exploitation. | |
| 520 | |a Sound for Film and Television, Third Edition provides a thorough introduction to the fascinating field of recording, editing, mixing, and exhibiting film and television sound. It strikes a fine balance between aesthetic and technical content, combining theory and practice to approach sound as both an art and a science. This new edition has been completely updated to reflect the latest advances in HD technology, new hardware and software systems, new distribution methods, wireless sound capture, and more. Also, analog-related content has been reduced and transferred. | ||
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 650 | 0 | |a Sound |x Recording and reproducing. | |
| 650 | 0 | |a Sound motion pictures. | |
| 650 | 0 | |a Video recording. | |
| 650 | 0 | |a Motion pictures |x Sound effects. | |
| 650 | 0 | |a Television broadcasting |x Sound effects. | |
| 650 | 0 | |a Video recordings. | |
| 650 | 0 | |a Video art. | |
| 650 | 6 | |a Son |x Enregistrement et reproduction. | |
| 650 | 6 | |a Films sonores. | |
| 650 | 6 | |a Vidéo. | |
| 650 | 6 | |a Cinéma |x Effets sonores. | |
| 650 | 6 | |a Télévision |x Effets sonores. | |
| 650 | 6 | |a Vidéos. | |
| 650 | 6 | |a Art vidéo. | |
| 650 | 7 | |a video (discipline) |2 aat | |
| 650 | 7 | |a video recordings (physical artifacts) |2 aat | |
| 650 | 7 | |a video art. |2 aat | |
| 650 | 7 | |a sound effects. |2 aat | |
| 650 | 7 | |a video recording (process) |2 aat | |
| 650 | 7 | |a PHOTOGRAPHY |x Techniques |x Cinematography & Videography. |2 bisacsh | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a Motion pictures |x Sound effects |2 fast | |
| 650 | 7 | |a Sound motion pictures |2 fast | |
| 650 | 7 | |a Sound |x Recording and reproducing |2 fast | |
| 650 | 7 | |a Television broadcasting |x Sound effects |2 fast | |
| 650 | 7 | |a Video recording |2 fast | |
| 650 | 7 | |a Audiotechnik |2 gnd | |
| 650 | 7 | |a Fernsehen |2 gnd | |
| 650 | 7 | |a Film |2 gnd | |
| 650 | 7 | |a Ljudinspelning. |2 sao | |
| 650 | 7 | |a Ljudfilm. |2 sao | |
| 650 | 7 | |a Ljudeffekter. |2 sao | |
| 776 | 0 | 8 | |i Print version: |a Holman, Tomlinson. |t Sound for film and television. |b 3rd ed. |d Burlington, MA : Focal Press, ©2010 |z 9780240813301 |w (DLC) 2009044200 |w (OCoLC)465329597 |
| 856 | 4 | 0 | |u https://learning.oreilly.com/library/view/~/9780240813301/?ar |z Texto completo (Requiere registro previo con correo institucional) |
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