|
|
|
|
LEADER |
00000cam a2200000Ia 4500 |
001 |
OR_ocn551681605 |
003 |
OCoLC |
005 |
20231017213018.0 |
006 |
m o d |
007 |
cr unu|||||||| |
008 |
100312s2009 ne a ob 001 0 eng d |
040 |
|
|
|a UMI
|b eng
|e pn
|c UMI
|d COO
|d CEF
|d OCLCQ
|d NHM
|d DEBSZ
|d OCLCQ
|d OCLCF
|d OCLCQ
|d UAB
|d OCLCO
|
020 |
|
|
|a 9780240812632
|
020 |
|
|
|a 0240812638
|
029 |
1 |
|
|a CHBIS
|b 006150530
|
029 |
1 |
|
|a CHVBK
|b 171182464
|
029 |
1 |
|
|a DEBSZ
|b 355403684
|
029 |
1 |
|
|a HEBIS
|b 291476503
|
035 |
|
|
|a (OCoLC)551681605
|
037 |
|
|
|a CL0500000058
|b Safari Books Online
|
050 |
|
4 |
|a TR858
|b .F557 2010
|
082 |
0 |
4 |
|a 778.5/349068
|2 22
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Finance, Charles L.
|
245 |
1 |
4 |
|a The visual effects producer :
|b understanding the art and business of VFX /
|c Charles Finance, Susan Zwerman.
|
260 |
|
|
|a Amsterdam ;
|a Boston :
|b Elsevier/Focal Press,
|c ©2010.
|
300 |
|
|
|a 1 online resource (xvi, 387 pages) :
|b illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references (pages 377-379) and index.
|
588 |
0 |
|
|a Print version record.
|
505 |
0 |
|
|a Ch. 1. The "Good" Old Days: Visual Effects before Computers -- Ch. 2. Digital Effects: The 15-minute Version -- Ch. 3. Who You Gonna Call? The VFX Team -- Ch. 4. Basic VFX Technologies and Equipment -- Ch. 5. Breakdowns -- Ch. 6. Scheduling and Budgeting Production Support -- Ch. 7. Budgeting the Effects -- Ch. 8. The VFX Bible and Database -- Ch. 9. On-Set Operations -- Ch. 10. On-Set References -- Ch. 11. Operating Independently: The Visual Effects Unit on its Own -- Ch. 12. Models and Miniatures -- Ch. 13. The New Digital Workflow -- Ch. 14. Getting a Handle on VFX Editorial -- Ch. 15. Integrating VFX Shots with the Postproduction Schedule -- Ch. 16. Postproduction Scheduling Issues -- Ch. 17. Changes and Approvals -- Ch. 18. Crossing the Finish Line -- Ch. 19. Legal Matters -- Ch. 20. Working Overseas -- App. A. Movie Magic VFX Budget -- App. B. Crew Deal Memo -- App. C. Technical Information -- App. D. Glossary -- App. E. Bibliography/References.
|
590 |
|
|
|a O'Reilly
|b O'Reilly Online Learning: Academic/Public Library Edition
|
650 |
|
0 |
|a Cinematography
|x Special effects.
|
650 |
|
0 |
|a Digital video.
|
650 |
|
0 |
|a Digital cinematography.
|
650 |
|
6 |
|a Cinéma
|x Effets spéciaux.
|
650 |
|
6 |
|a Vidéo numérique.
|
650 |
|
6 |
|a Cinéma numérique.
|
650 |
|
7 |
|a Cinematography
|x Special effects.
|2 blmlsh
|
650 |
|
7 |
|a Digital video.
|2 blmlsh
|
650 |
|
7 |
|a Digital cinematography.
|2 blmlsh
|
650 |
|
7 |
|a Cinematography
|x Special effects.
|2 fast
|0 (OCoLC)fst00861506
|
650 |
|
7 |
|a Digital cinematography.
|2 fast
|0 (OCoLC)fst00893633
|
650 |
|
7 |
|a Digital video.
|2 fast
|0 (OCoLC)fst00893738
|
700 |
1 |
|
|a Zwerman, Susan.
|
776 |
0 |
8 |
|i Print version: Finance, Charles L.
|t Visual effects producer.
|d Amsterdam ; Boston : Elsevier/Focal Press,
|c c2010
|z 9780240812632
|w (OCoLC)402541976
|
856 |
4 |
0 |
|u https://learning.oreilly.com/library/view/~/9780240812632/?ar
|z Texto completo (Requiere registro previo con correo institucional)
|
994 |
|
|
|a 92
|b IZTAP
|