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|a 142279:142425
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|n http://www.sciencedirect.com
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|a UAMI
|
100 |
1 |
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|a Osder, Jason.
|
245 |
1 |
0 |
|a Final Cut Pro workflows :
|b the independent studio handbook /
|c Jason Osder, Robbie Carman.
|
260 |
|
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|a Amsterdam ;
|a Boston :
|b Elsevier/Focal Press,
|c ©2008.
|
300 |
|
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|a 1 online resource (xv, 317 pages) :
|b illustrations
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336 |
|
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520 |
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|a Today's digital production tools empower the small team to produce multimedia projects that formerly required large teams. Orchestrating a production requires more than proficiency with the postproduction tools. Final Cut Pro Workflows: The Independent Studio Handbook offers a cookbook of postproduction workflows that teams can follow to deliver an array of products to their clients. It describes appropriate postproduction workflows, team roles and responsibilities, and required equipment for some of the most common media productions. Combining the wisdom of traditional roles and responsibilities with an understanding of how FCP facilitates a new flexibility where these roles/responsibilities can be redistributed, this book sheds light on workflow processes and responsibilities, and includes 7 real-world workflows from a diverse range of projects: * Money-Saving Digital Video Archive * Long-Form Documentary with Mixed Sources * Web-Based Viewing and Ordering System * 30-Second Spot for Broadcast * Multi-Part TV Series with Multiple Editors * DVD Educational Supplement * Music Video with Multi-Cam Editing and Multiple Outputs Written with a unique iconography to better convey key points and applicable to all levels of FCP users, Final Cut Pro Workflows: The Independent Studio Handbook is a vital reference tool for every postproduction house. * Real-world workflows and case studies provide blueprints that readers can follow to efficiently coordinate multimedia projects * Clearly defines team member responsibilities and details their roles in efficient postproduction workflows * Provides technical and administrative direction that smoothes the way to expanding a studio's postproduction repertoire.
|
505 |
0 |
|
|a How to Get the Most from this Book; Part 1: Final Cut Pro in Context; What makes Final Cut Pro Special?; What is a Workflow?; Part 2: Roles, Technologies and Techniques; Traditional and New Post-Production Roles; Video Standards and Formats; Compression and Storage; Preparation; Ingest; The Rough Cut; The Review Process; Final Cut Pro Finishing; The Power of Final Cut Studio; Sharing and Managing Media; Working with External Resources; Part 3: Real World Workflows; Money-Saving Digital Video Archive; Long-Form Documentary with Mixed Sources; Web-Based Viewing and Ordering System; 30-Second Spot for Broadcast; Multi-Part TV Series with Multiple Editors; DVD Educational Supplement; Music Video with Multi-Cam Editing and Multiple Outputs.
|
500 |
|
|
|a Includes index.
|
505 |
0 |
0 |
|t Acknowledgments --
|t Foreword --
|t How to get the most from this book --
|g pt. 1.
|t Final Cut Pro in context --
|g 1.
|t What makes Final Cut Pro special? --
|g 2.
|t What is a workflow? --
|g pt. 2.
|t Roles, technologies, and techniques --
|g 3.
|t Traditional and new postproduction roles --
|g 4.
|t Video standards and formats --
|g 5.
|t Compression and storage --
|g 6.
|t Preparation --
|g 7.
|t Ingest --
|g 8.
|t The rough cut --
|g 9.
|t The review process --
|g 10.
|t Final Cut Pro finishing --
|g 11.
|t The power of Final Cut Pro Studio --
|g 12.
|t Sharing and managing media --
|g 13.
|t Working with external resources --
|g pt. 3.
|t Real-world workflows --
|g 14.
|t Money-saving digital video archive --
|g 15.
|t Web-based viewing and ordering system --
|g 16.
|t 30-second spot for broadcast --
|g 17.
|t Multipart TV series with multiple editors --
|g 18.
|t Music video with multicam editing and multiple outputs --
|t In between ... --
|t Index.
|
588 |
0 |
|
|a Print version record.
|
590 |
|
|
|a O'Reilly
|b O'Reilly Online Learning: Academic/Public Library Edition
|
630 |
0 |
0 |
|a Final cut (Electronic resource)
|
630 |
0 |
7 |
|a Final cut (Electronic resource)
|2 blmlsh
|
630 |
0 |
7 |
|a Final cut (Electronic resource)
|2 fast
|
650 |
|
0 |
|a Digital video
|x Editing
|x Data processing.
|
650 |
|
0 |
|a Workflow.
|
650 |
|
6 |
|a Vidéo numérique
|x Montage
|x Informatique.
|
650 |
|
6 |
|a Flux de travail.
|
650 |
|
7 |
|a PHOTOGRAPHY
|x Techniques
|x Cinematography & Videography.
|2 bisacsh
|
650 |
|
7 |
|a ART
|x Film & Video.
|2 bisacsh
|
650 |
|
7 |
|a Digital video
|x Editing
|x Data processing
|2 fast
|
650 |
|
7 |
|a Workflow
|2 fast
|
700 |
1 |
|
|a Carman, Robbie.
|
776 |
0 |
8 |
|i Print version:
|a Osder, Jason.
|t Final Cut Pro workflows.
|d Amsterdam ; Boston : Elsevier/Focal Press, ©2008
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