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Recording studio design /
Recording Studio Design is essential reading for anyone involved in building, renovating and maintaining recording studios. Good acoustics in a recording studio is crucial to the success of a project, and the financial implications of failure means getting things right first time is essential. In st...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oxford :
Elsevier/Focal Press,
2008.
|
| Edición: | 2nd ed. |
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
Tabla de Contenidos:
- General requirements and common errors; Sound, decibels and hearing; Sound isolation; Room acoustics and means of control; Designing neutral rooms; Rooms with characteristic acoustics; Variable acoustics; Room combinations and operational considerations; The studio environment; Limitations to design predictions; Loudspeakers in rooms; Flattening the room response; Control rooms; The behaviour of multiple loudspeakers in rooms; Studio monitoring: the principal objectives; The non-environment control room; The live-end, dead-end approach; Response disturbances due to mixing consoles and studio furniture; Objective measurement and subjective evaluations; Studio monitoring systems; Surround sound and control rooms; Human factors; A mobile control room; Appendices; Glossary of terms.
- Ch. 1. General requirements and common errors
- Ch. 2. Sound, decibels and hearing
- Ch. 3. Sound isolation
- Ch. 4. Room acoustics and means of control
- Ch. 5. Designing neutral rooms
- Ch. 6. Rooms with characteristic acoustics
- Ch. 7. Variable acoustics
- Ch. 8. Room combinations and operational considerations
- Ch. 9. The studio environment
- Ch. 10. Limitations to design predictions
- Ch. 11. Loudspeakers in rooms
- Ch. 12. Flattening the room response
- Ch. 13. Control rooms
- Ch. 14. The behaviour of multiple loudspeakers in rooms
- Ch. 15. Studio monitoring: the principal objectives
- Ch. 16. The non-environment control room
- Ch. 17. The live-end, dead-end approach
- Ch. 18. Response disturbances due to mixing consoles and studio furniture
- Ch. 19. Objective measurement and subjective evaluations
- Ch. 20. Studio monitoring systems
- Ch. 21. Surround sound and control rooms
- Ch. 22. Human factors
- Ch. 23. A mobile control room
- Ch. 24. Foldback
- Ch. 25. Main supplies and earthing systems
- Ch. 26. Analogue audio interfacing.