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On-location recording techniques /
Dividing classical and popular music recording into two distinct sections, this book focuses on the special techniques used for recording outside the confines of the studio and shows readers how to interface with sound reinforcement equipment in the hall or club. Recent developments in portable digi...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Boston :
Focal Press,
1999.
|
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
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| 100 | 1 | |a Bartlett, Bruce. | |
| 245 | 1 | 0 | |a On-location recording techniques / |c Bruce Bartlett with Jenny Bartlett. |
| 260 | |a Boston : |b Focal Press, |c 1999. | ||
| 300 | |a 1 online resource (xxiii, 278 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Front Cover; On-Location Recording Techniques; Copyright Page; TABLE OF CONTENTS; Preface; Acknowledgments; Trademarks; Part 1: Popular Music Recording; Chapter 1. Equipment for Remote Recording of Popular Music; Chapter 2. Recording Techniques from Simple to Complex; Chapter 3. Before the Session: Planning; Chapter 4. At the Session: Setup and Recording; Chapter 5. After the Session: Mixing and Editing; Chapter 6. Tips on Building a Recording Truck; Part 2: Classical Music Recording and Stereo Microphone Techniques; Chapter 7. Microphone Polar Patterns and Other Specifications. | |
| 520 | |a Dividing classical and popular music recording into two distinct sections, this book focuses on the special techniques used for recording outside the confines of the studio and shows readers how to interface with sound reinforcement equipment in the hall or club. Recent developments in portable digital multitrack recorders and high-quality mixers have made on-location recording feasible for all recording engineers. Many bands want to be recorded in concert because they feel that is when they play their best music. The engineer's job is to capture that performance on tape and bring it back live. | ||
| 506 | |3 Use copy |f Restrictions unspecified |2 star |5 MiAaHDL | ||
| 533 | |a Electronic reproduction. |b [Place of publication not identified] : |c HathiTrust Digital Library, |d 2010. |5 MiAaHDL | ||
| 538 | |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |u http://purl.oclc.org/DLF/benchrepro0212 |5 MiAaHDL | ||
| 583 | 1 | |a digitized |c 2010 |h HathiTrust Digital Library |l committed to preserve |2 pda |5 MiAaHDL | |
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 650 | 0 | |a Magnetic recorders and recording |v Handbooks, manuals, etc. | |
| 650 | 7 | |a ANTIQUES & COLLECTIBLES |x Records. |2 bisacsh | |
| 650 | 7 | |a Magnetic recorders and recording. |2 fast |0 (OCoLC)fst01005759 | |
| 655 | 7 | |a handbooks. |2 aat | |
| 655 | 7 | |a manuals (instructional materials) |2 aat | |
| 655 | 7 | |a Handbooks and manuals. |2 fast |0 (OCoLC)fst01423877 | |
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| 700 | 1 | |a Bartlett, Jenny. | |
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