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A sound person's guide to video /
An essential guide to all aspects of video technology for sound technicians wishing to broaden their knowledge. It explains in a highly readable and engaging way, the key technologies and issues, as well as the terms, acronyms and definitions. Although intended for the sound professional, this book...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oxford ; Boston :
Focal Press,
2000.
|
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
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| 100 | 1 | |a Mellor, David, |d 1955- | |
| 245 | 1 | 2 | |a A sound person's guide to video / |c David Mellor. |
| 260 | |a Oxford ; |a Boston : |b Focal Press, |c 2000. | ||
| 300 | |a 1 online resource (vii, 288 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 500 | |a Includes index. | ||
| 588 | 0 | |a Print version record. | |
| 520 | |a An essential guide to all aspects of video technology for sound technicians wishing to broaden their knowledge. It explains in a highly readable and engaging way, the key technologies and issues, as well as the terms, acronyms and definitions. Although intended for the sound professional, this book will also appeal to anyone involved in working with video. Everything is covered: from how television and video cameras work to digital video recording, electronic news gathering, nonlinear editing, video effects as well as telecine, widescreen technology and the home cinema. The book also takes a lo. | ||
| 505 | 0 | |a Front Cover; A Sound Person's Guide to Video; Copyright Page; Contents; Foreword; 1. The origins of television and video; In the beginning; Scanning; The coming of colour; A new standard; Video; 2. The magic of television; Colour television; 3. Video recording -- the impossible dream; Early developments; Helical scan; U-Matic; Domestic video formats; 4. The electronic eye; Part 1: Camera basics; Tube cameras; Charge-coupled devices; The colour camera; Part 2: The modern camera; Hyper HAD; Into digits; Master Set-up Unit; 5. ENG and Betacam SP; Betacam | |
| 505 | 8 | |a Compressed time division multiplexed systemAudio in Betacam; The future; 6. Digital video; D1; D1 error protection; D2; D3 and D5; Why so many formats?; DV and DVCPRO; Small is beautiful; Nuts and bolts; DVCPRO; Digital cinematography; Step up from SP; Compression; Yet another format?; The kit; The accessories; 7. Standards conversion; Three problems; Sampling; Composite video; Interpolation; Motion compensation; Comparing standards converters; 8. The video monitor; Sync and scan; Antenna to CRT; Display technology; The shadow mask; Progressive scan; Flat panel displays; LCD; Plasma displays | |
| 505 | 8 | |a Future technologies9. Home cinema; The vision; Audio; Virtual Surround; 10. Nonlinear editing; Offline/online; Timeline; Integration; 11. JPEG and MPEG2 image compression; JPEG; Discrete cosine function; Entropy coding; Results; JPEG for moving pictures; MPEG2; Syntax and semantics; Spatial and temporal compression; Motion estimation prediction; Profiles and levels; Applications; 12. Digital television; Digital television in the UK; Digital video; Broadcasting; Possibilities; On demand; The consumer angle; Widescreen; Conclusion; Digital television in the USA; Technical issues; 13. Film | |
| 505 | 8 | |a A brief history of filmMeanwhile in France ... ; The coming of sound; Widescreen; Sideways look; Colour; 3D; Why film will prosper; 14. Film stock, film laboratories; Formats; Types; Intermediate and print film; Laboratories; Rushes; Printing; Editing and regrading; Release print; 15. Cinema technology; Lamphouse; Reels and platters; Lenses; Sound head; Cinema systems; 16. IMAX; The camera; Projection; The IMAX cinema; Post-production; 17. Telecine; Film feats; Technology; Cathode ray tube; Scanning; Digital processing; High resolution; 18. Pulldown; 29.97; PAL pulldown; So what should you do? | |
| 505 | 8 | |a A new frame rate?19. Lighting technology; Film and video lighting; Lamps glow, bulbs grow; HMI; Broads, Blondes and Redheads; Moving light, changing colour -- performance lighting; To boldly gobo; 20. The art of bluescreen; Rotoscoping; Ultimatte; Motion control; Appendix 1: The science of colour; Light; The eye; Subtractive colour mixing; Additive colour mixing; Colour triangle; Colour temperature; Appendix 2: Timecode: the link between sight and sound; The nature of timecode; Types of timecode; Timecode generation; Sound and picture, working together; Finger sync; Code-only master | |
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 650 | 0 | |a Video recording. | |
| 650 | 0 | |a Sound |x Recording and reproducing. | |
| 650 | 2 | |a Video Recording | |
| 650 | 6 | |a Vidéo. | |
| 650 | 6 | |a Son |x Enregistrement et reproduction. | |
| 650 | 7 | |a PHOTOGRAPHY |x Techniques |x Cinematography & Videography. |2 bisacsh | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a Sound |x Recording and reproducing. |2 fast |0 (OCoLC)fst01126957 | |
| 650 | 7 | |a Video recording. |2 fast |0 (OCoLC)fst01166452 | |
| 776 | 0 | 8 | |i Print version: |a Mellor, David, 1955- |t Sound person's guide to video. |d Oxford ; Boston : Focal Press, 2000 |z 0240515951 |z 9780240515953 |w (DLC) 00035462 |w (OCoLC)43706816 |
| 856 | 4 | 0 | |u https://learning.oreilly.com/library/view/~/9780240515953/?ar |z Texto completo (Requiere registro previo con correo institucional) |
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