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Animation : the mechanics of motion /
"A guide to all the fundamental principles of animation. With extended pieces on timing, acting and technical aspects Chris Webster has created a learning tool to help you get the most out of your animation and to develop the practical skills needed by both professionals and serious students al...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oxford ; Burlington, MA :
Elsevier Focal Press,
2005.
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| Colección: | Focal Press visual effects and animation series.
|
| Temas: | |
| Acceso en línea: | Texto completo (Requiere registro previo con correo institucional) |
MARC
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| 100 | 1 | |a Webster, Chris. | |
| 245 | 1 | 0 | |a Animation : |b the mechanics of motion / |c Chris Webster. |
| 260 | |a Oxford ; |a Burlington, MA : |b Elsevier Focal Press, |c 2005. | ||
| 300 | |a 1 online resource (xix, 259 pages) : |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Focal Press visual effects & animation | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Cover -- Animation: The Mechanics of Motion -- Contents -- Foreword -- Preface -- THE EXERCISES -- AND FINALLY -- Introduction -- Walking with Animators -- Acknowledgements -- Chapter 1 Basic Principles -- Before we begin -- Timing in animation -- Persistence of vision -- Frames per second -- Timing -- Animation Exercise 1.1 -- Flip Book -- Pacing -- Phrasing -- Timing -- Laws of motion -- First law (inertia) -- Second law (constant acceleration) -- Third law (equal and opposite action) -- Cause and effect -- Gravity and its effect on a falling object -- Squash and stretch -- Pose-to-pose and straight-ahead -- Advantages of pose-to-pose animation -- Disadvantages of pose-to-pose animation -- Advantages of straight-ahead animation -- Disadvantages of straight-ahead animation -- Keys and inbetweens -- Slow out -- Slow in -- Animation Exercise 1.2 -- Bouncing Balls -- Overlapping action, follow-through and drag -- What is overlapping action? -- Staggered timing -- Primary actions -- Secondary actions -- Tertiary actions -- Overlapping Action Case Study 1 -- Lifting a Weight -- Overlapping Action Case Study 2 -- Getting Out of a Chair -- What is follow-through? -- Costume -- What is drag? -- How does drag affect an action? -- Questions to Ask Yourself about Overlapping Action, Follow-through and Drag -- Arcs and curves, and line of action -- Arcs and curves -- Line of action -- Cycle animation -- What is cycle animation? -- Wave cycle -- Flag cycle -- Animation Exercise 1.3 -- Flag Cycle -- Animation Exercise 1.4 -- Aeroplane Cycle -- Chapter 2 Figurative Animation -- Before we begin -- The four 'A's of animation -- Activity -- Action -- Animation -- Acting -- Walks and runs -- Walks -- Animation Exercise 2.1 -- Basic Walk Cycle -- Runs -- Animation Exercise 2.2 -- Basic Run Cycle -- Weight and balance -- Weight -- Balance -- Lifting -- Throwing -- Pushing -- Pulling -- Questions to Ask Yourself about Weight and Balance -- Anticipation -- Takes -- An argument in support of life drawing -- Chapter 3 Acting -- Before we begin -- Characterization -- The performance is the thing -- Dialogue -- Motivation and objectives -- Empathy -- Physical acting -- Psychological acting -- Temperament and pace -- Animation Exercise 3.1 -- Temperament and Pace -- Animation Exercise 3.2 -- Character Types/Two Sacks -- Character interaction -- Animation Exercise 3.3 -- Character Interaction -- Planning a scene -- The six stages of planning a scene -- Props and costume -- Questions to Ask Yourself about Acting in Animation -- Chapter 4 Design -- Before we begin -- Production -- Style -- Audience -- Distribution. | |
| 588 | 0 | |a Print version record. | |
| 520 | 1 | |a "A guide to all the fundamental principles of animation. With extended pieces on timing, acting and technical aspects Chris Webster has created a learning tool to help you get the most out of your animation and to develop the practical skills needed by both professionals and serious students alike."--Jacket | |
| 590 | |a O'Reilly |b O'Reilly Online Learning: Academic/Public Library Edition | ||
| 650 | 0 | |a Animation (Cinematography) | |
| 650 | 6 | |a Animation (Cinéma) | |
| 650 | 7 | |a animations (visual works) |2 aat | |
| 650 | 7 | |a animation (process) |2 aat | |
| 650 | 7 | |a PHOTOGRAPHY |x Techniques |x Cinematography & Videography. |2 bisacsh | |
| 650 | 7 | |a ART |x Film & Video. |2 bisacsh | |
| 650 | 7 | |a Animation (Cinematography) |2 fast | |
| 653 | |a Theatre, Film and Television Studies | ||
| 776 | 0 | 8 | |i Print version: |a Webster, Chris. |t Animation. |d Oxford ; Burlington, MA : Elsevier Focal Press, 2005 |z 0240516664 |w (OCoLC)49740426 |
| 830 | 0 | |a Focal Press visual effects and animation series. | |
| 856 | 4 | 0 | |u https://learning.oreilly.com/library/view/~/9780240516660/?ar |z Texto completo (Requiere registro previo con correo institucional) |
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