|
|
|
|
LEADER |
00000cam a2200000Ia 4500 |
001 |
OR_ocm71665611 |
003 |
OCoLC |
005 |
20231017213018.0 |
006 |
m o d |
007 |
cr unu|||||||| |
008 |
060925s2006 caua o 001 0 eng d |
010 |
|
|
|a 2006286072
|
040 |
|
|
|a UMI
|b eng
|e pn
|c UMI
|d OCLCQ
|d TXJ
|d CEF
|d OCLCQ
|d DEBSZ
|d OCLCQ
|d C6I
|d OCLCF
|d OCLCQ
|d OCLCO
|d OCLCQ
|d WOM
|d CNCEN
|d AU@
|d WYU
|d RDF
|d LDP
|d HS0
|d VT2
|d OCLCO
|d OCLCQ
|d INARC
|
015 |
|
|
|a GBA472404
|2 bnb
|
016 |
7 |
|
|a 013007754
|2 Uk
|
019 |
|
|
|a 759522660
|a 1044212487
|a 1056377753
|a 1156861405
|a 1180307373
|a 1202550904
|a 1240525840
|a 1392324691
|
020 |
|
|
|a 0321269063
|q (pbk.)
|
020 |
|
|
|a 9780321269065
|q (pbk.)
|
020 |
|
|
|a 032144681X
|
020 |
|
|
|a 9780321446817
|
029 |
1 |
|
|a DEBSZ
|b 355366231
|
029 |
1 |
|
|a GBVCP
|b 78540144X
|
029 |
1 |
|
|a HEBIS
|b 291437354
|
029 |
1 |
|
|a AU@
|b 000067107807
|
029 |
1 |
|
|a AU@
|b 000057222901
|
035 |
|
|
|a (OCoLC)71665611
|z (OCoLC)759522660
|z (OCoLC)1044212487
|z (OCoLC)1056377753
|z (OCoLC)1156861405
|z (OCoLC)1180307373
|z (OCoLC)1202550904
|z (OCoLC)1240525840
|z (OCoLC)1392324691
|
037 |
|
|
|a CL0500000005
|b Safari Books Online
|
050 |
|
4 |
|a T385
|b .K45 2006
|
082 |
0 |
4 |
|a 006.686
|2 22
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Kelby, Scott.
|
245 |
1 |
4 |
|a The Photoshop Channels book /
|c starring Scott Kelby.
|
250 |
|
|
|a 1st ed.
|
260 |
|
|
|a [Berkeley, Calif.] :
|b Peachpit,
|c 2006.
|
300 |
|
|
|a 1 online resource (ix, 275 pages) :
|b color illustrations
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
500 |
|
|
|a Includes index.
|
588 |
0 |
|
|a Print version record.
|
520 |
|
|
|a One big advantage Photoshop professionals have always had was the understanding of channels. It was their secret weapon, and it enabled them to do things, and work in an entirely different way than their competitors, and maybe that's why the secret power of Photoshop's channels has been such a closely guarded secret. Until now. Award-winning, bestselling author Scott Kelby (Editor of Photoshop User magazine) shows you how to unlock the power of Photoshop's Channels and really start using Photoshop like a pro. But this isn't a book of theory and technical explanations, this is a step-by-step project-based book that will teach you exactly how to the pros use channels in their everyday work (Using channels is one of the secrets they use to get twice the work done in half the time). You'll learn how today's top photographers and graphic designers employ channels to make impossible selections, to speed their production workflow, to color correct images, to mask images, to create stunning color to black and white conversions, and to do dozens of inside tricks that set them apart from the field. There's a reason there's always been a mystique to using channels, and why Photoshop users who understand and use them stay on the cutting edge. Now, their secrets are revealed using the same plain-English style that has made Scott one of the leading Photoshop authors and instructors in the world today. You'll be amazed at not only what you're able with channels, but you'll love the competitive advantage that using channels will give you. If you're ready to take your Photoshop skills to the next level, you're holding the book that will take you there, and you're gonna love it!
|
505 |
0 |
|
|a Machine derived contents note: This is Where It Starts 2 -- Channel Basics 6 -- Creating Your First Channel 13 -- Channels Shortcuts 21 -- Q & A 22 -- S 25 -- Understanding Masks 26 -- Masking Using Channels 34 -- Combining Channel Masks 42 -- Blend Modes for Channels? 52 -- Hard to Mask Images 54 -- Quick Mask and Soft Edges. 64 -- Channels Shortcuts 75 -- Q & A 76 -- 79 -- Layer Mask Essentials 80 -- Compositing Images. 86 -- Adjustment Layer Masks 94 -- Spot-Color Channels 96 -- Layer Mask Shortcuts 106 -- Q & 107 -- Picking the Best of Three 110 -- The Lab Lightness Channel 116 -- The Calculations Method 20 -- Channel Mixer Method 128 -- Q & A 132 -- Adding Detail to Portraits 136 -- Creating Vibrant Color 148 -- Better Red Eye Repair 170 -- Q & A 174 -- 177 -- Sharpening to Avoid Noise 178 -- Two-Pass Lab Sharpening 186 -- Alpha Channel Edge Mask 192 -- Reducing Blue Channel Noise 200 -- Q & A 208 -- 1 211 -- Weighted Optrimnization 212 -- Influencing the Color Table 222 -- Q & A 224 -- Adding a Beam of Light. 228 -- Infrared Effect 234 -- Mapping One Image to Another 240 -- Lighting Effects Texture Channel 250 -- Keeping the Real Shadows 256 -- W here to Go Next 260 -- Q & A 262.
|
546 |
|
|
|a English.
|
590 |
|
|
|a O'Reilly
|b O'Reilly Online Learning: Academic/Public Library Edition
|
630 |
0 |
0 |
|a Adobe Photoshop.
|
630 |
0 |
7 |
|a Adobe Photoshop.
|2 blmlsh
|
630 |
0 |
7 |
|a Adobe Photoshop.
|2 blmsh
|
630 |
0 |
7 |
|a Adobe Photoshop.
|2 fast
|0 (OCoLC)fst01378295
|
650 |
|
7 |
|a Engineering & Applied Sciences.
|2 hilcc
|
650 |
|
7 |
|a Technology - General.
|2 hilcc
|
776 |
|
|
|z 0-321-26906-3
|
856 |
4 |
0 |
|u https://learning.oreilly.com/library/view/~/0321269063/?ar
|z Texto completo (Requiere registro previo con correo institucional)
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH38448057
|
938 |
|
|
|a Internet Archive
|b INAR
|n photoshopchannel0000kelb
|
994 |
|
|
|a 92
|b IZTAP
|