Sound synthesis and sampling /

Covers all the major sound synthesis and sampling techniques in an accessible style with detailed diagrams.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Russ, Martin
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Boston : Elsevier/Focal Press, ©2004.
Edición:2nd ed.
Colección:Music technology series.
Temas:
Frequency synthesizers.
Synthesizer (Musical instrument)
Music > Acoustics and physics.
Sound > Recording and reproducing > Digital techniques.
Synthétiseurs de fréquence.
Synthétiseur.
Musique > Acoustique et physique.
synthesizers.
MUSIC > Genres & Styles > Electronic.
Frequency synthesizers
Music > Acoustics and physics
Sound > Recording and reproducing > Digital techniques
Acceso en línea:Texto completo (Requiere registro previo con correo institucional)

MARC

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100 1 |a Russ, Martin. 
245 1 0 |a Sound synthesis and sampling /  |c Martin Russ. 
250 |a 2nd ed. 
260 |a Boston :  |b Elsevier/Focal Press,  |c ©2004. 
300 |a 1 online resource (xvi, 473 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file 
490 1 |a Music technology series 
504 |a Includes bibliographical references (pages 399-402) and index. 
505 0 |a Cover -- Contents -- Series introduction -- Preface to first edition -- Preface to second edition -- Visual map -- About this book -- Book guide -- Chapter guide -- Chapter section guide -- BACKGROUND -- 1 Background -- 1.1 What is synthesis? -- 1.2 Beginnings -- 1.3 Telecoms research -- 1.4 Tape techniques -- 1.5 Experimental versus popular musical uses of synthesis -- 1.6 Electro-acoustic music -- 1.7 From academic research to commercial production ... -- 1.8 Synthesised classics -- 1.9 Synthesis in context -- 1.10 Electronics and acoustics: fundamental principles -- 1.11 Digital and sampling -- 1.12 MIDI (Musical instrument digital interface) -- 1.13 After MIDI -- 1.14 Questions -- Time line -- TECHNIQUES -- 2 Analogue synthesis -- 2.1 Analogue and digital -- 2.2 Subtractive synthesis -- 2.3 Additive synthesis -- 2.4 Other methods of analogue synthesis -- 2.5 Topology -- 2.6 Early versus modern implementations -- 2.7 Example instruments -- 2.8 Questions -- Time line -- 3 Hybrid synthesis -- 3.1 Wavecycle -- 3.2 Wavetable -- 3.3 DCOs (Digital controlled oscillators) -- 3.4 S & S (Sample and synthesis) -- 3.5 Early versus modern implementations -- 3.6 Example instruments -- 3.7 Questions -- Time line -- 4 Sampling -- 4.1 Tape-based -- 4.2 Analogue sampling -- 4.3 Digital -- 4.4 Convergence of sampling with S & S synthesis -- 4.5 Example equipment -- 4.6 Questions -- Time line -- 5 Digital synthesis -- Digital sounds -- 5.1 FM -- 5.2 Waveshaping -- 5.3 Modelling -- 5.4 Granular synthesis -- 5.5 FOF and other techniques -- 5.6 Analysis-synthesis -- 5.7 Hybrid techniques -- 5.8 Example instruments -- 5.9 Questions -- Time line -- APPLICATIONS -- 6 Using synthesis -- 6.1 Arranging -- 6.2 Stacking -- 6.3 Layering -- 6.4 Hocketing -- 6.5 Multi-timbrality and polyphony -- 6.6 GM -- 6.7 On-board effects -- 6.8 Editing -- 6.9 Questions -- Time line -- 7 Controllers -- 7.1 Controller and expander -- 7.2 MIDI control -- 7.3 Keyboards -- 7.4 Keyboard control -- 7.5 Wheels and other hand-operated controls -- 7.6 Foot controls -- 7.7 Ribbon controllers -- 7.8 Wind controllers -- 7.9 Guitar controllers -- 7.10 Advantages and disadvantages -- 7.11 Front panel controls -- 7.12 Questions -- Time line -- 8 Performance -- 8.1 Synthesis live -- 8.2 The role of electronics -- 8.3 Drum machines -- 8.4 Sequencers -- 8.5 Workstations -- 8.6 Accompaniment -- 8.7 Groove boxes -- 8.8 Dance, clubs and DJs -- 8.9 Studios on computers -- 8.10 Performance unravelled -- 8.11 Questions -- Time line -- ANALYSIS -- 9 The future of synthesis -- 9.1 Closing the circle -- 9.2 Control -- 9.3 Commercial imperatives -- References --T$10. 
588 0 |a Print version record. 
520 |a Covers all the major sound synthesis and sampling techniques in an accessible style with detailed diagrams. 
546 |a English. 
590 |a O'Reilly  |b O'Reilly Online Learning: Academic/Public Library Edition 
650 0 |a Frequency synthesizers. 
650 0 |a Synthesizer (Musical instrument) 
650 0 |a Music  |x Acoustics and physics. 
650 0 |a Sound  |x Recording and reproducing  |x Digital techniques. 
650 6 |a Synthétiseurs de fréquence. 
650 6 |a Synthétiseur. 
650 6 |a Musique  |x Acoustique et physique. 
650 7 |a synthesizers.  |2 aat 
650 7 |a MUSIC  |x Genres & Styles  |x Electronic.  |2 bisacsh 
650 7 |a Frequency synthesizers  |2 fast 
650 7 |a Music  |x Acoustics and physics  |2 fast 
650 7 |a Sound  |x Recording and reproducing  |x Digital techniques  |2 fast 
650 7 |a Synthesizer (Musical instrument)  |2 fast 
776 0 8 |i Print version:  |a Russ, Martin.  |t Sound synthesis and sampling.  |b 2nd ed.  |d Boston : Elsevier/Focal Press, ©2004  |z 0240516923  |w (DLC) 2004047202  |w (OCoLC)55008224 
830 0 |a Music technology series. 
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