More-than-human choreography : handling things between logistics and entanglement /

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Frischkorn, Moritz (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld : transcript, [2023]
Colección:Critical dance studies (Bielefeld, Germany) ; v. 65.
Temas:
Performing arts > Philosophy.
Business logistics.
Business logistics > Moral and ethical aspects.
Business logistics > Environmental aspects.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Contents
  • Acknowledgements
  • 1. More-than-human choreography on a broken planet
  • 1.1 Introduction
  • The Artificial Nature Project (Mette Ingvartsen)
  • 1.2 Context: What is 'expanded choreography'?
  • Social choreography
  • 'Expanded choreography' as pattern language
  • 'Expanded choreography' as generic productive faculty
  • The double vector of 'expanded choreography'
  • 1.3 Method: describing the consistency and choreographic logic of assemblages
  • 1.4 Outline of the argument
  • 2. Barricades as entangled things
  • Rainforest (Merce Cunningham) and Barricade Ballet (Tools for Action)
  • 2.1 Things that gather and resist
  • 2.2 Things at hand: relational, but concealed
  • 2.3 Things that run and fly
  • Barricades and Dances (Moritz Frischkorn)
  • CONSISTENCY OF THE ASSEMBLAGE (BARRICADES AND DANCES):Group of human participants
  • Place of production/performance
  • Use of matter
  • 2.4 Turbulent flow: barricades as choreopolitical operators
  • CHOREOGRAPHIC LOGIC (BARRICADES AND DANCES):Turbulent flow
  • 2.5 Composing things as barricade: hesitation
  • CHOREOGRAPHIC LOGIC (BARRICADES AND DANCES):Hesitation
  • 2.6 Barricades as spaces of attunement
  • CHOREOGRAPHIC LOGIC (BARRICADES AND DANCES):Attunement
  • 3. Assemblages as more-than-human performances
  • Homage to New York (Jean Tinguely)
  • 3.1 Territorialization and deterritorialization: degrees of cohesion
  • 3.2 The performative enactment of assemblages
  • Polyset (Vladimir Miller)
  • CONSISTENCY OF THE ASSEMBLAGE (POLYSET):Group of human participants
  • Place of production/performance
  • Use of matter
  • 3.3 Assemblages as fields of action and spaces of circulation: 'preferred articulations'
  • CHOREOGRAPHIC LOGIC (POLYSET):In/Stability
  • 3.4 The choreographic diagram of assemblages: 'to follow the flow of matter'
  • CHOREOGRAPHIC LOGIC (POLYSET):'Fumbling in the dark'
  • 4. Logistics as socio-material choreography
  • We Love Logistics (UPS) and We are Maersk. We move mountains (Maersk)
  • 4.1 Contemporary logistics and its choreographic logic
  • Liquefaction of space and valorization of time
  • The performative dimension of logistics
  • Production of subjectivity, or: the bio- and necropolitical nature of logistics
  • Constant flow
  • Continuous adaptation
  • Disposability
  • Vectorialization
  • Containerization
  • Valorization
  • 4.2 Colonial logistics and the onto-epistemic violence of transport
  • 4.3 Algorithmic governance: emergent choreography
  • African Terminal (geheimagentur)
  • CONSISTENCY OF THE ASSEMBLAGE (AFRICAN TERMINAL):Group of human participants
  • Place of production/performance
  • Use of matter
  • 4.4 Unframing the stage, shifting agency, recalibrating the movementof people and things
  • CHOREOGRAPHIC LOGIC (AFRICAN TERMINAL):Unframing the stage
  • Shifting agency
  • 'Recalibration': Attuning people and things to one another
  • 4.5 A general realm of 'logisticality'

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