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|a (OCoLC)1391134234
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|a 22573/cats5098140
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|a f------
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|a PN1993.5.A35
|b A372 2023
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|a 791.43096
|2 23/eng/20230811
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|a UAMI
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|a African cinema :
|b manifesto and practice for cultural decolonization.
|n Volume 2,
|p FESPACO : formation, evolution, challenges /
|c edited by Michael T. Martin, Gaston J.M. Kaboré ; with Allison J. Brown, Cole Nelson, and Joseph E. Roskos.
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|a FESPACO - formation, evolution, challenges
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|a Bloomington, Indiana :
|b Indiana University Press,
|c [2023]
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|c ©2023
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|a 1 online resource :
|b illustrations (some color).
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|a text
|b txt
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|a computer
|b c
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|a online resource
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|a Studies in the cinema of the Black diaspora
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|a Includes bibliographical references and index.
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|a African Cinema and the Diasporic: Introductory Considerations / Michael T. Martin and Gaston J. M. Kaboré -- Part I: Sites and Contexts of Exhibit -- African Film Festivals in Africa: Curating "African Audiences" for "African Films" / Lindiwe Dovey -- On Tracking World Cinema: African Cinema at Film Festivals / Manthia Diawara -- African Women on the Film Festival Landscape: Organizing, Showcasing, Promoting, Networking / Beti Ellerson -- African Cinema in the Tempest of Minor Festivals / Sambolgo Bangré -- Postcolonial Film Collaboration and Festival Politics / Dorothee Wenner -- Part II: FESPACO: An Evolving Cinematic and Cultural Formation -- African Cinema and Festival: FESPACO / Manthia Diawara -- FESPACO: Promoting African Film Development and Scholarship / M. Africanus Aveh -- FESPACO and Cultural Valorization / Mahir Şaul -- African Cinema: Between the "Old" and the "New" / Mbye Cham -- Statement at Ouagadougou (1979) / Ousmane Sembène A Name Is More Than the Tyranny of Taste / Wole Soyinka -- Cine-Agora Africana: Meditating on the Fiftieth Anniversary of FESPACO / Aboubakar Sanogo -- Cultural Politics of Production and Francophone West African Cinema: FESPACO 1999 / Teresa Hoefert de Turégano -- A Mirage in the Desert? African Women Directors at FESPACO / Claire Andrade-Watkins -- Cabascabo, the Film That Lastingly Established FESPACO: Interview with Alimata Salambéré, President of the First Edition (1969) / Olivier Barlet -- The Long Take: Gaston Kaboré on FEPACI & FESPACO / Michael T. Martin -- Pressing Revelations: Notes on Time at FESPACO / Rod Stoneman -- Fifty Years of Women's Engagement at FESPACO / Beti Ellerson -- Thiaroye or Yeelen / Férid Boughedir -- Long Live Cinema! Long Live FESPACO. A Luta Continua! / Claire Diao -- Rethinking FESPACO As an Echo / Michel Amarger -- Going to the Cinema in Burkina Faso / Mustapha Ouedgraogo -- FESPACO and Its Many Afterlives / Sheila Petty -- FESPACO Film Festival / Colin Dupré -- Part III: Conditionalities and Challenges -- Towards Reframing FESPACO / Imruh Bakari -- FESPACO Past and Future: Voices from the Archive / June Givanni -- The Opening of South Africa and the Future of African Film / Mahir Şaul -- FESPACO 2019: Moving Toward Resurrection / Olivier Barlet; Translated by Chloe Farrell -- Fifty Years of Memories for Shaping the Future! / Rémi Abéga -- Part IV: Commentaries: Filmmakers, Film Scholars, and Media Professionals -- Part V: Documents -- Resolution on the Pan-African Film Festival of Ouagadougou (1972) -- Regulations of the Carthage Film Festival (1970s) -- Regulations of the Pan-African Film Festival of Ouagadougou (1980) -- Regulations for the Official Juries of the 26th Edition of FESPACO (2019) -- FESPACO Award Winners (1972-2019) -- FESPACO 50th Anniversary Symposium (2019) -- Manifesto of Ouagadougou (2017) -- FESPACO Poster Gallery (1969-2019) -- Organizing Themes of the FESPACO Festival (1973-2019) -- Major Events of FESPACO (1969-2016) -- The African Film Library of Ouagadougou -- Part VI. Dossiers -- Dossier 1: Paul Robeson Award Initiative (PRAI) -- Dossier 2: The Higher Institute of Image and Sound/Studio School (ISIS-SE) -- Dossier 3: IMAGINE Film Training Institute -- * Power to the Imagination (2020) / Michael T. Martin -- * Founding Myths and Storytelling: The African Modern (2011) / Michael T. Martin
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|a Volume Two of this landmark series on African cinema is devoted to the decolonizing mediation of the Pan African Film & Television Festival of Ouagadougou (FESPACO), the most important, inclusive, and consequential cinematic convocation of its kind in the world. Since its creation in 1969, FESPACO's mission is, in principle, remarkably unchanged: to unapologetically recover, chronicle, affirm, and reconstitute the representation of the African continent and its global diasporas of people, thereby enunciating in the cinematic, all manner of Pan-African identity, experience, and the futurity of the Black World. This volume features historically significant and commissioned essays, commentaries, conversations, dossiers, and programmatic statements and manifestos that mark and elaborate the key moments in the evolution of FESPACO over the span of the past five decades.
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|a Description based on online resource; title from digital title page (viewed on August 14, 2023).
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Motion pictures
|z Africa
|x History and criticism.
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|a Motion pictures
|2 fast
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|a Africa
|2 fast
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|a History
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|a Criticism, interpretation, etc.
|2 fast
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|a Film criticism.
|2 lcgft
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|a Critiques cinématographiques.
|2 rvmgf
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|a Martin, Michael T.,
|e editor.
|1 https://isni.org/isni/000000011446471X
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|a Kaboré, Gaston,
|d 1951-
|e editor.
|1 https://isni.org/isni/0000000081543381
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|i Print version:
|t African cinema : Volume 2, FESPACO - formation, evolution, challenges.
|d Bloomington : Indiana University Press, 2023
|z 9780253066244
|w (OCoLC)1388643023
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|a Studies in the cinema of the Black diaspora.
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|u https://jstor.uam.elogim.com/stable/10.2307/jj.5104039
|z Texto completo
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