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JSTOR_on1389484650 |
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230707s2023 xx o 0|| 0 eng d |
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|a 1389606726
|a 1389878647
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|a 9781805431114
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|z 1837650829
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|z 9781837650828
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|a AU@
|b 000074893823
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|a (OCoLC)1389484650
|z (OCoLC)1389606726
|z (OCoLC)1389878647
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|a 22573/cats2205474
|b JSTOR
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|a 823/.914
|2 23/eng/20230707
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|a UAMI
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|a QUINN, IAIN.
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|a Music and religion in the writings of Ian McEwan
|h [electronic resource].
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|a [S.l.] :
|b BOYDELL PRESS,
|c 2023.
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|a 1 online resource
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|a Front cover -- Contents -- Acknowledgements -- Permissions -- Introduction -- 1 The Question of Religion: An Atheist's Portrayal of the Church of England -- 2 The Value of Sublimity: Solitude, Voyeurism, and the Transcendental -- 3 From Gilbert and Sullivan to Mozart: Influences and Perceptions of Music in Society -- 4 'Don't Make Fun of the Fair': The Composer in Twentieth-Century Britain -- Appendix -- Interview with Michael Berkeley -- Interview with Ian McEwan -- Bibliography -- Index
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|a Examines McEwan's ability to discern in his writing sentiments that easily resonate with musicians.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a McEwan, Ian
|x Criticism and interpretation.
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|i Print version:
|z 1837650829
|z 9781837650828
|w (OCoLC)1376172107
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|u https://jstor.uam.elogim.com/stable/10.2307/jj.2225651
|z Texto completo
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|a ProQuest Ebook Central
|b EBLB
|n EBL30475967
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|a YBP Library Services
|b YANK
|n 305558597
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|a 92
|b IZTAP
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