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JSTOR_on1382693236 |
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20231005004200.0 |
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230624s2023 gw ob 000 0 eng d |
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|a EBLCP
|b eng
|e rda
|c EBLCP
|d JSTOR
|d OCLCF
|d YDX
|d DEGRU
|d OCLCO
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|a 9783839468203
|q electronic book
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|a 3839468205
|q electronic book
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|a AU@
|b 000074893736
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|a (OCoLC)1382693236
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|a 22573/cats4262527
|b JSTOR
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|a PN49
|b .B56 2023
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|a PN56.F79
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|a 809/.93384
|2 23/eng/20230630
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|a UAMI
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|a Bender, Stephanie,
|e author.
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|a Ethics for the Future :
|b Perspectives from 21st Century Fiction /
|c Stephanie Bender.
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|a Bielefeld :
|b Transcript,
|c [2023]
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|a 1 online resource.
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
|b cr
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|a Culture & theory ;
|v volume 288
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|a Includes bibliographical references.
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|a Cover -- Contents -- Acknowledgements -- Introduction -- Challenging Times -- Ethics for the Future: From Humanism to Posthumanism -- Ethical Criticism in the 21st Century -- Aesthetics for the Future: Popular Future Fictions -- The Chapters -- 2 Ethics for the Future through Fiction -- A Difficult Heritage: Humanism and Beyond -- New Ethics for a New Age: Hans Jonas -- Deconstruction, Ethics, and the Anthropocene: Joanna Zylinska -- Towards Posthumanist Ethics -- Actual Worlds and Possible Futures in Fiction -- Existing Ethical Approaches to Literature -- Ethical Criticism in Film
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|a Limitations of Existing Approaches -- Future Ethical Criticism: Worlds in the Making -- 3 Future World Ecologies: Kim Stanley Robinson's New York 2140 (2017) and James Cameron's Avatar (2009) -- A Political World-Ecology Approach: Kim Stanley Robinson's NewYork 2140 -- New Realist Utopianism -- Ethics through an Aesthetic Unity of Effect -- The Capitalocene: Economy-Ecology -- Political Organisation through Actor Networks -- Back to "Nature" in James Cameron's Avatar -- Effective Affection? Ethical Responses to the Fantastic -- Ecologies without Nature
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|a The Unobtainium of the Industrial-Military Complex -- Are the Scientists also the Good Guys? -- Can You See What Is Real? -- Conclusion -- 4 Transhumanist Futures: Christopher Nolan's Interstellar (2014) and Wally Pfister's Transcendence (2014) -- Transhumanist Ethics in Christopher Nolan's Interstellar -- Directing Viewers' Emotions -- The End Times of the Earth's World Ecology Managed by Bureaucrats -- Normative Humanity and Border Transgressions -- The Scientific, Science Fiction, and Space -- The Otherworld in Space: A Fusion of Science and Love
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|a Philosophical Essentialism: Futuristic Technologies and The Humanin Wally Pfister's Transcendence -- More than Black and White: Ambiguous Ethics and Aesthetics -- Will as a Prototypical Representative of Transhumanist Thought -- Technology as a New Form of Secular Spirituality -- A Natural Techno-Spirituality -- The Classical Substantivist View: Revolutionary Independence fromTechnology -- The Resolution? Max as Middle Ground, Love as Reconciling Force -- Conclusion -- 5 Futuristic Digital Neoliberalism: Spike Jonze's Her (2013) and Dave Eggers's The Circle (2013)
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|a The Self and the Other in Digital Neoliberalism: Relationshipsand Identities in Spike Jonze's Her -- The Aesthetics of Digital Neoliberalism, the Self and the Other -- A Digital Mimicking of Neoliberal Selfhood -- Failed Romance: Meeting the Self instead of the Other -- Selling Love -- A Posthuman(ist) Possibility of an Other(world) -- The Economy of Attention in Dave Eggers's The Circle -- The Aesthetics of Warning -- The Threat of a Digital Economy of Attention -- Digital Capitalism and Transhumanism -- The Individual Level: Computational Psychologies
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|a The Political Level: Democratic Transhumanism
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|a Description based on online resource; title from digital title page (viewed on July 27, 2023).
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|a Which of the possible futures might be a good future, and how do we know? Stephanie Bender looks at contemporary films and novels to address major ethical challenges of the future: the ecological catastrophe, digitalisation and biotechnology. She proposes that fiction and its modes of aesthetic simulation and emotional engagement offer a different way of knowing and judging possible futures. From a critical posthumanist angle, she discusses works ranging from Don DeLillo's Zero K (2017) and Margaret Atwood's MaddAddam Trilogy (2003-2013) to Kim Stanley Robinson's New York 2140, Avatar (2009), and Blade Runner 2049 (2017) among many others.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Ethics in literature.
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|a Ethics in motion pictures.
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|a Future, The, in literature.
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|a Future, The, in motion pictures.
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|a Fiction
|y 21st century
|x History and criticism.
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|a Motion pictures
|x History
|y 21st century.
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|a Morale dans la littérature.
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|a Morale au cinéma.
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|a Futur dans la littérature.
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|a Futur au cinéma.
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|a Roman
|y 21e siècle
|x Histoire et critique.
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|a Cinéma
|x Histoire
|y 21e siècle.
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|a LITERARY CRITICISM / American / General.
|2 bisacsh
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|a Future, The, in literature
|2 fast
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|a Future, The, in motion pictures
|2 fast
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|i Print version:
|a Bender, Stephanie
|t Ethics for the Future
|d Bielefeld : transcript,c2023
|z 9783837668209
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|a Edition Kulturwissenschaft.
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/jj.4303800
|z Texto completo
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|a De Gruyter
|b DEGR
|n 9783839468203
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|a ProQuest Ebook Central
|b EBLB
|n EBL7260959
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|a 92
|b IZTAP
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