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Ethics for the Future : Perspectives from 21st Century Fiction /

Which of the possible futures might be a good future, and how do we know? Stephanie Bender looks at contemporary films and novels to address major ethical challenges of the future: the ecological catastrophe, digitalisation and biotechnology. She proposes that fiction and its modes of aesthetic simu...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Bender, Stephanie (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld : Transcript, [2023]
Colección:Edition Kulturwissenschaft.
Temas:
Acceso en línea:Texto completo

MARC

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049 |a UAMI 
100 1 |a Bender, Stephanie,  |e author. 
245 1 0 |a Ethics for the Future :  |b Perspectives from 21st Century Fiction /  |c Stephanie Bender. 
264 1 |a Bielefeld :  |b Transcript,  |c [2023] 
300 |a 1 online resource. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Culture & theory ;  |v volume 288 
504 |a Includes bibliographical references. 
505 0 |a Cover -- Contents -- Acknowledgements -- Introduction -- Challenging Times -- Ethics for the Future: From Humanism to Posthumanism -- Ethical Criticism in the 21st Century -- Aesthetics for the Future: Popular Future Fictions -- The Chapters -- 2 Ethics for the Future through Fiction -- A Difficult Heritage: Humanism and Beyond -- New Ethics for a New Age: Hans Jonas -- Deconstruction, Ethics, and the Anthropocene: Joanna Zylinska -- Towards Posthumanist Ethics -- Actual Worlds and Possible Futures in Fiction -- Existing Ethical Approaches to Literature -- Ethical Criticism in Film 
505 8 |a Limitations of Existing Approaches -- Future Ethical Criticism: Worlds in the Making -- 3 Future World Ecologies: Kim Stanley Robinson's New York 2140 (2017) and James Cameron's Avatar (2009) -- A Political World-Ecology Approach: Kim Stanley Robinson's NewYork 2140 -- New Realist Utopianism -- Ethics through an Aesthetic Unity of Effect -- The Capitalocene: Economy-Ecology -- Political Organisation through Actor Networks -- Back to "Nature" in James Cameron's Avatar -- Effective Affection? Ethical Responses to the Fantastic -- Ecologies without Nature 
505 8 |a The Unobtainium of the Industrial-Military Complex -- Are the Scientists also the Good Guys? -- Can You See What Is Real? -- Conclusion -- 4 Transhumanist Futures: Christopher Nolan's Interstellar (2014) and Wally Pfister's Transcendence (2014) -- Transhumanist Ethics in Christopher Nolan's Interstellar -- Directing Viewers' Emotions -- The End Times of the Earth's World Ecology Managed by Bureaucrats -- Normative Humanity and Border Transgressions -- The Scientific, Science Fiction, and Space -- The Otherworld in Space: A Fusion of Science and Love 
505 8 |a Philosophical Essentialism: Futuristic Technologies and The Humanin Wally Pfister's Transcendence -- More than Black and White: Ambiguous Ethics and Aesthetics -- Will as a Prototypical Representative of Transhumanist Thought -- Technology as a New Form of Secular Spirituality -- A Natural Techno-Spirituality -- The Classical Substantivist View: Revolutionary Independence fromTechnology -- The Resolution? Max as Middle Ground, Love as Reconciling Force -- Conclusion -- 5 Futuristic Digital Neoliberalism: Spike Jonze's Her (2013) and Dave Eggers's The Circle (2013) 
505 8 |a The Self and the Other in Digital Neoliberalism: Relationshipsand Identities in Spike Jonze's Her -- The Aesthetics of Digital Neoliberalism, the Self and the Other -- A Digital Mimicking of Neoliberal Selfhood -- Failed Romance: Meeting the Self instead of the Other -- Selling Love -- A Posthuman(ist) Possibility of an Other(world) -- The Economy of Attention in Dave Eggers's The Circle -- The Aesthetics of Warning -- The Threat of a Digital Economy of Attention -- Digital Capitalism and Transhumanism -- The Individual Level: Computational Psychologies 
500 |a The Political Level: Democratic Transhumanism 
588 |a Description based on online resource; title from digital title page (viewed on July 27, 2023). 
520 |a Which of the possible futures might be a good future, and how do we know? Stephanie Bender looks at contemporary films and novels to address major ethical challenges of the future: the ecological catastrophe, digitalisation and biotechnology. She proposes that fiction and its modes of aesthetic simulation and emotional engagement offer a different way of knowing and judging possible futures. From a critical posthumanist angle, she discusses works ranging from Don DeLillo's Zero K (2017) and Margaret Atwood's MaddAddam Trilogy (2003-2013) to Kim Stanley Robinson's New York 2140, Avatar (2009), and Blade Runner 2049 (2017) among many others. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Ethics in literature. 
650 0 |a Ethics in motion pictures. 
650 0 |a Future, The, in literature. 
650 0 |a Future, The, in motion pictures. 
650 0 |a Fiction  |y 21st century  |x History and criticism. 
650 0 |a Motion pictures  |x History  |y 21st century. 
650 6 |a Morale dans la littérature. 
650 6 |a Morale au cinéma. 
650 6 |a Futur dans la littérature. 
650 6 |a Futur au cinéma. 
650 6 |a Roman  |y 21e siècle  |x Histoire et critique. 
650 6 |a Cinéma  |x Histoire  |y 21e siècle. 
650 7 |a LITERARY CRITICISM / American / General.  |2 bisacsh 
650 7 |a Future, The, in literature  |2 fast 
650 7 |a Future, The, in motion pictures  |2 fast 
776 0 8 |i Print version:  |a Bender, Stephanie  |t Ethics for the Future  |d Bielefeld : transcript,c2023  |z 9783837668209 
830 0 |a Edition Kulturwissenschaft. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/jj.4303800  |z Texto completo 
938 |a De Gruyter  |b DEGR  |n 9783839468203 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL7260959 
994 |a 92  |b IZTAP