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The Wood Engravers' Self-Portrait The Dalziel Archive and Victorian Illustration.

The first major study of Dalziel Brothers, a Victorian image-making firm that made a phenomenal contribution to mass visual culture.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Stevens, Bethan
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2022.
Temas:
Acceso en línea:Texto completo

MARC

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049 |a UAMI 
100 1 |a Stevens, Bethan. 
245 1 4 |a The Wood Engravers' Self-Portrait  |h [electronic resource] :  |b The Dalziel Archive and Victorian Illustration. 
260 |a Manchester :  |b Manchester University Press,  |c 2022. 
300 |a 1 online resource (409 p.) 
336 |a text  |2 rdacontent 
336 |a still image  |2 rdacontent 
337 |a computer  |2 rdamedia 
338 |a online resource  |2 rdacarrier 
500 |a Description based upon print version of record. 
505 0 |a Front matter -- Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- List of Figures -- Acknowledgements -- Introduction: Approaching engravings: medium and the parasite -- A wordless memoir: the illustrator as archivist -- Part I The Dalziel family and their 'woodpecker' employees, 1839-93 -- 'The print of [her] feet' (Wordsworth): the wood engravers' self-portrait -- Ruskin's sinisterity: disjointed hands and brains, and the division of art labour -- Barnaby Rudge and 'the atmosphere of letters' (Craik): apprenticeship, education and employment 
505 8 |a Ghostwriting the line of the other: Wilkie Collins's After Dark and Dalziel's freelance engravers -- 'This midnight forger' (Trollope): signatures, authorship and relations between engravers and draughtspeople -- Part II Medium and technique at Dalziel Brothers -- 'Off with her head!' (Carroll): execution, technical violence and the discipline of visual culture -- 'These many ingenious adaptations of photography' (Dalziel): photography and wood engraving, from Eadweard Muybridge to Julia Margaret Cameron 
505 8 |a 'A peculiar brilliancy of black' (DeVinne): the colour of monochrome, and Thomas Dalziel's The May Queen -- Speed, print, news -- Conclusion: Greedy rats -- Bibliography -- Index of names 
520 |a The first major study of Dalziel Brothers, a Victorian image-making firm that made a phenomenal contribution to mass visual culture. 
504 |a Includes bibliographical references and index. 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
610 2 0 |a Dalziel Brothers  |x History. 
610 2 7 |a Dalziel Brothers  |2 fast 
650 0 |a Illustration of books  |z England  |y 19th century. 
650 0 |a Wood-engravers  |z England  |x History  |y 19th century. 
650 6 |a Illustration des livres  |z Angleterre  |y 19e siècle. 
650 6 |a Graveurs sur bois  |z Angleterre  |x Histoire  |y 19e siècle. 
650 7 |a DESIGN / Graphic Arts / Illustration  |2 bisacsh 
650 7 |a Wood-engravers  |2 fast 
650 7 |a Illustration of books  |2 fast 
651 7 |a England  |2 fast 
648 7 |a 1800-1899  |2 fast 
655 0 |a Electronic books. 
655 7 |a History  |2 fast 
776 0 8 |i Print version:  |a Stevens, Bethan  |t The Wood Engravers' Self-Portrait  |d Manchester : Manchester University Press,c2022  |z 9781526156662 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/jj.2516295  |z Texto completo 
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938 |a Project MUSE  |b MUSE  |n musev2_111954 
938 |a ProQuest Ebook Central  |b EBLB  |n EBL30507009 
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