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JSTOR_on1373342379 |
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230325s2023 gw o 000 0 eng d |
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|a EBLCP
|b eng
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|c EBLCP
|d JSTOR
|d DEGRU
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|d OCLCF
|d MUU
|d YDX
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|a 9783839460269
|q electronic book
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|a 3839460263
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|b 000073800830
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|a (OCoLC)1373342379
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|a 22573/cats1316066
|b JSTOR
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|a TR721
|b .D57 2023
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|a TR692.5
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|a 778.93
|2 23/eng/20230331
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|a UAMI
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|a Disturbed Ecologies :
|b Photography, Geopolitics, and the Northern Landscape in the Era of Environmental Crisis /
|c Darcy White, Julia Peck, Chris Goldie (eds.).
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|a Bielefeld :
|b transcript,
|c [2023]
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|a 1 online resource (347 p.).
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
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|a Image ;
|v Volume 203
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|a Cover -- Contents -- Preface and Acknowledgements -- Introduction -- References -- Visualizing the Pristine: the role of imagery in local stewardship of landscape -- Introduction -- Capturing 'beauty' in Arjeplog -- The work of beautiful photographs -- Visualising bad practice -- Visible and invisible in the global commons -- Conclusion -- References -- Scene and Unseen: (Re-)envisioning the Arctic Imaginary through Photography -- Image -- Tensions -- Place -- Histories -- Archives -- Sublime -- Challenge -- Imagination -- Investigation -- Hope -- Atmosphere -- Evidence
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|a Contemporary Horizons -- References -- Data Rush: How 'Green' Computing is Opening Up a New Frontier in Arctic Norway -- Part I. The Materiality of the Virtual -- The continuities of Potosi -- Part II. Making Place for Data Centres -- Data rush at a dead end? The short story of Kolos -- Infrastructural pipelines that smooth frictions -- Speculation, volatility and the anticipatory politics of infrastructure development -- Part III. Empty Space and Natural Flows -- A natural fit for the surrounding landscape -- Absences obscure extraction and labour
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|a Vast, empty and undisturbed: the North remains majestic -- Part IV. Conclusion -- References -- Northern landscape, process, conjuncture -- References -- Ecological entanglements: embodied surfaces and screens in the work of Victoria Lucas -- Introduction -- Significant surfaces -- Material intra-actions and entanglements -- Conclusion -- References -- Northern landscapes with a story. The affordances of the aerial view in environmental photography -- Introduction -- Purpose and questions -- Theory and background -- Method -- Results: Three dimensions of presencing/ absencing
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|a Theme 1: From above or up close -- the role of distance and proximity -- Aerials create unique overview -- Aerials less emotionally engaging -- Theme 2: The role of the North in environmental photography -- The North as a potential source of engaging climate visuals -- The North as remote and hard to relate to -- Theme 3: Intensity of expression -- Persuasive images have a numbing effect, subtle expression invites the viewer -- Journalistic images with aesthetic qualities -- Discussion -- References
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|a The Experimental Darkroom: case studies in northern landscape through the material ecology of photographs -- 1. problematic of the north -- 2. the lifecycle laid bare / extractivism -- 2.1 disruptions and between-states / remote -- 2.2 ghosts / the edge of sight -- 3. the book and the archive / timeless -- 4. the zine / geology -- 5. plant pigment and care / wilderness -- 5.1 sentience and plant developer / wild -- 5.2 cyanotype / barren -- 6. soil portraits / dirt -- 7. conclusion -- References -- Mapping the Anthropocene: Beautiful Destruction and Dark Ecology -- Introduction -- North
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|a Beautiful Destruction
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|a In the context of an environmental crisis, photography and its related practices can be part of an emancipatory project, challenging techno-utopian solutions and envisioning alternative possibilities for sustaining life on this planet. This anthology critically addresses the geopolitics of environmental devastation from the perspective of photographers, artists, curators and theorists. The contributors engage with recent debates about the Anthropocene and the need to identify the socioeconomic and political causes of climate change. The essays question the validity of images within which ecological crisis is seen as the consequence of undifferentiated human activity.
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|a Description based on online resource; title from digital title page (viewed on April 24, 2023).
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Nature photography.
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|a Photography in environmental monitoring.
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|a Art and society.
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|a Environmentalism.
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|a Art and photography.
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|a Photographie de la nature.
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|a Photographie dans la surveillance de l'environnement.
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|a Art et société.
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|a Environnementalisme.
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|a Art et photographie.
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|a nature photography.
|2 aat
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|a ART / History / General.
|2 bisacsh
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|a Art and photography
|2 fast
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|a Art and society
|2 fast
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|a Environmentalism
|2 fast
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|a Nature photography
|2 fast
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|a Photography in environmental monitoring
|2 fast
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1 |
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|a White, Darcy
|c (Art historian),
|e editor.
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|a Peck, Julia,
|e editor.
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|a Goldie, Chris,
|e editor.
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776 |
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|i Print version:
|a White, Darcy
|t Disturbed Ecologies
|d Bielefeld : transcript,c2023
|z 9783837660265
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830 |
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|a Image (Transcript (Firm)) ;
|v v. 203.
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856 |
4 |
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|u https://jstor.uam.elogim.com/stable/10.2307/jj.1357294
|z Texto completo
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938 |
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|a YBP Library Services
|b YANK
|n 303000220
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938 |
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|a De Gruyter
|b DEGR
|n 9783839460269
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL7216090
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994 |
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|a 92
|b IZTAP
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