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|a UAMI
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|a Dixon, Tom.
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|a Music, nature and divine knowledge in England, 1650-1750 :
|b between the rational and the mystical.
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|a Woodbridge :
|b The Boydell Press,
|c 2023.
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|a 1 online resource
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|a Music in Society and Culture ;
|v v.11
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|a Front cover -- Contents -- Illustrations -- Editors' Foreword -- Acknowledgements -- Editorial Conventions -- Abbreviations -- Introduction -- Part I -- 1 Constructions of Musical Meaning -- 2 Lives -- 3 The Universities -- 4 Urban Cultures -- 5 The Impact of Newton -- Part II -- 6 'Divinely Natural Magick': Enthusiasm and Aesthetics in an Enchanted Universe -- 7 'Ancient Harmonies': Music and the Prisca Theologia -- 8 Druids -- 9 The Genius of Nature -- 10 The Restoration of All Things -- Editors' Afterword -- Bibliography -- Index -- Music in Society and Culture
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|a During a period of tumultuous change in English political, religious and cultural life, music signified the unspeakable presence of the divine in the world for many.
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|a Music
|x Religious aspects
|x Christianity
|x History
|y 17th century.
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|a Music
|x Religious aspects
|x Christianity
|x History
|y 18th century.
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|a Music
|x Social aspects
|z England
|x History
|y 17th century.
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|a Music
|x Social aspects
|z England
|x History
|y 18th century.
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|a Music
|x Religious aspects
|x Christianity.
|2 fast
|0 (OCoLC)fst01030426
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|a Music
|x Social aspects.
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|a England.
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|0 (OCoLC)fst01219920
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|a 1600-1799
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|a History.
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|0 (OCoLC)fst01411628
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|i Print version:
|a Dixon, Tom
|t Music, Nature and Divine Knowledge in England, 1650-1750
|d Woodbridge : Boydell & Brewer, Incorporated,c2023
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|a Music in society and culture.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv31nzm0r
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