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|a YDX
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|d JSTOR
|d EBLCP
|d OCLCQ
|d OCLCF
|d WAU
|d OCLCO
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|a 1369656342
|a 1369671985
|a 1372016146
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|a 9781839980978
|q PDF
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|a 1839980974
|q PDF
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|a 1839980982
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|z 9781839980961
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|z 1839980966
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|a AU@
|b 000073603487
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|a (OCoLC)1372196573
|z (OCoLC)1369656342
|z (OCoLC)1369671985
|z (OCoLC)1372016146
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|a 22573/cats733244
|b JSTOR
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|a PN1995.9.H6
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|a 791.436164
|2 23/eng/20230313
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|a UAMI
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|a DeGiglio-Bellemare, Mario,
|d 1965-
|e author.
|1 https://isni.org/isni/0000000437108939
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|a Grand-Guignol cinema and the horror genre :
|b sinister tableaux of dread, corporeality and the senses /
|c Mario DeGiglio-Bellemare.
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|a London :
|b Anthem Press,
|c 2023.
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|c ©2023
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|a 1 online resource (260 pages)
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|a text
|b txt
|2 rdacontent
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|a computer
|2 rdamedia
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|a online resource
|2 rdacarrier
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|a Anthem series on exploitation and industry in world cinema
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|a Includes bibliographical references and index.
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|a Introduction: Grand-Guignol Cinema and the senses: Eyes Without a Face, attractions, affect and facial trauma -- The Grand-Guignol Theatre: A short history of the theatre and spatial ecologies of dread: The Hitch-Hiker and Shivers -- Grotesque carnivals of "stubborn" aurality: Embodied discourse in early talkie horror cinema: Murders in the Rue Morgue, Freaks, and The Black Cat -- The sight of corpses in the ruins of modernity: Surgical sadists under censorship: The Body Snatcher, and Mad Love, The Blood of the Beasts -- Erotic abattoirs of bad taste: Unproductive potlatch in exploitation cinema: Fascination, Grapes of Death, and Salò, or 120 Days of Sodom -- French colonial skinning: Affect and becoming-wound in the cinema of sensation: Trouble Every Day, Sombre, and In My Skin -- Conclusion: Drag performativity and multisensorial dread: Blood and Black Lace and Psycho.
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|a "Grand-Gugignol Cinema and the Horror Genre maps important contributions of the Parisian Grand-Guignol theatre's Golden Age as theoretical considerations of embodiment and affect in the development of horror cinema in the twentieth century. This study traces key components of the Grand-Guignol stage as a means to explore the immersive and corporeal aspects of horror cinema from the sound period to today"--
|c Provided by publisher.
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|a Mario DeGiglio-Bellemare teaches courses in genre cinema, grotesque traditions, cinematic embodiment and monster ethics in the Humanities department at John Abbott College, Canada. He is also an independent filmmaker and the co-director of the Montréal Monstrum Society.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Théâtre du Grand-Guignol
|x History.
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|a Théâtre du Grand-Guignol
|2 fast
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|a Horror films
|x History and criticism.
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|a Films d'horreur
|x Histoire et critique.
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|a Horror films
|2 fast
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|a Electronic books.
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|a Criticism, interpretation, etc.
|2 fast
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|a History
|2 fast
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|i Print version:
|a DeGiglio-Bellemare, Mario, 1965-
|t Grand-Guignol cinema and the horror genre.
|d London : Anthem Press, 2023
|z 9781839980961
|w (OCoLC)1328024887
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830 |
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0 |
|a Anthem series on exploitation and industry in world cinema.
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856 |
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|u https://jstor.uam.elogim.com/stable/10.2307/jj.766978
|z Texto completo
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|a YBP Library Services
|b YANK
|n 304664495
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938 |
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|a ProQuest Ebook Central
|b EBLB
|n EBL6922162
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938 |
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|a YBP Library Services
|b YANK
|n 304456576
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994 |
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|a 92
|b IZTAP
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