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Anders als die Andern /
"2019 marked the centennial for the German hygiene film melodrama Anders als die Andern (Different from the Others), which premiered at the Apollo-Theater in Berlin, Germany, May 24, 1919. In film history, it is heralded as the first feature-length moving picture depicting explicit queer love....
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Montreal ; Chicago :
McGill-Queen's University Press,
[2023]
|
| Colección: | Queer film classic.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Malakaj, Ervin, |e author. | |
| 245 | 1 | 0 | |a Anders als die Andern / |c Ervin Malakaj. |
| 264 | 1 | |a Montreal ; |a Chicago : |b McGill-Queen's University Press, |c [2023] | |
| 300 | |a 1 online resource (xxi, 150 pages) : |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Queer film classics | |
| 504 | |a Includes bibliographical references and index. | ||
| 520 | |a "2019 marked the centennial for the German hygiene film melodrama Anders als die Andern (Different from the Others), which premiered at the Apollo-Theater in Berlin, Germany, May 24, 1919. In film history, it is heralded as the first feature-length moving picture depicting explicit queer love. The film was a collaboration between Richard Oswald (who directed the film), one of the leading genre filmmakers of the 1910s, and the German sexologist Magnus Hirschfeld. Hirschfeld's queer rights advocacy and scholarship transformed Berlin of the 1910s and 20s into a center for early queer studies. The film's main message calls for the abolishment of the criminalization of male same-sex love, which the sexologist pursued for decades. Its subject mater and call for reform started a series of public scandals that led its ban. Despite the public critique and harsh censure, the film became an instant hit, frequently showing to sold-out theaters. As a result of the ban and the rise of Nazism, the film was lost until the 1970s, when it was re-released (and since restored). For contemporary audiences, it became a widely known artefact capturing queer love of the late-1910s. Recent rekindled interest in the sexual politics of the Weimar Era among the broader public (most prominently expressed in the success of the Netflix series Babylon Berlin), as well as extensive scholarly interest in early German sexology and queer rights advocacy surrounding Hirschfeld and his circle, have amplified broader interest. Malakaj's book situates Anders als die Andern within broader trends in international queer film history, drawing in part on the film's reception and exhibition history after 1933 and in the history of sexology and queer rights by exploring the queer rights and advocacy work underway in Germany in the three decades leading up to its production. His understanding of the contemporary significance of a hundred year old flm is in informed by recent work in queer affect theory, notably Heather Love's discussion of "feeling backward," which describes a mode of engagement with recognizes the painful homophobia that burdens queer history as a basis for sustained political action."-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on September 05, 2023). | ||
| 505 | 0 | |a Cover -- Anders als die Andern -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Synopsis -- Credits -- Introduction: The Pleasures and Pains of Watching Anders als die Andern -- 1 Producing Anders als die Andern: Melodrama between Genre Cinema and Public Health Discourse -- 2 The Form of Melodrama: Gesture, Anguish, and Queer Life in Anders als die Andern -- 3 Feeling Backward with Anders als die Andern -- Conclusion: The Queer Cinema of Mourning -- Notes -- References -- Index | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 630 | 0 | 0 | |a Anders als die Andern (Motion picture) |
| 630 | 0 | 7 | |a Anders als die Andern (Motion picture) |2 fast |0 (OCoLC)fst01776053 |
| 650 | 0 | |a Motion pictures |z Germany |x History. | |
| 650 | 0 | |a Male homosexuality in motion pictures. | |
| 650 | 7 | |a Male homosexuality in motion pictures. |2 fast |0 (OCoLC)fst01903819 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 651 | 7 | |a Germany. |2 fast |0 (OCoLC)fst01210272 | |
| 650 | 7 | |a PERFORMING ARTS / Film / History & Criticism |2 bisacsh | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 4 | |a Electronic books. | |
| 776 | 0 | 8 | |i Print version: |a Malakaj, Ervin. |t Anders als die Andern (Different from the others) |d Montreal ; Kingston ; London ; Chicago : McGill-Queen's University Press, 2023 |z 0228018676 |z 9780228018674 |w (OCoLC)1367268173 |
| 830 | 0 | |a Queer film classic. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/jj.6047919 |z Texto completo |
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